Holy Tremor (2017)
Género : Documental, Música
Tiempo de ejecución : 20M
Director : Benjamin de Burca, Bárbara Wagner
Sinopsis
Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.
Cab Calloway performs at the Cotton Club before he takes his friends down to Harlem for a jitterbug party.
A young cellist has to overcome her fears in order to keep her position in an orchestra.
It is sunset in a mountain landscape. An orchestra and a choir, along with a large group of adolescents who act as "living-music-stands", are filmed as they play the first part of Mahler’s 8th Symphony. The musicians gradually begin to move in a precise choreography, led by their living-music-stands. As these movements are executed, disparate groups of musicians, singers, and living-music-stands begin to disappear along with the sounds that they emit. The music progressively becomes a sound object captured in the course of its own erosion, which corresponds to the slow dissolution of the landscape’s visibility due to the setting sun. Ultimately, the music as a sound object and the landscape as a visual object become identical, all while being completely transformed in regard to the starting configuration. Thus, in TRENTO SYMPHONIA, the landscape becomes a point of convergence between contemplation, correspondence, and imagination.
Calligraphy on water. The first joint work of director Peter Greenaway and composer David Lang.
in 1988, 12 year old boy genius Henry Jameson sends his best friend, George, into the future to discover the resolution of a cliffhanger episode of the hit detective show 'Columbo.' But he loses him somewhere in time. 20 years later, Henry has become a degenerate alcoholic when 12 yr old George appears on his doorstep. Henry is forced to overcome the loser he has become to find a way to send George back to the 80s. Hilarity ensues!
When you think of Latin percussion, think of Francisco Aguabella. Perhaps the finest Afro-Cuban master percussionist still living, he has become synonymous with his instrument — one of the highest compliments a musician can receive. Indeed, what Carlos Santana is to the guitar, Aguabella is to the conga drum.
A boy's childhood scars his life.
A lesbian in midlife crisis acts on her desire to escape the day to day routine only to find disappointment instead of that absolute bliss she hoped for.
Narra la historia de Arthur Clennam, un joven amable pero al que la suerte suele dar la espalda. Cuando aún era un niño se vio forzado a salir de casa, desde el cálido cobijo de su madre pasó al frío mundo exterior.
The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy.
Anna lives in her Mum's garden shed making videos with her thumbs. Her Mum wants her to come out but Anna doesn't want to.
A film created by Les Blank and Maureen Gosling from footage that was cut from the documentary "Always for Pleasure" (1978) about Mardi Gras in New Orleans.
A single street sweeper faces the odorous task of cleaning up the city market:a motley selection of other, more idiosyncratic street cleaners join him as his sweeping transforms into a dynamic celebration of rhythm. Loosely based upon the opening sequence of the UK percussion show, STOMP.
Johnny Green leads the MGM Symphony Orchestra in a medley of waltzes and other familiar pieces by three members of the Strauss family.
Early sound film featuring comedian Eddie Cantor.
Drone mounted cameras fly around capturing people in the act... of love.
Popeye's nephews have been practicing their music and are getting good, but it's bedtime. After Popeye puts them to bed, they discover that many of the things in their bedroom can also be used to make music. And they are also blessed with an uncanny ability to appear to sleep every time Popeye comes to check on them.
"Trees and Jamaica Daddy" was the first of a UPA series (short-lived) that featured two different subjects (plot, characters)running about 3.5 minutes each, on a seven-minute reel. The first one here was titled "Trees", featuring a little girl named Hattie giving her version of the birds, the bees and trees. The second one on the reel was called "Jamaica Daddy", about the animated Hamilton Ham and his band, who tell all about, in music and the usual UPA animation style, Jamaica Daddy, and his family tree in calypso fashion. "Ham-and-Hattie" were not a team, and did not appear together in this cartoon.
The story of the great German composer, from his childhood through his great triumphs in orchestral and operatic music.
The great Polish opera diva Maria Foltyn created her greatest performance in Stanislaw Moniuszkos Halka, with which she toured worldwide - she was applauded by Stalin and admired by Castro. Today, when she is losing her voice, she has decided to give way to her successor. The film Viva Maria! is a tale of passion, sacrifice and devotion, and is an extraordinary story of passing down a voice.
