Creature Companion (2018)
Gênero : Drama
Runtime : 31M
Director : Melika Bass
Sinopse
In the American suburbs, two women mysteriously and sensuously entwine in this slow-burning, saucy, abstracted fable on the longing and laboring female body.
Amy tem 11 anos, e se junta a um grupo de dançarinos na escola, e rapidamente se conscientiza de sua florescente feminilidade - perturbando sua mãe e seus valores no processo.
Katharine Watson (Julia Roberts) é uma recém-graduada professora que consegue emprego no conceituado colégio Wellesley, para lecionar aulas de História da Arte. Incomodada com o conservadorismo da sociedade e do próprio colégio em que trabalha, Katharine decide lutar contra estas normas e acaba inspirando suas alunas a enfrentarem os desafios da vida.
O filme nos apresenta uma mostra da cultura gay japonesa em fins da década de 1960. Usufruindo da inclusão de ornamentos visuais vindos diretamente do mundo do design gráfico, da pintura, quadrinhos e da animação contemporânea, Toshio Matsumoto adentra a Novelle Vague japonesa com uma obra totalmente inovadora e polêmica. Sexo, nudez, consumo de drogas e o cotidiano de travestis foram articulados e trabalhados com uma desenvoltura ímpar. Um choque febril entre a estética de vanguarda e os sobressaltos típicos de filmes B. Em meio à sexo e violência, presenciamos um triângulo amoroso: Eddie é um jovem travesti, que se torna o mais popular do clube em que trabalha e inicia um romance com o companheiro e cafetão de Leda, um travesti que fora a grande estrela da noite, mas que com o passar dos anos já perdeu o encanto.
Plagues are ravaging Thebes, and the blind fortune-teller Tieresias tells Oedipus, the King, that the gods are unhappy. The murder of the former king has gone unavenged, and Oedipus sets out to find the killer.
Oedipus's wanderings come to an end when he finds his final resting place, as foretold by the gods. But his brother-in-law and his son each try to take him away.
In a final battle for the control of Thebes, Oedipus's two sons kill each other. Creon issues an order that no one is to bury Polynices upon pain of death. But Antigone is determined that her brother's body will have the proper rites of burial.
Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.
No qual Xerazade narra como a desolação invadiu os homens: “Oh venturoso Rei, fui sabedora de que uma juíza aflita chorará em lugar de ditar a sua sentença, na noite de três luares. Um assassino em fuga vagueará pelas terras interiores durante mais de quarenta dias e teletransportar-se-à para fugir à Guarda, sonhando com putas e perdizes. Lembrando-se de uma oliveira milenar, uma vaca ferida dirá o que tiver a dizer e que é bem triste! Moradores de um prédio dos subúrbio salvarão papagaios e mijarão em elevadores, rodeados por mortos e fantasmas; mas também por um cão que…”. E vendo despontar a manhã, Xerazade calou-se.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
While sorting her dead grandmother's affairs, a young woman boards in a southern mansion and soon discovers the matriarch may desire more than just her company.
An actress struggles to control her emotions during an audition for a TV commercial.
Watch here: vimeo.com/429096682
Quando um canal de televisão colocou a pergunta “O que é uma mulher?,” várias cineastas responderam, incluindo Agnès Varda. Este cine-ensaio é uma possível resposta.
Daisy is the love of Ken's life - she is also large... and very pretty... and on the dole. But Ken is a dreamer, all his dreams to make a fast buck ending up where they started - as dreams. With the rent unpaid, the bailiffs at the door and Ken's dreams in tatters, Daisy sets out to bring home the bacon and gets a job in the local factory. There she meets Marlene and half a dozen other large women who are all united in a secret passion - Sumo wrestling! Ken doesn't know what's hit him.
A heartwarming collage of inter-connected love stories, Ahare Mon is a romantic drama that revolves around people who are otherwise forbidden to fall in love.
The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.
Poet Lord Byron decides to fight with the Greek revolutionaries in Missolonghi against the Turks but instead the glorious battle wrestles with fever and his own demons.
Aami Ashbo Phirey is a musical that is about four different stories that are all connected by a violent incident. A young, unknown and unheard singer and songwriter accidentally enters the stories through virtual media and changes their lives for the better. The film re-asserts that art can surpass all differences, violence, intolerance and give them a chance to redeem oneself.
Kashou Minaduki, the son of a long line of Japanese confection makers moved out to open his own shop "La Soleil" as a patisserie. But upon moving out, hidden amongst his things were two of the catgirls, Chocola and Vanilla, that the family had been raising. When he tried to send them back, they begged and pleaded until he gave in and now they've opened La Soleil together. With two catgirls who really, REALLY love their master trying their very best and occasionally failing -- a heartful comedy opens for business!
Constance is a bored, movie-loving schoolteacher in post-WW2 New Zealand who begins to fantasize that she's a Hollywood star - with tragic consequences.
