Doctor Homer's Brother (1968)

오랫동안 억눌린 과거에 시달리는 동시에 불임을 해결하기 위해 신령한 치료자를 찾아가라는 가족의 압력 속에서, 한 코소보 여인이 잔혹한 전쟁이 남긴 유산과 모성애의 희망 사이에서 길을 찾으려고 몸부림친다.

Young Bundeswehr soldiers Tom and Charly are stationed in Kosovo with the KFOR peacekeeping force. Their mission is to secure peace. Although the brutal war between the enemy Serbs and Albanians is officially over, the hatred between people continues to smoulder. When Tom and Charly rescue the young Serbian Mirjana from the fatal shot of the young sniper Durcan, they get caught between all fronts. They lose their professional distance due to the resulting closeness to Mirjana - who has to learn that her father was a war criminal - but also to Durcan - whose entire family was wiped out. Soon they are entangled in a conflict about guilt, manipulation, love and revenge...

유고내전으로 분쟁이 끊이지 않았던 발칸반도에 세르비아인들을 주축으로 한 유고연방이 출범되지만, 코소보 주는 알바니아계가 인구의 대부분이다. 코소보 주에서 이 두 무리가 대립하게 된다. 한편, 세르비아 국경 마을을 복구하기 위해 파견된 스페인 군대의 군인들은 들어가서는 안되는 금지구역에 들어갔다가 알바니아 군과 마주쳐 총격전을 벌이게 되는데...

In 1389, the Serbian prince Lazar Hrebeljanović refused to submit to the Turkish Sultan Murat, who was invading Serbia with a large army, in order to continue conquering Europe through it.

The film deals with the metaphor of fear, but hidden everyday formless news about the life of the Serbian population in Kosovo. The film is inspired by a letter from a girl from Kosovo, dedicated to her missing father, read at the United Nations, in which she publicly addresses the difficult life of Serbs, especially Serb children in the enclaves.

A woman who is raped and gives birth to a child in war torn Kosovo, struggles to keep her child.

피터는 세르비아계 어머니 마리아와 젊은 알바니아 청년 딘 사이에서 태어난 코소보의 청년이다. 하지만 그는 이 사실을 알지 못한 채 엄마와 양아버지 스토이얀 밑에서 자라난다. 세르비아와 알바니아의 적대적인 관계로 인해 전쟁이 발발하자 그는 전쟁에서 탈출하고자 서부로 이동하지만, 코소보의 군대에 강제로 동원된다. 뛰어난 능력을 보여 상부에 신임을 받던 피터는 딘이 자신의 가족을 파괴했다고 믿고, 복수의 일환으로 딘이 아버지란 사실을 알지 못한 채 죽이고 마는데…

Kosmet in the fall of 1944. The Partisans have successfully liberated the town of Prizren from occupying Germans,and Ramiz Leshi, a brave and cunning KNOJ captain, has to liquidate the remainder of the local Quislings, called Balists. They are led by a ruthless, German-trained soldier Kosta and by Ahmet, the brother of the famous Captain. As Ramiz is trying to get Ahmet out of the gang and hunt down the rest of the Balists, 2 new girls arrive in town. One of them is Lola, a bar singer with a questionable agenda, and the other is Vida, a withdrawn music teacher from Belgrade.

Uka is an old Albanian who lives in the mountains on the border of Kosovo and Albania. As an honorable man, he must deal with his son who befriended Italian fascists during WW2.

Stolen Kosovo is a Czech language documentary by director Václav Dvořák (b. 1948), about the Serbian–Albanian conflict in Kosovo. The documentary describes the situation, first in a short overview of the history of the area, followed by the 1990s conflicts and bombing of Serbia by NATO forces in 1999 and ending with the situation after the Kosovo War. The documentary focuses on the 1990s in the time of Slobodan Milošević's rule as well as on numerous interviews of Serbian civilians and, less, of Albanian insurgents against the Milošević regime.

A love story between a Serbian girl and young Albanian set against the background of current Balkanic conflict.

This film predominantly deals with the problems of a young man whom his delusions led into conflict with society. These issues will throw him into an adventure that would be tragic for him, but still helpful for him to see the truth. The story takes place in Kosovo in 1945, in an atmosphere of uncured wounds, wandering, betrayal, burned homes, typhoid and other postwar misery. An authentic story from those days was taken as the film's basis.

베네라는 코소보의 한 작은 마을에 살고 있다. 집에서든, 밖에서든 항상 가족과 이웃들의 감시하는 눈초리 때문에 사생활이라곤 없는 그녀. 이런 것이 더더욱 자신만의 길을 가기 어렵게 한다. 그러던 그녀가 반항적인 소녀 도리나와 친구가 되고 마음의 위안을 얻는다. 이 두 소녀가 확신할 수 있는 딱 한 가지가 있다. 그것은 바로 자신들의 엄마처럼은 되지 않겠다는 것이다. 베네라는 외친다. "부모님께서 키스하는 것조차 본 적이 없다니까요!"

In this sequel to "Captain Leshi", a group of Albanian nationalist movement (ballists) continues obstruction of the new Yugoslavian authorities even after the war. Captain Leshi manages to fight them successfully, as well as to fulfill his romance with beautiful Azira.

'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.

When this film’s director was still a boy, he stood in front of “Flotel Europa“ and was hugely excited about the prospect of this gigantic ship moored in the port of Copenhagen becoming a new home for him, his mother and his older brother. Together with about 1000 other refugees from the former Yugoslavia, they started life anew on the ship.

Yugoslavian documentary, about their people and preparing for war.

Sokol is a middle-aged Kosovar Albanian who, together with his family, emigrates from Kosovo to Turkey, and faces the foreign and unknown world. After some time he becomes homesick, eventually leaving his last will he gave to his son that when he dies, his bones will be returned to his native country. He dies near of a cliff at the Black Sea coast. In his native village, the news that Sokol has been returned from emigration are being spread.

The journey of A SINGLE FRAME weaves an exploration of the impact of photography from both sides of the shutter. The fascinating post-war culture of Kosovo serves as backdrop.