Sylvain Brault

Filmes

O Eliminador
Director of Photography
Jason Price é um ex-agente do governo que ganha dinheiro ajudando pessoas a desaparecer por meio de um programa que ele criou. Quando seu amigo de infância Sonny e o gângster Paul Elker chegam pedindo ajuda, as coisas começam a se complicar. Alguém se infiltrou na rede de Price e seus clientes estão sendo mortos.
2000.1 - Um Maluco Perdido no Espaço
Director of Photography
Após o presidente norte-americano ser sequestrado por aliens e substituído por um clone em suas funções na Terra, o Serviço Secreto convoca o agente Marshall Dix (Leslie Nielsen) para resgatá-lo. Ele então precisa partir rumo à Lua, já que o presidente vem sendo mantido como prisioneiro em uma base secreta internacional lá localizada.
The Long Winter
Director of Photography
In 1838, Francois-Xavier Bouchard (Francis Reddy) fights beside his Quebec countrymen and the English minority.
The Boys
Cinematography
Every Monday evening, at the arena, eleven men get together to lovingly put on the jersey of the Boys, the hockey team of a "garage" league to which they belong. As Stan, their revered trainer, would affectionately say, they have the "puck" tattooed on their hearts. It doesn't matter if they are lawyers, policemen, mechanics or unemployed, as soon as they enter the locker room, everyone forgets their age, their work and their problems.
The Call of the Wild: Dog of the Yukon
Director of Photography
Jack London's classic story from 1903 about Buck, a dog kidnapped from his home in California and taken to the Yukon where he is mistreated until a prospector discovers him and relates to his situation. Although the two are bonded, Buck yearns to run free with the wild dogs in the wilderness.
Mon amie Max
Director of Photography
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?
Why Havel?
Director of Photography
The first part of the block will be dedicated to the monograph Vojtěch Jasný: The Film Poet in Exile (2020) authored by the film historian Jiří Voráč. The monograph is centered on the legendary director’s life and career after his emigration to Western Europe and to the US after 1968, which have so far received little attention. In exile, Jasný established himself as a film director (he authored over thirty cinema and TV films and documentaries), stage director, photographer, and film studies lecturer. The first part will be followed by the screening of Jasný’s documentary Why Havel? co-produced by himself and Miloš Forman in Canada and Czechoslovakia in 1991. As remarkable as this reflection of the paradoxical transformation of a dissident into a president in the carnival-like atmosphere of the euphoric post-revolution period with the first question marks already appearing may be, it did not meet the expectations of the head of state.