Alice Rohrwacher

Just out of jail and still searching for his late beloved Beniamina, crumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up. Arthur isn’t interested in the artefacts, though; he’s seeking a legendary door to the underworld, and to Beniamina.

Just out of jail and still searching for his late beloved Beniamina, crumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up. Arthur isn’t interested in the artefacts, though; he’s seeking a legendary door to the underworld, and to Beniamina.

A facetious coming-of-age fable that ends with a cheeky moral: what if allegedly "bad girls" were the best?

A facetious coming-of-age fable that ends with a cheeky moral: what if allegedly "bad girls" were the best?

A portrait of Italy observed through the eyes of teenagers who talk about the places they live in and imagine themselves, torn between the opportunities that surround them, the dream of what they want to become, the fear of failing, the trials they hope to overcome.

A portrait of Italy observed through the eyes of teenagers who talk about the places they live in and imagine themselves, torn between the opportunities that surround them, the dream of what they want to become, the fear of failing, the trials they hope to overcome.

The COVID-19 pandemic forced many to stay at home, preventing people from meeting each other in real life. In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.

The COVID-19 pandemic forced many to stay at home, preventing people from meeting each other in real life. In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.

The COVID-19 pandemic forced many to stay at home, preventing people from meeting each other in real life. In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.

A farming community gathers on a plateau on the border of three regions for the funeral of traditional agriculture. It’s a film to ward off the disappearance of a millenary culture.

Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world.

Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world.

A transfixing, rarely-seen 16mm miniature made as part of Rohrwacher's opera production of La traviata in 2016. In four minutes and with just a few delicate shots, she creates a moment of true cinema, one imbued with her distinct and elegant filmmaking voice.

The ninth short film of the Miu Miu’s Women’s Tales series reflects Alice Rohrwacher’s attention to the surreal world of ordinariness and exceptions.

The ninth short film of the Miu Miu’s Women’s Tales series reflects Alice Rohrwacher’s attention to the surreal world of ordinariness and exceptions.

The Istituto Luce turned ninety in 2014, its decades-long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. The result is an album full of different narratives.

Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.

Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.

After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.

After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.

Book translators, as director Pier Paolo Giarolo observes, have a lot in common with musicians and bakers: “[They] have to master not only a language but what’s behind it: an entire culture and an idea of the world.” Alice Rohrwacher performs a similarly interpretive role as Garolo’s assistant director and editor, creating meaning through the selection and splicing of images and sounds.

A young circus performer spends five solitary days carting a horse across the wintry Hungarian landscape in this Neorealist documentary short.

From a Calabrian river to a night in Catania where stray dogs roam the city aimlessly: between these two extremes "full of emptiness" is built Checosamanca , a collective work, born with the intention of talking about the present, preferring the action to the easy complaint about the absence of the state and of politics.

This documentary portrait of a traveling circus family—populated with performing kids, dogs, and chickens—seems to situate us squarely in Fellini country. But Giarolo and Alice Rohrwacher are up to something far less obvious, tempering the film’s antic whimsy by capturing the dogged determination of the Solunas as they venture by overstuffed caravan from town square to town square, all the way to the Balkans.