Perdidos en la gran ciudad (1960)

Un grupo de jóvenes viven bajo el mismo techo mientras se preguntan sobre sí mismos, sobre la sociedad, sobre sus creencias políticas y el mundo cambiante que gira a su alrededor. Al mismo tiempo, son conscientes de la importancia que tiene para ellos estar juntos, mantenerse unidos, constituir, en suma, una familia. Tras el éxito de "Fucking Amal" el sueco Moodysson vuelve a conquistar a crítica y público con una entrañable, divertida y encantadora comedia universal.

Principios del siglo XX. Narra la historia de Celie, una adolescente negra de catorce años que está embarazada de su propio padre, un hombre despótico y cruel. A partir de entonces su vida estará llena de dolor y humillaciones.

Javier, un estudiante francés de económicas, decide pasar un año en Barcelona para aprender español. Se instala en una casa donde convive con otros siete estudiantes europeos: un italiano, una inglesa, un danés, un belga, un alemán y una española. Todos los compañeros del piso se encuentran en la misma situación, todos ellos están estudiando en Barcelona gracias al programa de intercambio universitario europeo Erasmus.

18-year-old school boy Helmut falls in love with fellow pupil Britta. He starts working for a Peace movement to get to know Britta. Britta, however, suddenly moves to San Francisco to live with her father and whilst there, finds a new boyfriend. Helmut studies, literature and politics in his home town and have a relationship with another girl from his former school, now studying medicine at the same university but they break up after having an affair with her roommate. Helmut begins a lot of short affairs with different women but still searches for his first girl.

Godard y el maoismo. Estrenada un año antes del mayo del 68, "La Chinoise" relata las inquietudes por cambiar el mundo de un grupo de estudiantes franceses empapados del pensamiento de Mao Tse Tung. París, durante el verano de 1967, cuando pocos intentaban aplicar los principios que rompieron con la burguesía de la URSS y de los partidos comunistas occidentales en el nombre de Mao Tse Tung. Empapados del pensamiento de Mao y de literatura comunista, un grupo de estudiantes franceses se empieza a preguntar por su posición en el mundo y las posibilidades de cambiarlo, aunque eso signifique considerar el terrorismo como una posible vía...

Viktor Navorski es un inmigrante balcánico que, al estallar la guerra en su país y quedar anulado su pasaporte, se encuentra involuntariamente exiliado en un aeropuerto de los Estados Unidos.

Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.

Filmed in Chicago & finished in 1959, The Cry of Jazz is filmmaker, composer and arranger Edward O. Bland's polemical essay on the politics of music and race - a forecast of what he called "the death of jazz." A landmark moment in black film, foreseeing the civil unrest of subsequent decades, it also features the only known footage of visionary pianist Sun Ra from his beloved Chicago period. Featured are ample images of tenor saxophonist John Gilmore and the rest of Ra's Arkestra in Windy City nightclubs, all shot in glorious black & white.

In this short film, prominent jazz musicians of the 1940s gather for a rare filming of a jam session. This highly stylized chronicle features tenor sax legend Lester Young.

An elderly, yet young-at-heart man, moves in with his grandson, and both their lives turn upside-down.

With this project Pat Metheny has created a whole new way to make music. Based on a childhood fascination with his grandfather's player piano, Metheny commissioned new inventors to build an exciting array of acoustic mechanical musical instruments capable of responding to his touch on the guitar, resulting in a completely unique approach to solo performance.

A young girl begins to wonder if she really fits into the upper-class sorority she's trying to join.

Kate y Richard llevan varios años divorciados. La amante de Richard acaba de abandonarlo, y un tiburón de las finanzas lo ha dejado en la ruina, junto al resto de sus compañeros de trabajo. Desolado, Richard decide dar un vuelco a su vida y le propone a Kate robar al empresario que le ha quitado todo. A pesar de la mala relación que mantienen, Kate acepta esta extraña proposición, movida por el futuro económico de sus hijos. Sus vecinos y amigos deciden ayudarles a efectuar este singular robo...

Tres amigos de treinta y tantos años se unen cuando su existencia despreocupada se ve amenazada.

Jonah is proud to be the loner at the teenage mental health clinic, taking pleasure in making the other patients uncomfortable. But when he is forced to share a room with the newly admitted Richard, the boys become locked in a battle of wills.

Rose Marie, aged five or six, sings three numbers, "Heigh Ho, Everybody, Heigh Ho", "Who Wouldn't Be Jealous of You", and "Don't Be Like That". She's animated throughout, acting as well as singing.

Sarah Vaughan features the "Divine One" in her prime, wrapping her sultry voice around jazz standards such as "Lover Man", "Misty" and "I Got Rhythm and soaring on popular showtunes such as "Over The Rainbow" and "Maria". One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

As Jerry Golding scales the heights of show business, he breaks the heart of his father, who'd hoped that Jerry would follow in his footsteps. Sorrowfully, Cantor Golding reads the Kaddish service, indicating that, so far as he is concerned, his son is dead. A tearful reconciliation occurs when Jerry dutifully returns to sing the "Kol Nidre" in his ailing father's absence.

A series of "vampire" style murders on campus has Sarah scared of her own shadow - It doesn't help that her new dorm mate Lilith wears only gothic clothing, is afraid of crosses, avoids daylight and resembles a member of the undead. Sarah becomes convinced that Lilith has something to do with the horrendous murders. When Sarah can't convince others of her outlandish theory...she becomes the next target.

Anil and Swathi live in the same room without invading each other's personal space. Things get interesting when they exchange letters and gradually fall in love.