Eric Spitzer

채플린의 첫 장편 영화와 그에 대한 파펜비클러의 느슨한 해석 사이에 100년이 있다. 1920년에 촬영된 "The Kid"는 버려진 아이와 경찰의 잔혹함에 대한 비극적 코믹 도덕 이야기인 "Lumpen proletariat"의 영역에서 나온 이야기이다. 2551.01도 그 모든 것이다. 그리고 결국, 100년의 먼 거리에 있고, 영화 역사의 모든 종류의 휴식과 채플린의 씁쓸한 패치워크 코미디에서 나오는 수많은 전쟁이다.

비행선 엔지니어인 그래함 도링톤 박사는 그가 특별히 고안한 헬륨 비행선을 가이아나 중심부에 있는 거대한 카이초 폭포 근처에서 실험 비행하려 한다. 그러나 12년 전 그는 유사한 탐험 중 동료 디에터를 죽음으로 몰고 갔기 때문에 닥쳐 올 위험이 두렵다. 도링톤 역시 아귀레와 피츠카랄도처럼 헤어조크적 ‘몽상가’이다. 비행선의 테스트를 혼자서 강행하겠다는 도링톤에게 카메라 없는 비행은 어리석은 짓이라며 두 명의 카메라맨이 있음에도 불구하고 자신이 직접 카메라를 메고 비행을 해야겠다고 고집피우는 62세의 헤어조크 감독을 보는 그 자체가 경이롭기 그지없다. (한국영상자료원)

Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle.

A moonstruck comedy about lovers and robbers.

I Heaven's plot revolves around three friends with personal ambitions who must face the less pleasant aspects of reality. The story is told from the point of view of 17-year-old Csiwi, a loner who spends his evenings driving around in his brother's car or simply hanging out. He has no idea about the direction his future should take. He runs into Levi and Valeska and they easily become his bosom friends despite their differences. Levi, whose circumstances have constantly been changing, is looking for something stable in his life. He works very hard so that he can afford his own flat. Valeska is restless and fascinated by distant places and change. For her, postcards symbolize places where happiness is hidden. Valeska and Levi represent two different ways of living and Csiwi must decide for himself which road to take. He feels the first pangs of love towards Valeska, and Levi easily becomes a good friend. Together they set off in a new direction, which could be their heaven on earth.

1991년 사망한 독일 배우 클라우스 킨스키. 그는 베르너 헤어초크 감독의 페르소나이며, 헤어초크 감독과 애증의 관계를 넘나들며 예술적 교감을 이루었다. 헤어초크는 킨스키가 죽은 후, 킨스키에 관한 다큐멘터리를 들고 그와 함께 했던 시간과 그 속에서 피어난 감정 같은 것들에 대해 이야기한다. 99년 칸 국제영화제 상영작. -- 2002 부천국제영화제

The mentally unstable switchman Kramer, a devoted servant of the fatherland, is waiting for a train.

Plachinger and Kirchhoff, the heroes of Franz Novotny's 1980 comedy "Exit - Do Not Panic" meet by chance after ten years and spend a night together in which they attempt to be as they were in the old days: anarchistic and orgiastic.

Herbert lives a rather simple life, left to his own devices. He works as a projectionist in a shabby Viennese movie theater and lives alone with his red nameless cat in the free caretaker's apartment of a somewhat run-down apartment building. Now and then he visits his mother in a nursing home, meets with an old friend of his father, or comes to meetings of a savings club. Saving money is pretty much the center of his life because he has a dream. He wants to emigrate to the U.S. to buy his own movie theater and to reunite with his long-lost father. But when Rita, a young student, moves into the apartment building things in his life are changed completely.

Wilhelm, who is a fanatic for justice, and Mango Karl kidnap Erwin, the beloved cockerel of Mrs. Wassermann. As always, the two men aim to distribute the money obtained by extortion among the socially needy. The rest is "Beyond Feathers"...

In the beginning was the rhythm, then came the melody, or vice versa. At least this is the case in Vienna, where, in the quarter of Alt-Erlaa, one of the most multi-facetted musicians of the free jazz scene, Walter Malli, has his home.