Obscuro Barroco (2018)

2002 年、カリフォルニア州サクラメント。閉塞感溢れる片田舎のカトリック系高校から、大都会ニューヨークへの大学進学を夢見るクリスティン（自称“レディ・バード”）は、高校生最後の 1 年、友達や彼氏や家族について、そして自分の将来について悩んでいた。

On the Oaxacan coast of Mexico, rumblings of previous times are never far from the surface. Tales of shapeshifting, telepathy and dealings with the Devil are embedded in the colonization and enslavement of the Americas. Characters from the Faust legend mingle with the inhabitants, while attempting to colonize and control nature through a seemingly never-ending building project. Through literature, myth and local entanglements, the frontier between reality and fiction, and the seen and unseen, no longer apply.

A middle-age couple visit a temple in Chuncheon where they spent their first night together 30 years prior. On the way, one of them cannot find their phone and hurries to find it. As the night unravels, they will come across an ex-lover, a friend, and a young couple who resemble them 30 years ago.

In March 2011, an unprecedented tsunami strikes Japan, leaving in its wake 20,000 dead and a devastated country. The missing come back to haunt the living from the depths of the sea. While gigantic breakwater walls are put up to counteract future great waves, reports of ghosts and spirits returning home spread all along the Japanese coast. The visible and the invisible conflate in this no-man's land where reconstruction has begun taking place.

Xingxi travels alone to Alor Setar, a town in Northern Malaysia. As a consequence of a blown tire, she experiences three variant adventures. She introduces herself to people using different identities with mysterious secrets. In return, what the journey brings her is thoroughly unexpected. In the first adventure, Brooke is a traveler; in the second adventure, Brooke is an anthropologist; in the third, Brooke is a divorcée. She is a disheartened woman who comes across a French writer named Pierre. The two lonely travelers become instant friends. Their age gap enables them to have their respective insights into life and death. Meanwhile, it is not until the enigmatic side of Alor Setar begins to unfold that Brooke tells Pierre the true reason why she has come. They seek to understand the interaction between love and life. As the story comes to an end, mother nature shows her beauty with the magical Blue Tears phenomenon on prominent display.

An impressive visual and sonorous experience through the meanders of the Danube, from its delta in the Black Sea to Serbia, in search of the gypsy people (or the Roma) and their music and culture.

Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.

Yeon-su, the police officer, is dispatched to an island and starts to witness strange situations. Yae-un, who lives in the island after she lost her parents when she was young, and the others´ behavior terrifies Yeon-su. Film director Park who constantly focused on stories related to human greed and collapse, deeply explores the guilt of human and the possibility of redemption again.

A man returns to his home in the Colombian countryside after a long fishing night and discovers that paramilitary forces have killed his two sons and thrown their bodies into the river.

Leonidas, a 33-year old punk rock paraplegic and his friends plan to climb on the highest peak of Mount Olympus. For whom is it going to be more difficult?

Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.

In the Algerian desert in her relay, for a cigarette, a coffee or eggs, a woman welcomes truckers, vagabonds and dreams... Her name is Malika.

Weaving together footage filmed and broadcasted by little-known Chinese live-streaming anchors, who struggle with real-life face-to-face social interaction because of their identity, disability and social-economic status, this cinematic collage explores how individuals satisfy their cravings for human connection through virtual togetherness, and how these virtual relationships challenge standard definitions of companionship.

Algiers, a few years after the civil war. Amal and Samir have decided to celebrate their twentieth wedding anniversary in a restaurant. While on their way, their share their views on Algeria: Amal talks about lost illusions and Samir about the necessity to cope with them. At the same time, their son Fahim and his friends Feriel and Reda are wandering about in a hostile Algiers about to steal their youth.

A hypnotic and slow-burning journey through the austere landscapes of the island of South Georgia and the Antarctic Peninsula. Shot on black and white super 8 film as a series of mostly static tableaux over a period of 20 days during the waning days of the Antarctic Summer, the film is a startling look at life at the edge of the world.

In the months following the terrorist attacks in Paris, the youth have seized the nights, looking for a sense of belonging in a world they have ceased to understand. Seeking to change the rules, led by new faces, driven by their values and ideals, they open a new dialogue, challenge the state and are getting ready for a new kind of revolution.

Set in Hong Kong in 1967 — a time of complex politics when it was still a British colony — No. 7 Cherry Lane revolves around a love triangle between a university student, a single mother and her teenage daughter.

Juno was just a child when his father abandoned him from their village in Central Java. Abandoned and alone, he joins a Lengger dance centre where men shape their feminine appearance and movement. The sensuality and sexuality that came from the dance, mixed with the violent sociopolitical Indonesian environment, forces Juno to move from village to village.