I Am Not Alone (2019)

Baseado na história real e comovente do terremoto de Spitak, no norte da Armênia em 7 de dezembro de 1988. Um dos tremores mais graves já registrados deixou quase metade do país em ruínas, 25 mil pessoas mortas, 20 mil gravemente feridas e mais de meio milhão desabrigadas. Após o devastador terremoto, surge uma improvável união entre o russo Konstantin e o armênio Robert, que trabalham juntos para resgatar os sobreviventes desesperados.

The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.

The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.

Inspirado em fatos reais, este é um filme sobre uma amizade de infância, dilacerada pelos horríveis massacres hamidianos infiltrados pelo Império Otomano sob o governo do Sultão Abdul Hamid II (1894-1896).

In Soviet Azerbaijan, a divorced Armenian couple fights over the custody of their daughter, Ashen. Stolen from one parent to another, Ashen's guardians are tragically killed in the bloody war surrounding them. Will the arrival of a new savior finally bring Ashen freedom? Official selection of the Global Lens Collection presented by the Global Film Initiative.

The film is about the civil war in the Zangezur (Syunik) province of Armenia in the early 1920s. The last Dashnak battalions headed by Sparapet Nzhdeh still opposed both the incursion of Red Army and the local Bolshevik partisans.

A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem.

Yeva is a young woman who escapes her influential in-laws with her daughter Nareh, after her husband’s tragic death and takes refuge in one of the villages of Karabakh, Armenia… Yeva is a complete stranger in this village and is obliged to live her daily life in disguise.

On Easter 2018, a man put on a backpack and began to walk across Armenia. His mission: to inspire a velvet revolution and topple the corrupt regime that enjoys absolute power in his post-soviet nation. With total access to all key players, this documentary tells the story of what happened in the next 40 days.

The Grammy-winning lead singer of System of a Down, Serj Tankian helps to awaken a political revolution on the other side of the world, inspiring Armenia's struggle for democracy through his music and message.

Robert Sternvall, a German journalist, returns to Artsakh in 2016 to cover the war which has been reignited after a 22-year ceasefire. In the result of his journalistic investigation, Robert meets Sophia, a young opera singer, who happens to be the daughter of missing photojournalist Edgar Martirosyan, whom Robert abandoned in captivity during the fall of the village of Talish in 1992. Robert and Sophia’s frequent rendezvouses ignite a passionate romance...

In search of the truth behind the story of Noah's Flood, Joanna Lumley and her team examine the theory that Noah's Ark was preserved on Mount Ararat, in Turkish Armenia.

Hovering between the realms of poetry and history, this stunningly photographed, elegiac work – shot mostly in long takes – mixes cryptic metaphor and fantastic symbolism to tell the story of Avetik, an Armenian filmmaker exiled in Berlin. In sensuous, lyric styling, Askarian employs dreamlike images to reflect the history of his homeland, tranquil childhood memories, images inspired by erotic medieval poetry, and autobiographical shades of his own exile in Germany.

Two part film about David Bek and Mkhitar Sparapet's major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.

The Armenian national hero, David Bek, leads a major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.

This is a story about returning to ones ancestral homeland. Anna is a cardiologist who discovers her father has fled to his native Armenia after being diagnosed with a heart problem. Despite their contentious relationship, she sets out to bring her father back for this operation. Anna is a tough-minded, headstrong woman with little feeling for her fathers homeland or patience with its politics and socially intrusive culture, yet she finds this journey not only a reunion of sorts, but one of reconciliation as well.

Stone, Time, Touch is a documentary made by Gariné Torossian about the relationship of three Armenian women from the diaspora with the land of Armenia. The young woman (played by Kamee Abrahamian) is visiting Armenia for the first time. The older woman, Arsinée Khanjian has a more conflicted and analytical perspective of her identity and her relationship with the fledgling democracy, one of the former Soviet Union republics. She has been to landlocked Armenia many times and comments on photos taken by French photographer Marc Baguelin. The third trajectory is more subtle and is represented by Gariné Torossian herself whose face is super imposed from time to time in this stylistically-layered documentary.

1920. Last days of the first Armenian Republic. Armenian Army fights on two fronts: war with Turkish army in the west, and Red Army incursion and Bolshevik mutiny in the northeast. Hayk Saroyan returns to his native provincial town from Russia to assume a minor post at Dashnak Army command center. His brother Gevorg, captain at the same command center, is a real patriot prefering death to "eternal exile", army power to relegious mercifullness. Very soon a suspicion creeps inside him: his beloved brother is Bolshevik spy.

Man arrives in America to see his son.

The film consists of three parts. The first one is about a harmonious family that will be separated because of the existing situation. Little Aram carries the tragedy of the separated family. In a day, his entire childhood ends. The reason is one thing only… In the second part of the film a feminine touch is evident by Astghik’s character. One step and peace turn to war in a day, that’s when she loses her friendship, her love, and the idol. The third film tells about a 14-year old Tevanik who becomes part of the war activities. During the fights and as a result of his inability to put an end to a beauty, moments become decisive for Tevanik