Creature Companion (2018)
Género : Drama
Tiempo de ejecución : 31M
Director : Melika Bass
Sinopsis
In the American suburbs, two women mysteriously and sensuously entwine in this slow-burning, saucy, abstracted fable on the longing and laboring female body.
Amy tiene 11 años y se queda alucinada con un grupo de baile de chicas. Para unirse a ellas, empieza a explorar su feminidad, desafiando las tradiciones de su familia musulmana.
En 1953, Katherine Watson (Julia Roberts) se traslada desde California al campus de la prestigiosa y estricta universidad de Wellesley en Nueva Inglaterra para enseñar historia del arte. En plena postguerra, Watson espera que sus estudiantes, las mejores y las más brillantes del país, aprovechen las oportunidades que se les presentan para emanciparse. Sin embargo, poco después de su llegada, descubre que la prestigiosa institución está anclada en la tradición y el conformismo.
La traidicional sociedad nipona también ha ofrecido una gran película, la experimental de Toshio Matsumoto que se centra en la vida de los transexuales de Tokio durante los años 60.
Plagues are ravaging Thebes, and the blind fortune-teller Tieresias tells Oedipus, the King, that the gods are unhappy. The murder of the former king has gone unavenged, and Oedipus sets out to find the killer.
Oedipus's wanderings come to an end when he finds his final resting place, as foretold by the gods. But his brother-in-law and his son each try to take him away.
In a final battle for the control of Thebes, Oedipus's two sons kill each other. Creon issues an order that no one is to bury Polynices upon pain of death. But Antigone is determined that her brother's body will have the proper rites of burial.
Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.
En un país europeo en crisis, Portugal, un director se propone construir ficciones a partir de la miserable realidad que le rodea. Pero incapaz de encontrar sentido a su trabajo, huye de manera cobarde, dejando su lugar a la bella Sherezade. Ella necesitará ánimo y coraje para no aburrir al Rey con las tristes historias de ese país. Con el transcurrir de las noches, la inquietud deja paso a la desolación, y la desolación al encantamiento. Por eso Sherezade organiza las historias en tres entregas. Comienza así: "Oh venturoso Rey, fui conocedora de que en un triste país...". Libre adaptación de 'Las mil y una noches' ambientada en el Portugal de hoy, y dividida en tres películas. (FILMAFFINITY)
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
While sorting her dead grandmother's affairs, a young woman boards in a southern mansion and soon discovers the matriarch may desire more than just her company.
An actress struggles to control her emotions during an audition for a TV commercial.
Watch here: vimeo.com/429096682
What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.
Daisy is the love of Ken's life - she is also large... and very pretty... and on the dole. But Ken is a dreamer, all his dreams to make a fast buck ending up where they started - as dreams. With the rent unpaid, the bailiffs at the door and Ken's dreams in tatters, Daisy sets out to bring home the bacon and gets a job in the local factory. There she meets Marlene and half a dozen other large women who are all united in a secret passion - Sumo wrestling! Ken doesn't know what's hit him.
A heartwarming collage of inter-connected love stories, Ahare Mon is a romantic drama that revolves around people who are otherwise forbidden to fall in love.
The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.
Poet Lord Byron decides to fight with the Greek revolutionaries in Missolonghi against the Turks but instead the glorious battle wrestles with fever and his own demons.
Aami Ashbo Phirey is a musical that is about four different stories that are all connected by a violent incident. A young, unknown and unheard singer and songwriter accidentally enters the stories through virtual media and changes their lives for the better. The film re-asserts that art can surpass all differences, violence, intolerance and give them a chance to redeem oneself.
La historia nos pone en la piel de Kashou Minazuki, quien va a abrir la pastelería “La Soleil” tras huir de la cadena familiar de repostería clásica japonesa de su familia. Tras finalizar la mudanza, descubre que con él han venido las chicas gato Chocola y Vanilla, que le harán la vida un poco más complicada a su amo en esta divertida comedia algo picantona.
Constance es una maestra de escuela aburrida y amante del cine en Nueva Zelanda después de la Segunda Guerra Mundial que comienza a fantasear con que es una estrella de Hollywood, con trágicas consecuencias.
