Tommaso Quattrini

In many small episodes, various characters represent the typical vices and comedy of Italian society in early 2000.

The life of Franca Malorni, exponent of the good bourgeoisie of the capital, suddenly changes when her husband dies suddenly. The woman begins to pour her attention on the three daughters, obliging them to have a Sunday lunch with their families.

Seven people in a therapy group are forced to find new ways of coping with their problems when their therapist dies in the middle of a session.

Four Italian men are suddenly involved in awkward situations, while they are spending the Christmas holiday, stuck in Amsterdam.

Count Dracula trades Transylvania for Italy in search of fresh blood and Western standards of living, but finds instead his ancient love Zora, reincarnated as a young graffiti artist from the Roman hip-hop scene.

A former policeman turns full-time robber and goes on a downward spiral of crime in 1970s Rome.

모니카 벨루치의 꽃을 피운 비장의 작품! 이 맨션의 거주자들은 난폭하다. 새해를 맞이하기 전날, 로마의 한 맨션 거주자들의 광란을 묘사한 영화. 모니카 벨루치의 파격 누드와 음모노출!!

If Sergio Colombo, a middle age man, doesn't want to lose his job, has to attend a full immersion English course in UK. So Sergio leave his wife and son and reaches a school full of terrible kids. Obviously he is the only adult and the worse student. Learning English hasn't been never so hard.

영화는 마치 한 장면의 꿈처럼 약간 정신이 이상한 샐비니의 일상을 따라간다. 샐비니는 마을 근처 숲에서 창문으로 한 여성을 훔쳐보는 남자들을 쳐다본다. 여성은 남자들을 위해 스트립쇼를 하고, 샐비니는 이를 보며 그의 할머니에 대한 기억을 떠올린다.

Edoardo meets and immediately falls in love for Edith. They soon decide to marry. During the wedding Edoardo knows Anna, Edith's best friend and wife of her brother. This last is a fake marriage since Sacha is homosexual. Incredibly Edoardo loses his mind for Anna, and they become soon lovers. The two couples spend time together in Venezia. Edoardo is continuously shared between Edith and Anna. But this won't take long.

Oscar dreams of becoming an actor or a stuntman. To contact a manufacturer he stages an accident and consequently injures a young actress, then tries to limit the damage by taking the girl to his home.

한 방송국에서 은퇴한 배우들을 그러모아 특별한 TV쇼를 만든다. 이 쇼를 위해 할리우드의 전설적 배우 진저 로저스와 프레드 아스테어를 흉내내며 활동하다 30년 전 은퇴했던 아멜리아와 피포가 다시 뭉친다. 스텝을 따라가기도 벅찬 노년의 두 배우. 하지만 그들의 등장은 화제를 모은다.

나이 많은 난봉꾼 스나포라츠는 기차 여행 도중 아름다운 여인 엘레나에게 매혹된다. 갑자기 기차가 멈추고, 스나포라츠는 엘레나에게 이끌려 그녀를 따라 숲으로 들어가게 되는데...

Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroeter assimilates neorealist aesthetics and class sympathies with the tempestuous excesses of popular melodrama, borrowing freely from Rossellini, Pasolini, Visconti, Brecht, and Rossini. (Facets)

Rossellini’s biopic of the postwar Christian Democrat leader, Alcide De Gaspari, who was responsible for keeping the Communists out of power in the years that followed the fall of fascism.