Sylvain Brault

Former government Jason Price makes people disappear for a living. But when a top lieutenant for a crime syndicate asks Price to help him drop out of sight, things take a grisly, unexpected turn. A mysterious hit man known as The Cleaner has infiltrated Price's tightly-controlled system, leaving a bloody trail behind. With the help of an enigmatic seductress posing as the mobster's chief assistant, Price methodically works through his network of associates to find out what went wrong, and is plunged headlong into a spiraling gauntlet of half-truths and full-blown lies where nobody is who they appear to be, and everyone has a deadly, hidden agenda

When odd reports are received through official channels stating that the President of the United States is being held captive on a secret international moon base called Vegan and that he has been replaced on Earth by a clone, the US Marshall Service immediately sends their 'best' man, Dix, on the mission.

In 1838, Francois-Xavier Bouchard (Francis Reddy) fights beside his Quebec countrymen and the English minority.

Every Monday evening, at the arena, eleven men get together to lovingly put on the jersey of the Boys, the hockey team of a "garage" league to which they belong. As Stan, their revered trainer, would affectionately say, they have the "puck" tattooed on their hearts. It doesn't matter if they are lawyers, policemen, mechanics or unemployed, as soon as they enter the locker room, everyone forgets their age, their work and their problems.

Jack London's classic story from 1903 about Buck, a dog kidnapped from his home in California and taken to the Yukon where he is mistreated until a prospector discovers him and relates to his situation. Although the two are bonded, Buck yearns to run free with the wild dogs in the wilderness.

Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?

The first part of the block will be dedicated to the monograph Vojtěch Jasný: The Film Poet in Exile (2020) authored by the film historian Jiří Voráč. The monograph is centered on the legendary director’s life and career after his emigration to Western Europe and to the US after 1968, which have so far received little attention. In exile, Jasný established himself as a film director (he authored over thirty cinema and TV films and documentaries), stage director, photographer, and film studies lecturer. The first part will be followed by the screening of Jasný’s documentary Why Havel? co-produced by himself and Miloš Forman in Canada and Czechoslovakia in 1991. As remarkable as this reflection of the paradoxical transformation of a dissident into a president in the carnival-like atmosphere of the euphoric post-revolution period with the first question marks already appearing may be, it did not meet the expectations of the head of state.