Bugs in Love (1932)
Género : Animación
Tiempo de ejecución : 7M
Director : Burt Gillett
Sinopsis
Insects have made a playground/carnival out of castoffs, featuring "ice skating" on mirrors. Two love bugs head off to a more private area. But their fun is interrupted when a crow comes by. He bottles up the male bug and chases the female into her home. The male bug escapes in the nick of time, and another bug notices the battle and rallies the rest of the bugs to attack, which they do, using false teeth, an eggbeater, a mousetrap, castor oil, and other things.
Virgil, a cartoon character born into the real world, recounts his life story to a news reporter as he is preparing to take his life.
En la noche de las elecciones, Peter, un joven idealista, descubre, de repente, que se ha olvidado de ir a votar y que dispone de poco tiempo. Camino de las urnas se encuentra con varios taxistas, todos racistas, pero cada uno a su manera. Tendrá entonces que decidir si es más importante entablar con ellos una batalla ideológica para defender sus principios y convicciones o llegar a tiempo a su colegio electoral.
Slim es el capataz de un rancho, y está casi sordo a causa de dos tiros calibre 30.06 que pasaron demasiado cerca de sus orejas cuando tenía 13 años y medio. Un día observa, junto con Peter y Dusty, bajar de las montañas a un francés llamado Pierre que trae consigo su maleta llena de cosas francesas.
A couple sees the happiness and future threatened by a disease that can destroy body and soul. A disturbing story made of silences, glances, routines ...
A study of human anxieties about beauty, youth and objectification.
A meditation on eating people and quiet waitresses.
A man breaks into a large, seemingly abandoned old house to plunder the gold received. But the house is really abandoned?
Deren filma al bailarín Talley Beatty durante la ejecución de una danza compleja y rítmica a través de diferentes escenarios que nunca parecen estar separados. El film se realiza con un trabajo especial para la cámara, es decir, el estudio del cuerpo y del espacio físico están pensados para la cámara. El montaje y la edición terminan de configurar una obra en la cual el bailarín parece que se encuentra en un sinfín de escenarios, como un bosque o una sala de una casa.
American history, from Columbus landing and found that George Bush becomes president. College Film by Trey Parker.
Intrigante cortometraje donde aparece una chica en una habitación oscura. Primeramente, una chica de origen oriental nos habla de ella ("tengo una amiga, se encuentra en una habitación oscura, ella está llorando..."; más tarde vemos un plano fijo de la chica en la habitación, y finalmente entra otra chica y le habla en tono desafiante.
William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.
An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.
Review on Twitchfilm.com: “Visually Chandmani Sum is a true beauty. Completely presented in a light blue monochrome color, only rarely allowing other colors to come through, the documentary gives a very unique look at the desolate countryside of Mongolia. Hartsuiker has a great eye and knows to capture some magnificent scenes, giving them a rather daunting and otherworldly feeling”
Short film made in 1997 while David Gordon Green was attending the North Carolina School of Arts that formed the genesis of his feature film debut, "George Washington".
A young agoraphobic woman is tormented by malevolent visions that begin to bleed into reality.
The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends.
They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.
A 16mm Warhol film of Edie Sedgwick sitting in front of a television monitor on which is playing a prerecorded videotape of herself. On the videotape, Edie is positioned on the left side of the frame, facing right; she is talking to an unseen person off-screen to our right. In the film, the “real” or “live” Edie Sedgwick is seated on the right side of the film frame, with her video image behind her, and she is talking to an unseen person off-screen to our left. The effect of this setup is that it sometimes creates the rather strange illusion that we are watching Edie in conversation with her own video image.
