Reita Serizawa

Movies

Ghost Theater
Sara, a young actress, is able to land the leading role in big theater play, but soon learns that somebody or something is trying to end the production at all cost, which puts Sara in deadly danger.
Unforgiven
Set in Hokkaido, Japan in the 1880s. Jubei Kamata (Ken Watanabe), who is on the side of the Edo shogunate government, kills many people. His name is infamous in Kyoto. When the battle at Goryoukaku is about to be finished, Jubei disappears. 10 years later, Jubei lives with his kid in relative peace. He is barely able to make a living. Protecting his dead wife's grave, Jubei has decided to never pick up a sword again, but due to poverty he has no choice but to pick the sword again. Jubei becomes a bounty hunter.
A Boy Called H
Told from the viewpoint of the father Morio, "A Boy Called H" follows a young boy named Hajime Senoh, nicknamed "H". His father, Morio runs a tailor shop. With the onset of World War II, their family must endure difficult times. Nevertheless, H is filled with curiosity and a sense of justice. Based on the autobiographical novel "Shonen H" by Kappa Senoh (published by Kodansha, July 9, 1999).
The Last Ronin
16 years after the fateful "revenge of the Forty-seven Ronin," involving samurais from the Ako domain who avenged their leader and then commited seppuku (ritual suicide), the sole survivor of that incident, Kichiemon Terasaka (Koichi Sato) traverses the country on a mission. His purpose is to find the families of the fallen samurais and spread the truth of the ronin uprising.
Outrage
When a tough yakuza gangster is betrayed by his bosses, it means all out war. Bodies pile up as he takes out everyone in his way to the top in a brutal quest for revenge.
By Player
The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.
Boy's Choir
Tanaka
A young teen's father dies, and he is sent to an orphanage. He's teased because he stutters almost runs away, until a beautiful, androgynous boy, Yasuo (Sora Toma), convinces him to join the choir.
Ju-on: The Curse 2
Iizuka
On his request, the sensitive sister of a real estate agent visits a house he intends to put up for sale, only to cross paths with its resident curse.
Ju-on: The Curse
Iizuka
In a jealous rage, a man kills his wife and son in their home, and everyone who visits falls prey to a terrible curse.
Ring 2
Okazaki no Dôryô - Sakuma
While investigating the horrifying death of her boyfriend, Mai Takano learns about a videotape haunted by the spirit of a disturbing girl named Sadako, which kills anyone who watches it exactly one week later. When her boyfriend’s son, Yoichi, starts to develop the same psychic abilities as Sadako, Takano must find a way to keep the boy and herself from becoming the next victims.
The Revenge: A Scar That Never Disappears
Second half of the violent tale of revenge from actor Sho Aikawa and director Kiyoshi Kurosawa! It's been five years since he left the force, lost his wife, and waged all out revenge, and now our hero is idling his time with a failing yakuza group. When he discovers the secret of one of his superiors, he takes up the gun of vengeance and realizes that his life has only been to serve that purpose.
Don't Look Up
Sadaoka
On the set of a dark war time drama at an old movie studio, a young director, Toshio Murai, is trying to complete his debut film. The two starring actresses, Hitomi Kurokawa and Saori Murakami, play sisters in his film. Murai has a crush on Hitomi, the seasoned leading actress, and keeps a photo of her by his bed. The younger and less experienced actress, Saori, is annoying and likes to have recess on the set. The production of the movie is consistently interrupted by strange occurrences and the cast and crew begin to get spooked.
All Under the Moon
Osamu
A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.