Massimiliano Kuveiller

Movies

Salvatore: Shoemaker of Dreams
Cinematography
In the early 20th century, impoverished teenage Italian cobbler Salvatore Ferragamo sailed from Naples to America to seek a better life. He settled in Southern California, and became Hollywood's go-to shoemaker during the silent era. In 1927, he returned to Italy and founded in Florence his namesake luxury brand. This feature-length documentary recounts his adventures.
Diary of Love
Camera Operator
Based on the novel "Il quaderno nero dell'amore" of Marilù Manzini, published by Rizzoli, through a diary written in a notebook, it tells the most intimate sexual secrets of three young people in search of their identity.
Life in Technicolor
Cinematography
A story of intrigue, suspense and beauty, set in the streets of Milan, with a mysterious succession of encounters, déjà-vu and enigmatic glances echoing the surreal atmospheres of Alfred Hitchcock’s masterpieces. A unique sequence of places, evocations and indelible feelings bring the Maison back to its timeless bond with the world of cinema, through a subtle and impenetrable plot, in a growing tension between elegance and passion, rigor and colour.
Pasolini
Focus Puller
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Sun in Buckets
Assistant Camera
The story of a father and a son. An on the road trip from South to North.
St. Giuseppe Moscati: Doctor to the Poor
Assistant Camera
Giuseppe Moscati, Doctor saint of Naples, was a doctor of the early twentieth century, from an aristocratic family devoted his career to serving the poor. The film focuses on the human side, partially leaving aside the spiritual part.