I Am Not Alone (2019)

Basado en el Terremoto de 1988 que azotó al país de Armenia, cuenta la historia de un hombre de familia que tras un viaje al exterior, aterriza en el epicentro de la desastre, encontrando su ciudad natal devastada. Pronto, tendrá que encontrar a su familia. Basado en hechos reales

Primera Guerra Mundial (1914-1918). En una pequeña ciudad turca, la guerra y las persecuciones contra la minoría armenia parecen muy lejanas. Después de haber emigrado a Italia, el hijo mayor de una familia armenia, intenta volver a su casa para reunirse con los suyos. Los esfuerzos de su familia por darle una calurosa bienvenida se ven truncados al intervenir Turquía en la guerra. Comienza entonces el éxodo armenio, una odisea marcada por el hambre, la sed y la voluntad desesperada de las mujeres de esta familia por salvarse de la muerte y de la indignidad

The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.

Inspired by true events, this is a film about a childhood friendship, torn apart by the horrific Hamidian massacres infiltrated by the Ottoman Empire under the rule of Sultan Abdul Hamid II (1894-1896).

In Soviet Azerbaijan, a divorced Armenian couple fights over the custody of their daughter, Ashen. Stolen from one parent to another, Ashen's guardians are tragically killed in the bloody war surrounding them. Will the arrival of a new savior finally bring Ashen freedom? Official selection of the Global Lens Collection presented by the Global Film Initiative.

The film is about the civil war in the Zangezur (Syunik) province of Armenia in the early 1920s. The last Dashnak battalions headed by Sparapet Nzhdeh still opposed both the incursion of Red Army and the local Bolshevik partisans.

A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem.

Yeva es una joven que se escapa de sus influyentes suegros con su hija Nareh, después de la trágica muerte de su marido y se refugia en una de las aldeas de Karabakh, Armenia.

En la Semana Santa de 2018, un hombre se equipa con una mochila y comienza a caminar por Armenia. Su objetivo es inspirar una revolución que desbanque al régimen corrupto que ostenta el poder desde la caída de la Unión Soviética.

The Grammy-winning lead singer of System of a Down, Serj Tankian helps to awaken a political revolution on the other side of the world, inspiring Armenia's struggle for democracy through his music and message.

Robert Sternvall, a German journalist, returns to Artsakh in 2016 to cover the war which has been reignited after a 22-year ceasefire. In the result of his journalistic investigation, Robert meets Sophia, a young opera singer, who happens to be the daughter of missing photojournalist Edgar Martirosyan, whom Robert abandoned in captivity during the fall of the village of Talish in 1992. Robert and Sophia’s frequent rendezvouses ignite a passionate romance...

In search of the truth behind the story of Noah's Flood, Joanna Lumley and her team examine the theory that Noah's Ark was preserved on Mount Ararat, in Turkish Armenia.

Hovering between the realms of poetry and history, this stunningly photographed, elegiac work – shot mostly in long takes – mixes cryptic metaphor and fantastic symbolism to tell the story of Avetik, an Armenian filmmaker exiled in Berlin. In sensuous, lyric styling, Askarian employs dreamlike images to reflect the history of his homeland, tranquil childhood memories, images inspired by erotic medieval poetry, and autobiographical shades of his own exile in Germany.

Two part film about David Bek and Mkhitar Sparapet's major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.

The Armenian national hero, David Bek, leads a major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.

Al enterarse de que está gravemente enfermo, Barsam decide volver a su tierra natal. Antes de irse a Armenia, le deja a su hija Anna numerosas pistas para que pueda encontrarlo. Anna emprende entonces la clase de viaje que su padre quería que hiciera: un viaje iniciático, una forma de educación sentimental, un regreso a la adolescencia. Anna encontrará a su padre en un pueblo perdido del Cáucaso, sentado bajo un árbol frutal en flor.

Stone, Time, Touch is a documentary made by Gariné Torossian about the relationship of three Armenian women from the diaspora with the land of Armenia. The young woman (played by Kamee Abrahamian) is visiting Armenia for the first time. The older woman, Arsinée Khanjian has a more conflicted and analytical perspective of her identity and her relationship with the fledgling democracy, one of the former Soviet Union republics. She has been to landlocked Armenia many times and comments on photos taken by French photographer Marc Baguelin. The third trajectory is more subtle and is represented by Gariné Torossian herself whose face is super imposed from time to time in this stylistically-layered documentary.

1920. Last days of the first Armenian Republic. Armenian Army fights on two fronts: war with Turkish army in the west, and Red Army incursion and Bolshevik mutiny in the northeast. Hayk Saroyan returns to his native provincial town from Russia to assume a minor post at Dashnak Army command center. His brother Gevorg, captain at the same command center, is a real patriot prefering death to "eternal exile", army power to relegious mercifullness. Very soon a suspicion creeps inside him: his beloved brother is Bolshevik spy.

Man arrives in America to see his son.

The film consists of three parts. The first one is about a harmonious family that will be separated because of the existing situation. Little Aram carries the tragedy of the separated family. In a day, his entire childhood ends. The reason is one thing only… In the second part of the film a feminine touch is evident by Astghik’s character. One step and peace turn to war in a day, that’s when she loses her friendship, her love, and the idol. The third film tells about a 14-year old Tevanik who becomes part of the war activities. During the fights and as a result of his inability to put an end to a beauty, moments become decisive for Tevanik