Masao Tochizawa

Movies

Autumn Blossoms
Director of Photography
To Love
Director of Photography
Mitsu works in a factory and has a crush on Tsutomu, a young man she met on the Tokyo streets. One day the two go out, and after some deception, Tsutomu manages to have his way with her. Coming from a broken home, he is frightened by love, so he cruelly allows her to wake up alone. A month passes and a more grown-up Tsutomu returns. The lovers joyously reunite and move in together. All is blissful until both notice a strange sore on Mitsu's arm. The doctors diagnose it as leprosy. Without telling Tsutomu, Mitsu checks into a leper sanitarium. Hanging out with society's pariahs gives her much insight. She discovers the old lepers to be wonderful people. In turn, Mitsu becomes their source of joy and renewed hope. Still, she misses her Tsutomu. One day, the doctors inform her that they erred and that the sore is not leprosy. Happily she heads back to her true love until she realizes with a guilty pang that to return to him would mean unhappiness for her newfound friends
Deep River
Director of Photography
A group of Japanese tourists try to forget their pasts and find themselves in India.
Luminous Moss
Director of Photography
A headmaster and a novelist, looking for inspiration, regard a strange natural phenomenon before sharing stories of their own.
Shikibu monogatari
Director of Photography
Toyoichi Otomo suffers from psychological and spiritual troubles after a horrific industrial accident. He lives with his elderly mother and wife near Mt. Aso in rural Kyushu. He seeks solace in a small religious group run by Buddhist nun Chishu-bo who claims to be the 68th descendant of famed 11th century poet Izumi Shikibu. The members of her sect regard her as a living saint. Yet instead of balming his soul, she riles his libido by playing a sexual cat-and-mouse game with the fragile Toyoichi. When she does bed him, it leads to a miracle healing -- followed by a terrible calamity.
Death of a Tea Master
Director of Photography
Years after the death of legendary tea master Rikyu, his disciple Honkakubo attempts to resolve the mystery of the master's death.
Zegen
Director of Photography
At the time between the World Wars, Japan is involved in empire-building throughout East and Southeast Asia. After a brief career as a low-level military adventurer, Iheiji sets up chains of brothels throughout Asia. As Japan's power in the region grows, so does Iheiji's prosperity and patriotism.
The Sea and Poison
Director of Photography
Two interns and a nurse are interrogated by American MPs for their involvement in an atrocity during the war: the vivisections of a downed American air crew.
The Ballad of Narayama
Director of Photography
In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.
The Glacier Fox
Cinematography
Director Koreyoshi Kurahara chronicles the lives of Flep and Leila, two foxes living in northern Japan. First, Flep must fight for Leila before the two can become partners and mate. After Flep defeats another male fox, he and Leila eventually produce a group of five cubs. However, with their family complete, the group must deal with human interferences in their habitat, such as chicken farms and snowmobiles, and fight against the debilitating cold of winter.
Outlaw-Matsu Returns Home
Director of Photography
“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outlaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura
Buban No Kaizoku
Director of Photography
By going to the Philippines, Imamura comes to meet people living in an extreme poverty. He discovers very quickly that some communities are under the control of cruel & armed pirates. Imamura will come to meet those men in order to understand their position.
History of Postwar Japan as Told by a Bar Hostess
Director of Photography
A documentary film showcasing life in postwar Japan as seen through the eyes of a bar hostess.
Profound Desires of the Gods
Director of Photography
Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.