Sreylin Meas began her career in filmmaking as a film crew member in 2009. She has since worked on film and television productions, and California Dreaming is her first short film.
한때 캄보디아 수도 프놈펜의 도시화와 근대화를 상징하던 화이트 빌딩. 세월이 흘러 건물은 낡고 사람들은 하나 둘 떠나간다. 철거와 이주를 앞두고 보상금 문제로 주민들 간 대립이 심화되는 상황. 영화는 힙합 댄서를 꿈꾸지만 녹록하지 않은 현실과 마주하는 청년 썸낭과 입주민을 대표하여 정부 측과 협상을 하지만 별다른 힘을 못 쓰는 그의 아버지를 중심으로 담담하게 진행된다. (제26회 부산국제영화제)
Phom Penh, Cambodia, nowadays. Sony, a 10-year-old Cambodian kid working at a discharge, is thrown out of home by his father. Left on his own, he is fostered by an association that is allowing him to go to school and to discover a new way of living. Sony will quickly settle, but on the day of a school outing, he makes an unexpected discovery.
Two women of different backgrounds encounter one another at an oceanfront resort. They then discover a hidden bond that allows them to escape from their realities.
Two women of different backgrounds encounter one another at an oceanfront resort. They then discover a hidden bond that allows them to escape from their realities.
암살 위협을 받고 있는 범죄자를 다른 감옥으로 옮기는 단순한 임무를 맡은 경찰 특수부대원. 하지만 잠시 머물던 감옥에서 죄수들이 폭동을 일으켜 모든 것을 장악하는 위험한 상황이 벌어진다. 게다가 그를 살해하려는 여성 범죄조직원들까지 들어오면서 혼란은 더욱 가중된다. [제21회 부천국제판타스틱영화제]
The story of Aniccam follows an ivory smuggler, a crooked policeman, and Narith, a young construction worker running away into the night with a mysterious suitcase, coveted by everyone that sees it. Inspired by the rapid evolution of Sihanoukville, a fishing village turned into the next Macao of South East Asia as a result of Chinese investment, Aniccam (Khmer for ‘impermanence’) straddles the tension between cultural alienation and belonging, and the muddiness of individual betterment in a climate of economic colonialism.
