Belén Fabra

Elena has ordered dinner at home, but when she opens the door, she discovers that the delivery man is Manu, the one who was her great love and whom she has not seen for too many years.

Lucía (Belén Rueda) is a woman for whom leading a model life and taking control of her life is the most important thing. Since she got married, she has focused all of her efforts on caring for her family, until achieving what for her is a perfect family. However, her entire world begins to collapse with the arrival of Sara (Carolina Yuste), the girlfriend of her son; a young girl with great freedom and without mincing words who has a very different family from what Lucia always dreamed of as a political family. Now, Lucia must accept that the perfect family was not exactly what she thought.

Nao's day-to-day life is guided by MOM, an advanced artificial intelligence capable of adopting an overprotective role in people's daily lives to the point of controlling and manipulating their lives.

After the strange death of his young son at their new home, Daniel hears a ghostly plea for help, spurring him to seek out a renowned paranormal expert.

Anna Fritz is a beautiful and famous actress. Suddenly her body is found in a hotel and the news of her death goes around the planet. The young, shy caretaker Pau works at the hospital where they carried the body of Anna Fritz. He and his friends decide to take pictures of the body of Anna Fritz. They decide they could make love to her and nobody would know. They are in front of Anna Fritz ... and can do with it what they want.

A former convict, an immigrant unemployed and a successful entrepreneur are the three protagonists of this portrait of inland Catalonia, which highlights the challenge of integrating newcomers and tolerance of people, under the demagogic threat of extremism.

A man explains his suicide, long meditated, as a manifestation of protest against the time in which he has lived. He tries to make an apology for the freedom that he has not been able to achieve, despite his permanent rebellion, only in some occasions when he has loved, with the few women he has had, with the friendship of a few friends and with the family of which only the father remains. He is happy when he knows that he will be released and he will achieve the absolute freedom so desired. Until the last moment, he retains the irony and a subtle humor.

Following the failure of his last mission, RFG spy Michael Roddick decides to disappear, taking along Elena, the daughter of a Russian spy who died under strange circumstances. They settle in Barcelona and open a restaurant, to help them to forget about the past. Nevertheless, his former colleagues reappear alleging there are still some matters yet to be settled.

A chronicle of the life of a middle-class French girl's sexual adventures, her then fall into prostitution, and her ultimate redemption.

The plot follows the story of twin brothers, one is a coldhearted violent police officer, the other is a helpless romantic with a mental disability. The two brothers are tragically involved with a prostitute who works in the bordello that gives the film its title. The film was adapted from an eponymous novel written by Juan Marsé.

In a couple, dominates the one that loves less. Julia (Rose Avalon), 17 years old, has a blind in one eye cat and an enormous dependence from his uncle David (Alberto Jiménez), veterinarian, of the one who is deeply fallen in love. Julia makes what is impossible for remaining the greatest possible time beside his uncle David. But David has one very attractive girlfriend, Sara (Belén Fabra). The best friend of Julia is Aparisi (Pau Roca). He's more than a good friend, he loves her in secret. The blind in one eye cat escapes and Julia, beside Aparisi and his uncle David, starts a search through the terrace roofs of the neighborhood that lasts several days.

No Love Lost opens on an abandoned factory, or industrial space. Blood on the concrete floor and the sound of violence off-screen. The back of a blonde torso flicks in and out of view, smacking down methodically. Neither the sound heard nor the body shown can be attached to a gender, and the viewer is even unsure which limbs belong to which bodies. There are long pauses where the screen goes dark and only the sounds of grunts and impact can be heard. A fight scene without the fight: just sounds, flickering images of limbs and hair.