Eric Spitzer

A man rescues a boy and later tries to get him off his back but to little avail, so they end up drifting around a subterranean world, populated by grotesque masked figures. A hundred years after Chaplin filmed his first feature film, The Kid, Norbert Pfaffenbichler offers an experimental punk-style interpretation, which the filmmaker himself has defined as a dystopian slapstick film.

This 2004 documentary by Werner Herzog diaries the struggle of a passionate English inventor to design and test a unique airship during its maiden flight above the jungle canopy.

Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle.

A moonstruck comedy about lovers and robbers.

I Heaven's plot revolves around three friends with personal ambitions who must face the less pleasant aspects of reality. The story is told from the point of view of 17-year-old Csiwi, a loner who spends his evenings driving around in his brother's car or simply hanging out. He has no idea about the direction his future should take. He runs into Levi and Valeska and they easily become his bosom friends despite their differences. Levi, whose circumstances have constantly been changing, is looking for something stable in his life. He works very hard so that he can afford his own flat. Valeska is restless and fascinated by distant places and change. For her, postcards symbolize places where happiness is hidden. Valeska and Levi represent two different ways of living and Csiwi must decide for himself which road to take. He feels the first pangs of love towards Valeska, and Levi easily becomes a good friend. Together they set off in a new direction, which could be their heaven on earth.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

The mentally unstable switchman Kramer, a devoted servant of the fatherland, is waiting for a train.

Plachinger and Kirchhoff, the heroes of Franz Novotny's 1980 comedy "Exit - Do Not Panic" meet by chance after ten years and spend a night together in which they attempt to be as they were in the old days: anarchistic and orgiastic.

Herbert lives a rather simple life, left to his own devices. He works as a projectionist in a shabby Viennese movie theater and lives alone with his red nameless cat in the free caretaker's apartment of a somewhat run-down apartment building. Now and then he visits his mother in a nursing home, meets with an old friend of his father, or comes to meetings of a savings club. Saving money is pretty much the center of his life because he has a dream. He wants to emigrate to the U.S. to buy his own movie theater and to reunite with his long-lost father. But when Rita, a young student, moves into the apartment building things in his life are changed completely.

Wilhelm, who is a fanatic for justice, and Mango Karl kidnap Erwin, the beloved cockerel of Mrs. Wassermann. As always, the two men aim to distribute the money obtained by extortion among the socially needy. The rest is "Beyond Feathers"...

In the beginning was the rhythm, then came the melody, or vice versa. At least this is the case in Vienna, where, in the quarter of Alt-Erlaa, one of the most multi-facetted musicians of the free jazz scene, Walter Malli, has his home.