Belén Fabra

Elena has ordered dinner at home, but when she opens the door, she discovers that the delivery man is Manu, the one who was her great love and whom she has not seen for too many years.

Lucía (Belén Rueda) is a woman for whom leading a model life and taking control of her life is the most important thing. Since she got married, she has focused all of her efforts on caring for her family, until achieving what for her is a perfect family. However, her entire world begins to collapse with the arrival of Sara (Carolina Yuste), the girlfriend of her son; a young girl with great freedom and without mincing words who has a very different family from what Lucia always dreamed of as a political family. Now, Lucia must accept that the perfect family was not exactly what she thought.

Nao's day-to-day life is guided by MOM, an advanced artificial intelligence capable of adopting an overprotective role in people's daily lives to the point of controlling and manipulating their lives.

새집에 이사 온 뒤 어린 아들이 이상한 목소리가 들린다며 밤잠을 설친다. 별일 아니라고 생각한 어느 날, 아이는 수영장에서 익사체로 발견된다. 그리고 슬픔에 빠진 아버지의 귀에 들리는 소리. 아빠, 도와주세요! 진짜 아들 목소리일까.

전 세계를 충격에 빠뜨린 아름다운 여배우의 죽음. 갑작스레 사망한 그녀에게 엄청난 관심이 쏟아지는 가운데, 그녀의 시체가 어느 병원에 안치됐는지는 비밀에 부쳐진다. 한편, 영안실에서 일하는 ‘파우’는 죽은 여배우의 시체를 담당하게 되고 사람들이 안 보는 사이 몰래 그녀의 알몸을 찍어 친구들에게 전송한다. 이후, 호기심에 가득 찬 ‘이반’과 ‘하비’가 그녀를 보기 위해 병원을 찾아오고 그들은 마치 살아있는 것 같은 그녀를 보고, 만지고, 해서는 안 될 짓을 저지른다. 그러던 중, 죽은 줄 알았던 그녀가 갑작스레 깨어나고 그들은 돌이킬 수 없는 사건과 맞닥뜨리게 되는데…

A former convict, an immigrant unemployed and a successful entrepreneur are the three protagonists of this portrait of inland Catalonia, which highlights the challenge of integrating newcomers and tolerance of people, under the demagogic threat of extremism.

A man explains his suicide, long meditated, as a manifestation of protest against the time in which he has lived. He tries to make an apology for the freedom that he has not been able to achieve, despite his permanent rebellion, only in some occasions when he has loved, with the few women he has had, with the friendship of a few friends and with the family of which only the father remains. He is happy when he knows that he will be released and he will achieve the absolute freedom so desired. Until the last moment, he retains the irony and a subtle humor.

Following the failure of his last mission, RFG spy Michael Roddick decides to disappear, taking along Elena, the daughter of a Russian spy who died under strange circumstances. They settle in Barcelona and open a restaurant, to help them to forget about the past. Nevertheless, his former colleagues reappear alleging there are still some matters yet to be settled.

사랑... 무엇일까 ? 그녀의 이름 발레리. 아름다운 그녀에게 아직 사랑이라는 것은 서툴고 잡기 힘든 존재이다. 사랑한다고 느꼈지만 만족할 수 없었던 첫 경험, 그리고 다시 찾아간 그의 방에서 찾아낸 특별한 시간. 사랑 보다 몸으로 먼저 느껴지는 감정에 충실해진 발레리는 자신에게 솔직하게 상대를 만나지만 그들은 사랑 없는 섹스에 질려 그녀를 떠나가고 만다. 그리고 우연히 면접에서 그녀에게 찾아 온 사랑. 남들처럼 장미 꽃과 와인, 고백과 근..

The plot follows the story of twin brothers, one is a coldhearted violent police officer, the other is a helpless romantic with a mental disability. The two brothers are tragically involved with a prostitute who works in the bordello that gives the film its title. The film was adapted from an eponymous novel written by Juan Marsé.

In a couple, dominates the one that loves less. Julia (Rose Avalon), 17 years old, has a blind in one eye cat and an enormous dependence from his uncle David (Alberto Jiménez), veterinarian, of the one who is deeply fallen in love. Julia makes what is impossible for remaining the greatest possible time beside his uncle David. But David has one very attractive girlfriend, Sara (Belén Fabra). The best friend of Julia is Aparisi (Pau Roca). He's more than a good friend, he loves her in secret. The blind in one eye cat escapes and Julia, beside Aparisi and his uncle David, starts a search through the terrace roofs of the neighborhood that lasts several days.

No Love Lost opens on an abandoned factory, or industrial space. Blood on the concrete floor and the sound of violence off-screen. The back of a blonde torso flicks in and out of view, smacking down methodically. Neither the sound heard nor the body shown can be attached to a gender, and the viewer is even unsure which limbs belong to which bodies. There are long pauses where the screen goes dark and only the sounds of grunts and impact can be heard. A fight scene without the fight: just sounds, flickering images of limbs and hair.