Eric Spitzer

A man rescues a boy and later tries to get him off his back but to little avail, so they end up drifting around a subterranean world, populated by grotesque masked figures. A hundred years after Chaplin filmed his first feature film, The Kid, Norbert Pfaffenbichler offers an experimental punk-style interpretation, which the filmmaker himself has defined as a dystopian slapstick film.

El documentalista alemán Dieter Plage encontró la muerte en el corazón de la selva de la Guayana, mientras volaba en un ingenio propulsado por helio, el Jungle Airship, inventado por un amigo suyo. Su intención era observar la vida salvaje en las copas de los árboles. En 2004, Werner Herzog emprende este viaje de alto riesgo, en un nuevo prototipo aerostático de características parecidas, en compañía del ingeniero del zeppelín siniestrado, para narrar la fatídica historia de Plage.

En la Navidad de 1971, Herzog se encontraba en Lima (Perú) y estaba a punto de trasladarse a la selva para rodar "Aguirre", pero el avión despegó sin él: noventa y dos pasajeros y toda la tripulación sufrieron un fatal accidente. La única superviviente fue Julianne Koepke, una chica alemana. Con la intención de rodar aquella tragedia, Herzog localizó a Koepcke, la única persona que había sido testigo de la traumática experiencia de aquella noche.

A moonstruck comedy about lovers and robbers.

I Heaven's plot revolves around three friends with personal ambitions who must face the less pleasant aspects of reality. The story is told from the point of view of 17-year-old Csiwi, a loner who spends his evenings driving around in his brother's car or simply hanging out. He has no idea about the direction his future should take. He runs into Levi and Valeska and they easily become his bosom friends despite their differences. Levi, whose circumstances have constantly been changing, is looking for something stable in his life. He works very hard so that he can afford his own flat. Valeska is restless and fascinated by distant places and change. For her, postcards symbolize places where happiness is hidden. Valeska and Levi represent two different ways of living and Csiwi must decide for himself which road to take. He feels the first pangs of love towards Valeska, and Levi easily becomes a good friend. Together they set off in a new direction, which could be their heaven on earth.

En los años 50, Werner Herzog compartía piso con Klaus Kinski, un diabólico ególatra. Kinski padecía repentinos e injustificables arrebatos de ira o locura, durante los cuales podía llegar a destrozar el mobiliario del apartamento. La terrible personalidad de Klaus fascinó a Werner y entre ambos nació una estrecha amistad que se fue al garete durante el rodaje de la película "Aguirre, la cólera de Dios". (FILMAFFINITY)

The mentally unstable switchman Kramer, a devoted servant of the fatherland, is waiting for a train.

Plachinger and Kirchhoff, the heroes of Franz Novotny's 1980 comedy "Exit - Do Not Panic" meet by chance after ten years and spend a night together in which they attempt to be as they were in the old days: anarchistic and orgiastic.

Herbert lives a rather simple life, left to his own devices. He works as a projectionist in a shabby Viennese movie theater and lives alone with his red nameless cat in the free caretaker's apartment of a somewhat run-down apartment building. Now and then he visits his mother in a nursing home, meets with an old friend of his father, or comes to meetings of a savings club. Saving money is pretty much the center of his life because he has a dream. He wants to emigrate to the U.S. to buy his own movie theater and to reunite with his long-lost father. But when Rita, a young student, moves into the apartment building things in his life are changed completely.

Wilhelm, who is a fanatic for justice, and Mango Karl kidnap Erwin, the beloved cockerel of Mrs. Wassermann. As always, the two men aim to distribute the money obtained by extortion among the socially needy. The rest is "Beyond Feathers"...

In the beginning was the rhythm, then came the melody, or vice versa. At least this is the case in Vienna, where, in the quarter of Alt-Erlaa, one of the most multi-facetted musicians of the free jazz scene, Walter Malli, has his home.