Jose Araujo

For Mexican and Mexican American communities, boxing is more than a sport. From ring walk-ins to trunks, opponents take full advantage of the theatrical spectacle, narrating their histories and the stories of their individual fanbases. In 1996, Oscar De La Hoya, the charismatic golden boy from East L.A, challenged Mexican-born boxing legend Julio César Chávez in what was billed as the “ultimate glory” fight. Mexicans on both sides of the border were forced to choose their favorite champ: the record-holding immigrant from humble beginnings, or the younger and more marketable Olympian born in the U.S. These rivals felt the pressure to prove their athletic superiority, while the fans’ choice of champion revealed the type of Mexican they aspired to be.

Roy Cohn personified the dark arts of American politics, turning empty vessels into dangerous demagogues - from Joseph McCarthy to his final project, Donald J. Trump. This thriller-like exposé connects the dots, revealing how a deeply troubled master manipulator shaped our current American nightmare.

Both dumped by their girlfriends, two best friends seek refuge in the local mall. Eventually, they decide to try and win back their significant others and take care of their respective nemeses.

A young orphaned woman, named Kotzebue, is trying to find out who her parents are in the icy landscapes of Alaska. Kotzebue (K.d. Lang) is helped by a east-german librarian (Rosel Zech), whose husband was killed while fleeing from the GDR. Although both women could not be more different from each other, a fragile relationship forms.

Michael's health club is beseiged with a series of terrible murders involving killer saunas and other grisly devices. Michael's wife killed herself a while before and her brother holds Michael responsible. Michael needs to stop the bloodshed before he loses all of his clients.

A taxi driver and his expecting girlfriend find their lives disrupted by the arrival of an Irish literary maverick.