Belén Fabra
Nascimento : 1977-11-03, Tortosa, Tarragona Province, Catalonia, Spain
História
Belén Fabra Homedes is a Spanish actress. She made her breakthrough with the 2007 play Plataforma, for which she was nominated for the Premios Max and the Valle-Inclán de Teatro Award. She is fluent in Catalan, Spanish and English and she can speak Italian. Belén was nominated for the Gaudí Award for Best Performance by an Actress in a Leading Role for her role in the notorious 2008 erotic film "Diario de una ninfómana".
Elena has ordered dinner at home, but when she opens the door, she discovers that the delivery man is Manu, the one who was her great love and whom she has not seen for too many years.
Gloria
Surpresa com a família da namorada do filho, Lucia nem imagina o impacto que essas pessoas terão sobre sua vida aparentemente perfeita.
Nao's day-to-day life is guided by MOM, an advanced artificial intelligence capable of adopting an overprotective role in people's daily lives to the point of controlling and manipulating their lives.
Sara
Depois de uma tragédia ocorrer em sua nova casa, Daniel escuta um pedido de socorro sinistro e pede a ajuda de um famoso especialista em paranormalidade.
Isa
Nurse 1
Anna Fritz, uma bela e famosa atriz, está morta. O jovem funcionário de um necrotério chama dois amigos até o local para verem a desejada atriz nua. Fascinados pela beleza mórbida da cadáver recente, eles decidem ser as últimas pessoas a fazer sexo com ela.
Empresaria
A former convict, an immigrant unemployed and a successful entrepreneur are the three protagonists of this portrait of inland Catalonia, which highlights the challenge of integrating newcomers and tolerance of people, under the demagogic threat of extremism.
Gabi
A man explains his suicide, long meditated, as a manifestation of protest against the time in which he has lived. He tries to make an apology for the freedom that he has not been able to achieve, despite his permanent rebellion, only in some occasions when he has loved, with the few women he has had, with the friendship of a few friends and with the family of which only the father remains. He is happy when he knows that he will be released and he will achieve the absolute freedom so desired. Until the last moment, he retains the irony and a subtle humor.
Sandrine
Following the failure of his last mission, RFG spy Michael Roddick decides to disappear, taking along Elena, the daughter of a Russian spy who died under strange circumstances. They settle in Barcelona and open a restaurant, to help them to forget about the past. Nevertheless, his former colleagues reappear alleging there are still some matters yet to be settled.
Valérie
Valére (Belén Fabra) é uma jovem empresária de sucesso, que tem uma intensa vida sexual. Ela possui um diário, onde costuma escrever suas confissões mais íntimas. Decidida a não seguir qualquer convenção moral, ela passa a trabalhar como prostituta de luxo por mera curiosidade. Desta forma ela conhece um universo oculto, tendo acesso ao lado obscuro do sexo e das relações íntimas.
Olga
The plot follows the story of twin brothers, one is a coldhearted violent police officer, the other is a helpless romantic with a mental disability. The two brothers are tragically involved with a prostitute who works in the bordello that gives the film its title. The film was adapted from an eponymous novel written by Juan Marsé.
Sara
In a couple, dominates the one that loves less. Julia (Rose Avalon), 17 years old, has a blind in one eye cat and an enormous dependence from his uncle David (Alberto Jiménez), veterinarian, of the one who is deeply fallen in love. Julia makes what is impossible for remaining the greatest possible time beside his uncle David. But David has one very attractive girlfriend, Sara (Belén Fabra). The best friend of Julia is Aparisi (Pau Roca). He's more than a good friend, he loves her in secret. The blind in one eye cat escapes and Julia, beside Aparisi and his uncle David, starts a search through the terrace roofs of the neighborhood that lasts several days.
No Love Lost opens on an abandoned factory, or industrial space. Blood on the concrete floor and the sound of violence off-screen. The back of a blonde torso flicks in and out of view, smacking down methodically. Neither the sound heard nor the body shown can be attached to a gender, and the viewer is even unsure which limbs belong to which bodies. There are long pauses where the screen goes dark and only the sounds of grunts and impact can be heard. A fight scene without the fight: just sounds, flickering images of limbs and hair.
Dependienta
Caterina