Henri Maïkoff

Gina, 15, lives in a city on the edge of the forest. She admires her father, unpredictable and whimsical, able to take his children at night in the woods, even to forget them. Jimmy's more and more frequent skids end up alarming his wife Carole. Soon, the fragile family balance is broken when Jimmy is interned in a psychiatric hospital. When Gina meets Nico, a boy from her neighborhood, she awakens to love and sees a chance to escape her father.

Spira comes home from a juvenile detention center and reconnects with his loved ones in Reboleira (Lisbon), a slum on the verge of being destroyed. Kikas makes it clear that he’s not welcome.

Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.

Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she's a foreigner in her own country. But there's still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself.

Don Quixote, Luís de Camões, Camilo Castelo Branco and Teixeira de Pascoaes meet in an eternal garden in the middle of a modern city and talk about life.

Young and full of life, Murielle has a promising future ahead of her when she meets and falls head over heels for Mounir. A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father. As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.

A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.

Marina, Sofía and Violeta are three teenage sisters who have just suffered the loss of the grandmother who raised them. Each one will live the mourning in her own way, in a house inhabited by a myriad of memories, responsibilities and tensions.

Despite his age and general weariness, Gebo keeps on working as an accountant to provide for his family. He lives with his wife, Doroteia, and his daughter-in-law, Sofia, but it is the absence of João, son and husband, that worries them.Gebo seems to be hiding something, especially to Doroteia, who is anxiously waiting to see her son again. Sofia is also waiting for her husband to come home, and yet she fears him. All of a sudden, João arrives and everything changes.

A photographer, Isaac is asked by hotel owners to take portraits of their recently deceased daughter Angélica. When he looks at her through the lens of his camera, she appears to come back to life just for him. He instantly falls in love with her. From that moment, he will be haunted by Angélica day and night.

A photographer, Isaac is asked by hotel owners to take portraits of their recently deceased daughter Angélica. When he looks at her through the lens of his camera, she appears to come back to life just for him. He instantly falls in love with her. From that moment, he will be haunted by Angélica day and night.

Suddenly he thinks her alone, his wife. This person whom he doesn't know how to love and who is now falling prey to a gnawing disease. This woman whom he knows so little about and whom he would like to be with him. Right now, Just like before.

Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight after starting his first job as a book keeper at his Uncle Francisco's shop in Lisbon he falls madly in love with a young blonde, who lives across the road. No sooner does he meet her than he straightaway wants to marry her. His uncle, totally opposed to the match, fires him and kicks him out of the house. Macário departs for Cape Verde where he makes his fortune. When he finally wins his uncle’s approval to marry his beloved, he discovers the “singularity” of his fiancée’s character.

A true story of a doctor and his wife who went on a journey in order to prove that discoverer Christopher Columbus was in fact Portuguese. Inspired by the book "Cristóvão Colon Era Português".

38 years after the events in the Luis Buñuel classic Belle du jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.

Luciano, fresh out of jail, was taken by his brother, Flórido, to serve in the home of wealthy Alfreda. He was surprised when she told him that her greatest desire was to see the Virgin Mary. Now comes this rich land owner with her sublime pretensions. Isn't it enough for her to have an Aston Martin and a Jaguar in the garage and ten different dresses per season? It was all professor Heschel's fault. Or someone else's. Anyway, to go beyond the promise is heresy. Alfreda said that she wouldn't rest until she saw the Virgin and made her some questions. Filipe Quinta, the Forger, says he has a solution. Meanwhile, Bahia, her husband, listens do music.

Having lost her place among the social elite, a widow remarries and starts a family.

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

The story of Father Antonio Vieira, a 17th-century Portuguese priest who lived in Brazil and worked for better treatment of the Indians and to abolish slavery.

A documentary about the French writer Jean Genet and his relations with the Palestinian revolution. One day after the September 1982 massacre at the refugee camp of Shatila in Beirut, Genet visits the camp. Suffering from throat cancer and having written nothing in years, Genet begins to write on the threshold of his death about this disturbing new experience. It leads to his last book, entitled “Un captif amoureux” in which Genet reflects on the Palestinian revolution, its defeat, and the loss of one’s homeland. In this film a young French woman of Algerian origin who is reading the book returns to the landscapes of the Palestinian resistance and the refugee camps full of exiles, in search of Genet.

Documentary based on the figure of Manuel Agujetas (Manuel de los Santos Pastor 1939-2015), mythical cantaor and one of the last representatives of the Flamenco de Jerez school. Essential figure of flamenco.

After a suicidal teenage girl gives birth, she misguidedly entrusts her baby’s safety to the troubled, deadbeat father, whose violent actions take the viewer on a tour of the foreboding, crumbling shantytown in which they live.

At her son's funeral, Solange, a lawyer famous for losing hopeless cases, agrees to defend René, her son's age, accused of murdering his wealthy aunt, Jeanne, who's part of the Franco-Belgian Psychoanalytic Society, known for odd views and methods. She reads Jeanne's journal, documenting René's criminal tendencies. Solange believes him innocent, manipulated into the murder or framed. Odd psychiatrists turn up, including Georges Didier, who runs FBPS, and his rival, Christian, who believes crime originates in a story's taking hold of a person. After the verdict, René and Solange's relationship changes, Georges and his society commit a bizarre act, and the police record Solange's story.

This French language drama from Portuguese filmmaker Manoel de Oliveira takes an ironic look at the pretentiousness of international jet-setters while simultaneously examining an obsessive romantic relationship between an aging Lothario and a beautiful married woman. The tale begins at a garden party in a lovely villa in the Azores held by Rogerio and Leonor for handsome, middle-aged Michel and his mistress Irene, a noted Greek movie star. The guests aren't there long before an obvious attraction between Leonor and Michel prompts them to head for a private beach (their tryst, if there was one, occurs off-camera). Five years later, the foursome again meet for a garden party and once again they pair off after spending much time discussing gender differences, emotion, social insight and exchanging witty bon mots.

Six years before this story begins, Rosemonde killed a would-be rapist. She was acquitted and returned to working part-time in a Geneva bar. Back in the present, a brand new television station seeks to create a television film about Rosemonde's life. The project is helmed by independent producer Kevin assigns his screen-writing pal Paul to interview Rosemonde and use it for the basis of a fictionalized teleplay. Unfortuantely for him, the taciturn and cynical barmaid wants nothing to do with project and refuses to speak to Paul. This satirical French-Swiss drama follows Paul as he simultaneously attempts to get her story and into her bed. Since Rosemonde refuses to speak to him, Paul decides to pay his ex-lover Marie, a serious stage actress, become the bar maid's friend.

Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, there is no sign of the hole in his head. Day breaks over the city. Further strolls are in sight. It is said that Mr. Monteiro, the alter ego of João de Deus, occasionally goes out with Nicholas Ray. At least, they've been seen together.

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlos Paiva, a father's friend, to whom she is not attracted. They move to the Valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. With time she begins to feel unhappy about her marriage, so she finds a lover.

She's a beautiful gifted performer, but her work is not the sort that invites popular acclaim. Despite the fact that she is unlikely to become famous, she enjoys her life as a performer who lives just outside the mainstream. Awaiting her backstage one evening is a Spanish painter who has seen her show and wants to make her acquaintance. They walk around Paris getting to know one another, and then the painter returns to Spain. Something about the man has moved Lady M to passion: she flies to meet him in Barcelona and he shows her his beloved Catalonia. This time, however, their relationship is as much about passionate lovemaking as it is about compatibility. So smitten is Lady M with her new man that when she discovers that the painter has a black wife and child, she is only a little bit taken aback and she invites his whole family to join her in Paris. Surprisingly, they do, and the number of people sharing their love and sexual appetites changes from two to three.

The films and methods of Nicolas Philibert, maker of Etre et avoir, have shown him to be one of contemporary cinema’s most acclaimed documentarists. In The Land of the Deaf is an elegantly spare and thoughtful portrait of the rich, diverse, but often isolated culture of the deaf community. The film has tremendous power and value: it educates and transports us to another way of occupying this world, and it does so in a pleasurable, unrushed and intelligent fashion.

Documentary on one of 20th century greatest photographers, the French Robert Doisneau.

A septuagenarian couple are attracted to each other in a retirement home but find the institution and their fellow patients frown on their relationship.

The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.

A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.