Executive Producer
En los asfixiantes pasillos de la Estación Central, en Río de Janeiro, una antigua maestra se gana la vida escribiendo las cartas que le dictan los analfabetos. Endurecida por la soledad y por la adversidad, Dora ha ido cayendo en una estoica indiferencia. Sin embargo, cuando una de sus clientes muere atropellada a la salida de la estación, decide hacerse cargo de su hijo y llevarlo a casa de su padre en una remota zona del nordeste de Brasil.
Executive Producer
Viajando desde la selva virgen a Los Angeles para visitar a su primo, un escritor descubre un mundo de sexo, las drogas, el crimen y la violencia que gira alrededor de una joven y bella mujer y su novio mafioso.
Producer
Against the barren wintry backdrop of a psychiatric hospital, inpatients and authority figures drift through turgid psychological states. We meet the artist Jean and his lover Monica, patients of the facility, and several characters circling its periphery: a guard, an Episcopalian priest, and a church organist. Minimalizing dialogue and plot intricacy, Tregenza concedes only kernels of information, demanding that the viewer breathe dimensionality into his archetypes. Acting out primal instincts of lust, envy, fear, and love, subjects teeter vulnerably on the brink of sanity and insanity, freedom and repression in their attempts to navigate their existence.
Producer
Tijuana is a mystical city and the scene of different stories, where the characters search for meaning in their lives.
Executive Producer
The Arc above all is a road movie, and a journey, a modern day odyssey, not dissimilar in mood and tone to Antonioni’s existential trips through the disembodied sensibilities of his characters.
