Henri Maïkoff

열다섯 살의 지나는 사랑스러운 가족들과 함께 숲의 끝에 있는 집에 살고 있다. 지나는 예측할 수 없고 엉뚱한 아빠 지미를 사랑한다. 그러던 어느 날 상황이 걷잡을 수 없을 정도로 악화되자 지나는 이웃 집에 사는 니코와 함께 아빠를 구하고자 한다.

Spira comes home from a juvenile detention center and reconnects with his loved ones in Reboleira (Lisbon), a slum on the verge of being destroyed. Kikas makes it clear that he’s not welcome.

Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.

Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she's a foreigner in her own country. But there's still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself.

Don Quixote, Luís de Camões, Camilo Castelo Branco and Teixeira de Pascoaes meet in an eternal garden in the middle of a modern city and talk about life.

Young and full of life, Murielle has a promising future ahead of her when she meets and falls head over heels for Mounir. A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father. As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.

A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.

여름날의 부에노스아이레스, 나른하지만 날이 선 분위기가 감도는 집에서 세 자매 마리나, 소피아, 비올레타가 하루를 시작한다. 사실 얼마 전, 세 자매를 돌보아 주었던 할머니가 세상을 떠났다. 세 자매는 함께, 또한 각자의 방식으로 할머니의 빈자리를 채우며 삶을 이어 간다. 그러던 어느 날, 비올레타가 말도 없이 집을 떠나 버린다. 상실과 부재로 인한 혼란과 불안을 극복하며 삶의 새로운 장으로 나아가려는 세 자매의 이야기를 그리고 있다.

하울 브란당의 희곡을 영화화한 작품. 아내와 딸과 함께 조용히 살아가는 게보에게는 사실 8년 전 집을 떠난 아들 주앙이 있다. 그런데 어느 날 밤, 주앙이 아무 일도 없었다는 듯이 집으로 돌아오고 이때부터 말로 설명하기 힘든 이상한 긴장감이 발생한다. 한정된 공간 안에서 벌어지는 인물들의 미묘한 심리 변화가 돋보이는 작품. (2014 한국시네마테크협의회 - 마누엘 드 올리베이라 회고전)

늦은 밤, 사진작가 아이작은 결혼 후 며칠 만에 죽어 버린 딸 안젤리카의 마지막 사진을 찍어달라는 갑작스러운 부탁을 받는다. 안젤리카의 시신을 본 아이작은 그녀의 미모에 압도되는데, 그가 카메라 렌즈를 통해 본 그녀는 마치 살아있는 듯하다. 안젤리카와 사랑에 빠진 아이작은 밤낮으로 그녀와의 만남을 이어간다. 제작 당시 이미 100세를 넘겼던 올리베이라는 사진을 통해 예술에 대해 성찰하고, 아름다운 환영들 사이에서 삶과 죽음의 경계, 현실과 초현실의 경계를 유유히 거닌다. 초안은 1946년에, 각본은 1952년에 썼으며, 이후 현대적인 요소들을 가미했다고 한다. (2017년 영화의 전당) 사진사 이작은 한밤중에 한 집안의 부름을 받고 죽은 안젤리카의 사진을 찍다 그녀에게 반해 버린 이작은 렌즈와 사진-이미지 속에서 살아나는 그녀에게서 헤어나지 못하게 되는데…. 포르투갈의 노장 올리베이라 감독의 사랑과 예술에 관한 우화. (2011년 제12회 전주국제영화제)

늦은 밤, 사진작가 아이작은 결혼 후 며칠 만에 죽어 버린 딸 안젤리카의 마지막 사진을 찍어달라는 갑작스러운 부탁을 받는다. 안젤리카의 시신을 본 아이작은 그녀의 미모에 압도되는데, 그가 카메라 렌즈를 통해 본 그녀는 마치 살아있는 듯하다. 안젤리카와 사랑에 빠진 아이작은 밤낮으로 그녀와의 만남을 이어간다. 제작 당시 이미 100세를 넘겼던 올리베이라는 사진을 통해 예술에 대해 성찰하고, 아름다운 환영들 사이에서 삶과 죽음의 경계, 현실과 초현실의 경계를 유유히 거닌다. 초안은 1946년에, 각본은 1952년에 썼으며, 이후 현대적인 요소들을 가미했다고 한다. (2017년 영화의 전당) 사진사 이작은 한밤중에 한 집안의 부름을 받고 죽은 안젤리카의 사진을 찍다 그녀에게 반해 버린 이작은 렌즈와 사진-이미지 속에서 살아나는 그녀에게서 헤어나지 못하게 되는데…. 포르투갈의 노장 올리베이라 감독의 사랑과 예술에 관한 우화. (2011년 제12회 전주국제영화제)

Suddenly he thinks her alone, his wife. This person whom he doesn't know how to love and who is now falling prey to a gnawing disease. This woman whom he knows so little about and whom he would like to be with him. Right now, Just like before.

100세의 나이가 된 포르투갈의 거장 올리베이라 감독의 작품. 오랜 경험과 그만의 분위기가 담긴 이번 작품 역시 우리의 기대를 저버리지 않는다. 이번 작품에서는 삼촌의 사무실에서 회계 경리로 일하는 한 젊은이의 사랑과 성공에 대한 이야기가 펼쳐진다. 주인공 마카리오는 사무실 유리창을 통해 보이는 한 여인을 사랑하게 된다. 두 사람은 서로 사귀게 되고 결혼하려고 하지만, 매번 다른 장애물이 나타나면서 사랑하는 그녀와 결혼하려는 그의 꿈은 점점 멀어지게 된다.

A true story of a doctor and his wife who went on a journey in order to prove that discoverer Christopher Columbus was in fact Portuguese. Inspired by the book "Cristóvão Colon Era Português".

38 years after the events in the Luis Buñuel classic Belle du jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.

Luciano, fresh out of jail, was taken by his brother, Flórido, to serve in the home of wealthy Alfreda. He was surprised when she told him that her greatest desire was to see the Virgin Mary. Now comes this rich land owner with her sublime pretensions. Isn't it enough for her to have an Aston Martin and a Jaguar in the garage and ten different dresses per season? It was all professor Heschel's fault. Or someone else's. Anyway, to go beyond the promise is heresy. Alfreda said that she wouldn't rest until she saw the Virgin and made her some questions. Filipe Quinta, the Forger, says he has a solution. Meanwhile, Bahia, her husband, listens do music.

Having lost her place among the social elite, a widow remarries and starts a family.

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

The story of Father Antonio Vieira, a 17th-century Portuguese priest who lived in Brazil and worked for better treatment of the Indians and to abolish slavery.

A documentary about the French writer Jean Genet and his relations with the Palestinian revolution. One day after the September 1982 massacre at the refugee camp of Shatila in Beirut, Genet visits the camp. Suffering from throat cancer and having written nothing in years, Genet begins to write on the threshold of his death about this disturbing new experience. It leads to his last book, entitled “Un captif amoureux” in which Genet reflects on the Palestinian revolution, its defeat, and the loss of one’s homeland. In this film a young French woman of Algerian origin who is reading the book returns to the landscapes of the Palestinian resistance and the refugee camps full of exiles, in search of Genet.

Documentary based on the figure of Manuel Agujetas (Manuel de los Santos Pastor 1939-2015), mythical cantaor and one of the last representatives of the Flamenco de Jerez school. Essential figure of flamenco.

After a suicidal teenage girl gives birth, she misguidedly entrusts her baby’s safety to the troubled, deadbeat father, whose violent actions take the viewer on a tour of the foreboding, crumbling shantytown in which they live.

At her son's funeral, Solange, a lawyer famous for losing hopeless cases, agrees to defend René, her son's age, accused of murdering his wealthy aunt, Jeanne, who's part of the Franco-Belgian Psychoanalytic Society, known for odd views and methods. She reads Jeanne's journal, documenting René's criminal tendencies. Solange believes him innocent, manipulated into the murder or framed. Odd psychiatrists turn up, including Georges Didier, who runs FBPS, and his rival, Christian, who believes crime originates in a story's taking hold of a person. After the verdict, René and Solange's relationship changes, Georges and his society commit a bizarre act, and the police record Solange's story.

This French language drama from Portuguese filmmaker Manoel de Oliveira takes an ironic look at the pretentiousness of international jet-setters while simultaneously examining an obsessive romantic relationship between an aging Lothario and a beautiful married woman. The tale begins at a garden party in a lovely villa in the Azores held by Rogerio and Leonor for handsome, middle-aged Michel and his mistress Irene, a noted Greek movie star. The guests aren't there long before an obvious attraction between Leonor and Michel prompts them to head for a private beach (their tryst, if there was one, occurs off-camera). Five years later, the foursome again meet for a garden party and once again they pair off after spending much time discussing gender differences, emotion, social insight and exchanging witty bon mots.

Six years before this story begins, Rosemonde killed a would-be rapist. She was acquitted and returned to working part-time in a Geneva bar. Back in the present, a brand new television station seeks to create a television film about Rosemonde's life. The project is helmed by independent producer Kevin assigns his screen-writing pal Paul to interview Rosemonde and use it for the basis of a fictionalized teleplay. Unfortuantely for him, the taciturn and cynical barmaid wants nothing to do with project and refuses to speak to Paul. This satirical French-Swiss drama follows Paul as he simultaneously attempts to get her story and into her bed. Since Rosemonde refuses to speak to him, Paul decides to pay his ex-lover Marie, a serious stage actress, become the bar maid's friend.

Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, there is no sign of the hole in his head. Day breaks over the city. Further strolls are in sight. It is said that Mr. Monteiro, the alter ego of João de Deus, occasionally goes out with Nicholas Ray. At least, they've been seen together.

아프리카의 북서쪽 해안에 위치한 카보베르데라는 작은 섬나라의 마을. 포르투갈에서 온 간호사 마리아나는 건설현장에서 사고를 당한 레오를 간호한다. 레오는 자신의 처지에 분노하며, 그런 레오를 지켜보는 마리아나는 유럽의 식민지였던 이 땅의 아픈 역사를 생각한다. (2021 포르투갈 영화제)

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlos Paiva, a father's friend, to whom she is not attracted. They move to the Valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. With time she begins to feel unhappy about her marriage, so she finds a lover.

She's a beautiful gifted performer, but her work is not the sort that invites popular acclaim. Despite the fact that she is unlikely to become famous, she enjoys her life as a performer who lives just outside the mainstream. Awaiting her backstage one evening is a Spanish painter who has seen her show and wants to make her acquaintance. They walk around Paris getting to know one another, and then the painter returns to Spain. Something about the man has moved Lady M to passion: she flies to meet him in Barcelona and he shows her his beloved Catalonia. This time, however, their relationship is as much about passionate lovemaking as it is about compatibility. So smitten is Lady M with her new man that when she discovers that the painter has a black wife and child, she is only a little bit taken aback and she invites his whole family to join her in Paris. Surprisingly, they do, and the number of people sharing their love and sexual appetites changes from two to three.

감독은 을 작업하기 위해 우선적으로 선택한 기준은 관객들을 예고 없이 듣지 못하는 사람들의 세계로 밀어 넣는 영화, 즉 주된 언어가 수화인 영화를 그들의 눈을 통해 세상을 보려고 시도하는 것인가이다.'장애'라는 주제를 넘어서서 영화를 통해 말하고 싶었던 것은 고유한 뿌리, 코드, 모델 그리고 관습을 가진 그들만의 온전한 문화가 있다는 것이었다. 감독은 관객들이 추상적이거나 이론적인 방법이 아니라, 등장인물들을 보고 그들의 이야기를 하면서 그 고유한 문화와 마주치도록 하고 싶어한다. 1992년 로카르노 영화제 공식 상영작 / 1993년 야마가타 다큐멘터리 영화제 상영작 / 1992년 GAN 재단 영화상 / 1992년 프랑스 벨포르 영화제 대상 / 1992년 이태리 포폴리 영화제 대상 / 1993년 캐나다 뱅쿠버 영화제 대상 / 1993년 스페인 발라돌리드 영화제 Tiempo de Historia상 / 1993년 벨기에 영화기자협회 수여 Humanum상 / 1994년 인도 봄베이 영화제 대상 / 1994년 샌프란시스코 국제영화제 골든게이트상 / 1994년 독일 포츠담 영화제 최우수 다큐멘터리영화상 / 1994년 제 13회 Annual Communication Awards 스테파니 비캠상 / 1998년 피바디상 수상. 들리지 않는 고통 속에서 살아가는 수많은 사람들의 세계는 어떤 모양일까? 여기 아주 어린 시절부터 귀머거리인 그들은 신호로 꿈꾸고 생각하고 대화한다. 니콜라 필리베르 감독의 카메라는 그들과 함께 시선과 손길이 큰 의미를 갖는 세계를 발견해 내며 그들의 이야기를 들려줌과 동시에 그들의 눈으로 세상을 보여준다.

Documentary on one of 20th century greatest photographers, the French Robert Doisneau.

A septuagenarian couple are attracted to each other in a retirement home but find the institution and their fellow patients frown on their relationship.

The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.

A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.