Editor
“I have on occasion experienced filmmaking as an intensely shared activity. Lively friendships result and remain. Filming that affection today is no act of nostalgia. Paths once crossed make things simple. People who have been behind the camera, or in front of it, giving the movie their all, are without illusion.” (Alain Cavalier)
Marceline
Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.
Producer
"This film begins on the 5th of March. Every year, on this exact date, an ant comes in under my front door and I watch it. For her, it’s the beginning of spring, for me it’s my mother’s birthday. The ant feeds its queen who then lays eggs and I ask myself the question of whether I do or do not want to have a baby just at the point when my mother, who is suffering from cancer, is approaching the end of her life.” – Zoé Chantre
Christine
A 16 year old girl, bored with her own age group, becomes involved with an older man at a theater she passes.
Editor
Documentary about Emmanuèle Bernheim's autobiography "Tout s’est bien passé" who provided euthanasia to her dying father, but later died by herself from cancer before filming began. Alain Cavalier works with the images of his video diary.
Thanks
No final de sua carreira, o lendário diretor Orson Welles já não era mais o queridinho de Hollywood que fez sucesso com "Cidadão Kane". Um artista em processo de envelhecimento e aparentemente sem sorte, ele passou seis anos batalhando para tentar concluir "The Other Side of the Wind", o filme que ele acreditava que seria seu grande retorno. Com sua morte em 1985, o projeto acabou, permanecendo em um cofre sem ser terminado por quatro décadas. Imagens inéditas de Welles se unem a entrevistas com o elenco e a equipe do filme para contar a história do fim de sua carreira.
Self
F for Fake é um documentário ensaístico, um filme sobre a fraude, a mentira, nos seus vários ângulos. Centra-se na vida do famoso falsificador de arte Elmyr de Hory.Welles surge em vários locais, inclusive num restaurante, até numa suposta sala de edição, criando um filme dentro do filme.
