Françoise Widhoff

“I have on occasion experienced filmmaking as an intensely shared activity. Lively friendships result and remain. Filming that affection today is no act of nostalgia. Paths once crossed make things simple. People who have been behind the camera, or in front of it, giving the movie their all, are without illusion.” (Alain Cavalier)

Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.

"This film begins on the 5th of March. Every year, on this exact date, an ant comes in under my front door and I watch it. For her, it’s the beginning of spring, for me it’s my mother’s birthday. The ant feeds its queen who then lays eggs and I ask myself the question of whether I do or do not want to have a baby just at the point when my mother, who is suffering from cancer, is approaching the end of her life.” – Zoé Chantre

A 16 year old girl, bored with her own age group, becomes involved with an older man at a theater she passes.

Documentary about Emmanuèle Bernheim's autobiography "Tout s’est bien passé" who provided euthanasia to her dying father, but later died by herself from cancer before filming began. Alain Cavalier works with the images of his video diary.

As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.