Sreylin Meas began her career in filmmaking as a film crew member in 2009. She has since worked on film and television productions, and California Dreaming is her first short film.
O aspirante a dançarino Samnang e sua família fazem parte de uma comunidade no Edifício Branco, um importante bloco de apartamentos e um marco cultural da capital cambojana. Suas vidas são subitamente destroçadas pela notícia da iminente demolição de sua casa para dar lugar a um novo empreendimento.
A young woman working late at night at a beauty salon gives into her restrained interest in a young man who spends his evenings driving Phnom Penh's streets by motorbike as a delivery man.
Phom Penh, Cambodia, nowadays. Sony, a 10-year-old Cambodian kid working at a discharge, is thrown out of home by his father. Left on his own, he is fostered by an association that is allowing him to go to school and to discover a new way of living. Sony will quickly settle, but on the day of a school outing, he makes an unexpected discovery.
Two women of different backgrounds encounter one another at an oceanfront resort. They then discover a hidden bond that allows them to escape from their realities.
Two women of different backgrounds encounter one another at an oceanfront resort. They then discover a hidden bond that allows them to escape from their realities.
A polícia de Camboja prende um mafioso conhecido como Playboy, a quem é atribuída a liderança da famosa gangue Butterfly. Três oficiais da polícia franco cambojana estão participando de um esquema para escoltar Playboy para a cadeia. No caminho do presídio, o mafioso revela que ele não é o chefe, como é suposto, e ele promete revelar quem é o líder em troca de benefícios legais.
The story of Aniccam follows an ivory smuggler, a crooked policeman, and Narith, a young construction worker running away into the night with a mysterious suitcase, coveted by everyone that sees it. Inspired by the rapid evolution of Sihanoukville, a fishing village turned into the next Macao of South East Asia as a result of Chinese investment, Aniccam (Khmer for ‘impermanence’) straddles the tension between cultural alienation and belonging, and the muddiness of individual betterment in a climate of economic colonialism.
