Obscuro Barroco (2018)

Una joven estudiante que se hace llamar Lady Bird (Saoirse Ronan) se muda al norte de California para pasar allí su último año de instituto. La joven, con inclinaciones artísticas y que sueña con vivir en la costa Este, tratará de ese modo encontrar su propio camino y definirse fuera de la sombra protectora de su madre (Laurie Metcalf).

Andra Bussmann ofrece en su debut una mirada hacia la telepatía, cambiar de forma y manejar al diablo en Oaxaca.

Una pareja de mediana edad, Eun-ju y Heung-ju, visitan el templo Cheongpyeong en Chuncheon, 30 años después de su primer encuentro nocturno. Volviendo del templo, Eunju descubre que ha perdido su teléfono. Heung-ju pretende ayudarla a buscarlo al día siguiente, pero descubre que ella ha ido por su cuenta. A medida que avanza la noche de invierno, ambos deambularán por el templo y se encontrarán casualmente con otras personas –desde amigos hasta antiguos amantes–, incluida una joven pareja demasiado parecida a ellos mismos hace 30 años.

In March 2011, an unprecedented tsunami strikes Japan, leaving in its wake 20,000 dead and a devastated country. The missing come back to haunt the living from the depths of the sea. While gigantic breakwater walls are put up to counteract future great waves, reports of ghosts and spirits returning home spread all along the Japanese coast. The visible and the invisible conflate in this no-man's land where reconstruction has begun taking place.

Xingxi travels alone to Alor Setar, a town in Northern Malaysia. As a consequence of a blown tire, she experiences three variant adventures. She introduces herself to people using different identities with mysterious secrets. In return, what the journey brings her is thoroughly unexpected. In the first adventure, Brooke is a traveler; in the second adventure, Brooke is an anthropologist; in the third, Brooke is a divorcée. She is a disheartened woman who comes across a French writer named Pierre. The two lonely travelers become instant friends. Their age gap enables them to have their respective insights into life and death. Meanwhile, it is not until the enigmatic side of Alor Setar begins to unfold that Brooke tells Pierre the true reason why she has come. They seek to understand the interaction between love and life. As the story comes to an end, mother nature shows her beauty with the magical Blue Tears phenomenon on prominent display.

An impressive visual and sonorous experience through the meanders of the Danube, from its delta in the Black Sea to Serbia, in search of the gypsy people (or the Roma) and their music and culture.

Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.

Yeon-su, the police officer, is dispatched to an island and starts to witness strange situations. Yae-un, who lives in the island after she lost her parents when she was young, and the others´ behavior terrifies Yeon-su. Film director Park who constantly focused on stories related to human greed and collapse, deeply explores the guilt of human and the possibility of redemption again.

A man returns to his home in the Colombian countryside after a long fishing night and discovers that paramilitary forces have killed his two sons and thrown their bodies into the river.

Leonidas, a 33-year old punk rock paraplegic and his friends plan to climb on the highest peak of Mount Olympus. For whom is it going to be more difficult?

Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.

In the Algerian desert in her relay, for a cigarette, a coffee or eggs, a woman welcomes truckers, vagabonds and dreams... Her name is Malika.

Weaving together footage filmed and broadcasted by little-known Chinese live-streaming anchors, who struggle with real-life face-to-face social interaction because of their identity, disability and social-economic status, this cinematic collage explores how individuals satisfy their cravings for human connection through virtual togetherness, and how these virtual relationships challenge standard definitions of companionship.

Algiers, a few years after the civil war. Amal and Samir have decided to celebrate their twentieth wedding anniversary in a restaurant. While on their way, their share their views on Algeria: Amal talks about lost illusions and Samir about the necessity to cope with them. At the same time, their son Fahim and his friends Feriel and Reda are wandering about in a hostile Algiers about to steal their youth.

A hypnotic and slow-burning journey through the austere landscapes of the island of South Georgia and the Antarctic Peninsula. Shot on black and white super 8 film as a series of mostly static tableaux over a period of 20 days during the waning days of the Antarctic Summer, the film is a startling look at life at the edge of the world.

In the months following the terrorist attacks in Paris, the youth have seized the nights, looking for a sense of belonging in a world they have ceased to understand. Seeking to change the rules, led by new faces, driven by their values and ideals, they open a new dialogue, challenge the state and are getting ready for a new kind of revolution.

Ambientada en Hong Kong en 1967, una época de política compleja cuando todavía era una colonia británica. Ziming, un estudiante de literatura inglesa en la Universidad de Hong Kong, comienza a dar clases a la hermosa estudiante Meiling. Este empieza a tener sentimientos por la madre de la joven, la señora Yu, originaria de Taiwán. La lleva a ver películas, mientras su romance se desarrolla a través de filmes vistos en la pantalla grande.

Juno was just a child when his father abandoned him from their village in Central Java. Abandoned and alone, he joins a Lengger dance centre where men shape their feminine appearance and movement. The sensuality and sexuality that came from the dance, mixed with the violent sociopolitical Indonesian environment, forces Juno to move from village to village.