Tommaso Quattrini

In many small episodes, various characters represent the typical vices and comedy of Italian society in early 2000.

The life of Franca Malorni, exponent of the good bourgeoisie of the capital, suddenly changes when her husband dies suddenly. The woman begins to pour her attention on the three daughters, obliging them to have a Sunday lunch with their families.

Seven people in a therapy group are forced to find new ways of coping with their problems when their therapist dies in the middle of a session.

Four Italian men are suddenly involved in awkward situations, while they are spending the Christmas holiday, stuck in Amsterdam.

Count Dracula trades Transylvania for Italy in search of fresh blood and Western standards of living, but finds instead his ancient love Zora, reincarnated as a young graffiti artist from the Roman hip-hop scene.

A former policeman turns full-time robber and goes on a downward spiral of crime in 1970s Rome.

New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.

If Sergio Colombo, a middle age man, doesn't want to lose his job, has to attend a full immersion English course in UK. So Sergio leave his wife and son and reaches a school full of terrible kids. Obviously he is the only adult and the worse student. Learning English hasn't been never so hard.

A parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. Odd couple Ivo Salvini, recently released from a mental asylum, and former prefect Gonnella wander through the countryside and discover a dystopia made of television commercials, beauty pageants, rock music, Catholicism, and pagan rituals.

Edoardo meets and immediately falls in love for Edith. They soon decide to marry. During the wedding Edoardo knows Anna, Edith's best friend and wife of her brother. This last is a fake marriage since Sacha is homosexual. Incredibly Edoardo loses his mind for Anna, and they become soon lovers. The two couples spend time together in Venezia. Edoardo is continuously shared between Edith and Anna. But this won't take long.

Oscar dreams of becoming an actor or a stuntman. To contact a manufacturer he stages an accident and consequently injures a young actress, then tries to limit the damage by taking the girl to his home.

Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.

A businessman finds himself trapped at a hotel and threatened by women en masse.

Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroeter assimilates neorealist aesthetics and class sympathies with the tempestuous excesses of popular melodrama, borrowing freely from Rossellini, Pasolini, Visconti, Brecht, and Rossini. (Facets)

Rossellini’s biopic of the postwar Christian Democrat leader, Alcide De Gaspari, who was responsible for keeping the Communists out of power in the years that followed the fall of fascism.