Code of Tumas (2018)
Género : Historia, Documental
Tiempo de ejecución : 1H 26M
Director : Eimantas Belickas
Sinopsis
“Code of Tumas ” is an effort to show the well-known events and processes of history through the eyes of a direct person with a subjective and emotional look. Letters, publicism, all creations of Juozas Tumas Vaižgantas, also memories of his contemporaries make this reconstruction possible.
Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.
A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.
Cuatro amigos ingleses que se dedican a robar se quedan tirados en Lituania. Para volver a casa tropiezan con graves dificultades: las diferencias culturales, el trato con criminales, prostitutas, policías corruptos y cerveza barata.
Between 1944–1953, courageous resistance movement took place in the Baltic region of Europe, uniting the partisan troops for struggle against the Soviet Union. “The Invisible Front” was a coded name used by the Soviet Interior forces to describe the resistance movement in Lithuania. Film depicts the story of the fighters through the words and experience of the partisan leader, Juozas Luksa, and interviews with eyewitnesses of those events - both the partisans and the Soviet fighters. Tales of horror, torture and courage are told in the rare archival footage that has never been screened before, and interviews with the surviving members of the resistance movement.
The film is set in Lithuania after the Second World War. It shows dramatic events in a small Lithuanian farming community, where people are split between the Soviets and the "brothers in the woods", who are fighting to defend their land from the Soviets after the end of the Second World War.
Soviet Lithuania in 1972. A young theatre actress is trying to make a difference and tell the forbidden story of repression in a play.
Lituania, 1812. Polonia está tachada del mapa de Europa. Dos grandes familias se enfrentan entre sí: los Soplica, aliados de los rusos, y los Horeszko, defensores de la independencia polaca. Tras veinte años de conflicto, Jacek Soplica ha matado al último señor de la casa de los Horeszko, que le había negado la mano de su hija. Para reparar su terrible falta, Jacek adopta la identidad de un monje bernardino y se encarga de la educación de Sophie, descendiente de los Horeszko. Su objetivo es desposarla con su hijo Tadeusz, quien acaba de regresar tras finalizar sus estudios. Pero en junio de 1812, Napoleón Bonaparte, en su avance hacia Moscú, franquea el Niemen. Entonces Tadeusz decide unirse al ejército, frustrando así los planes matrimoniales que su padre tenía para él.
Marius es un abogado de gran éxito con sede en Vilnius. Se obsesiona con Ali, un apuesto refugiado sirio que conoce por primera vez en una sala de chat en línea en Belgrado. Marius es rico y disfruta de una vibrante vida social y cultural. Sin embargo, siente que le falta algo. El viaje de Lituania a Serbia es relativamente corto, pero ¿pueden los dos navegar a través del abismo que separa sus vidas tan diferentes? ¿Y cómo lidian con los obstáculos de las fronteras físicas que se interponen entre ellos?
The atmosphere of a corridor between yesterday and tomorrow, where many doors open into the unknown. A series of faces, gestures and images both real and imagined time. A fragmentary narrative without dialogue depicting several people in Vilnius.
A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.
A meditation on the time when the world watched as filmmaker Jonas Mekas' home country of Lithuania fought for independence. An immersion into the addictive grasp of the 24-hour news cycle, into a moment of major social upheaval, and into one very personal fixation of an obsessive chronicler. The film exists in a shortened, four-screen version as well as a one-screen, full-length document.
Documentary film showing authentic Lithuanian traditions & rituals during major seasonal festivals: Winter solstice, Mardi Gras, Easter, Midsummer.
The film - an open, sincere, warm and funny story about Arvydas Sabonis life and career. This is particularly characteristic of a T-shirt with the number 11 worn out 2.20 m tall basketball giant Olympic and world champion, portrait.
An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
The film is an emotional story about fateful historical events in the 20th century, which took place in three Baltic countries- Latvia, Lithuania and Estonia. The story is also about their efforts to gain independence.
Portrait of 80 year old Gustav J., born in Lithuania, who became a blacksmith and whose paths of life led him to East Prussia, Russia and finally to Germany.
Rokas e Inga, una pareja de jóvenes lituanos, se ofrecen voluntarios para conducir un vehículo con ayuda humanitaria a Ucrania. Cuando los planes cambian y se quedan abandonados a su suerte, tienen que cruzar una zona nevada para encontrar refugio y aliados, implicándose a la vez en la vida de los afectados por la guerra.
What would you get if you mix a gangster film and a soap opera? "Zero 2" is a crazy twister of criminal romance and sexy violence that just might laugh you to death.
A group of protesters, from all around Lithuania, gather at the Television Tower to protect it from approaching Soviet tanks and paratroopers.
How to steal a wife – an upbeat holiday comedy with characters trying to figure out if love is really stronger than money. Can you imagine what would happen if we locked a woman in a small apartment with her husband and her ex? And what if the latter was also accused of stealing and hiding an insane amount of money? Is the „first cut“ really the deepest, especially when it involves amounts numbering in millions?