Doctor Homer's Brother (1968)

Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.

Young Bundeswehr soldiers Tom and Charly are stationed in Kosovo with the KFOR peacekeeping force. Their mission is to secure peace. Although the brutal war between the enemy Serbs and Albanians is officially over, the hatred between people continues to smoulder. When Tom and Charly rescue the young Serbian Mirjana from the fatal shot of the young sniper Durcan, they get caught between all fronts. They lose their professional distance due to the resulting closeness to Mirjana - who has to learn that her father was a war criminal - but also to Durcan - whose entire family was wiped out. Soon they are entangled in a conflict about guilt, manipulation, love and revenge...

Kosovo, invierno de 1999. Las fuerzas de la KFOR desempeñan su tarea humanitaria al tiempo que tratan de mantener una difícil neutralidad entre los albanokosovares y los serbios. Un pelotón de ingenieros del Ejército español se ve involuntariamente envuelto en la espiral de violencia que provocan los dos bandos.

Batalla de Kosovo (serbio: Boj na Kosovu) es una película de drama / guerra histórica yugoslava de 1989 filmada en Serbia. La película se basó en el drama escrito por el poeta Ljubomir Simovic. Representa la histórica batalla de Kosovo entre la Serbia medieval y el Imperio Otomano que tuvo lugar el 15 de junio (según el calendario juliano, 28 de junio según el calendario gregoriano) en un campo a unos 5 kilómetros al noroeste de Pristina.

Se lee en las Naciones Unidas la carta de una niña de Kosovo, dedicada a su padre desaparecido, en la que aborda públicamente la difícil vida de los serbios, especialmente de los niños serbios que viven en los enclaves.

A woman who is raped and gives birth to a child in war torn Kosovo, struggles to keep her child.

Based on a true story, Agnus Dei is a kind of Oedipus of our days. Peter must find his way to redemption. But the past will make itself known and fate sparingly gives mercy. Can he save himself, or even be saved at all?

Kosmet in the fall of 1944. The Partisans have successfully liberated the town of Prizren from occupying Germans,and Ramiz Leshi, a brave and cunning KNOJ captain, has to liquidate the remainder of the local Quislings, called Balists. They are led by a ruthless, German-trained soldier Kosta and by Ahmet, the brother of the famous Captain. As Ramiz is trying to get Ahmet out of the gang and hunt down the rest of the Balists, 2 new girls arrive in town. One of them is Lola, a bar singer with a questionable agenda, and the other is Vida, a withdrawn music teacher from Belgrade.

Uka is an old Albanian who lives in the mountains on the border of Kosovo and Albania. As an honorable man, he must deal with his son who befriended Italian fascists during WW2.

Stolen Kosovo is a Czech language documentary by director Václav Dvořák (b. 1948), about the Serbian–Albanian conflict in Kosovo. The documentary describes the situation, first in a short overview of the history of the area, followed by the 1990s conflicts and bombing of Serbia by NATO forces in 1999 and ending with the situation after the Kosovo War. The documentary focuses on the 1990s in the time of Slobodan Milošević's rule as well as on numerous interviews of Serbian civilians and, less, of Albanian insurgents against the Milošević regime.

A love story between a Serbian girl and young Albanian set against the background of current Balkanic conflict.

This film predominantly deals with the problems of a young man whom his delusions led into conflict with society. These issues will throw him into an adventure that would be tragic for him, but still helpful for him to see the truth. The story takes place in Kosovo in 1945, in an atmosphere of uncured wounds, wandering, betrayal, burned homes, typhoid and other postwar misery. An authentic story from those days was taken as the film's basis.

Living in a crowded, multi-generational household in a small village in Kosovo, the quiet teenager Venera can rarely find privacy. However, when she befriends the rebellious Dorina, a new, liberating world opens up to her. Slowly, Venera begins to push against her conservative family’s expectations.

In this sequel to "Captain Leshi", a group of Albanian nationalist movement (ballists) continues obstruction of the new Yugoslavian authorities even after the war. Captain Leshi manages to fight them successfully, as well as to fulfill his romance with beautiful Azira.

'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.

Usando material personal de archivo grabado en VHS por los refugiados bosnios que vivieron en un gigantesco barco en el puerto de Copenhague entre 1992 y 1994, Flotel Europa nos cuenta la historia del director, que creció en un ambiente lleno de ecos de guerra, y de otros aspectos que forman parte de la adolescencia.

Yugoslavian documentary, about their people and preparing for war.

Sokol is a middle-aged Kosovar Albanian who, together with his family, emigrates from Kosovo to Turkey, and faces the foreign and unknown world. After some time he becomes homesick, eventually leaving his last will he gave to his son that when he dies, his bones will be returned to his native country. He dies near of a cliff at the Black Sea coast. In his native village, the news that Sokol has been returned from emigration are being spread.

The journey of A SINGLE FRAME weaves an exploration of the impact of photography from both sides of the shutter. The fascinating post-war culture of Kosovo serves as backdrop.