Caio Gullane

When he meets Anaíra, a beautiful woman who breathes life into his whole being, Captain Dalberto leaves his job as a police officer and buys a boat. The newly married couple moves in with Dalberto’s brothers, but the captain leaves for a trip to Iquitos, Peru. At home, Dalmo, the older brother, tries to control the passion he feels for his brother’s wife. Anaíra, feeling abandoned, approaches Armando, the younger brother, and they have an affair. Dalberto’s return puts all three men, now completely in love with the same woman, under the same roof.

Two friends go their separate ways at age 17, affected by the troubling teenage conflicts in the small and conservative city of Coti das Fuças, in the countryside of Brazil. Levi, a poet, tired of being mistreated, sticks to the friends’ plan of moving to a big city. Elias, opressed by a violent father, gives up on the idea of leaving. At age 50, Levi comes back to reunite with his friend during a funeral, when their memories are relived before the last goodbye. Inspired by the theater play Aldeotas, by Gero Camilo.

A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.

Dani is about to get married and travels with three other friends to Bariloche for her bachelorette party. The girls expect a fun and peaceful trip, but when they arrive in the Argentine city, things start to go wrong and the group has to make do: Karen forgets to book a place and, from there, the situation only gets worse. Together, they will need to find practical solutions to their problems and experience completely unexpected adventures.

Dani is about to get married and travels with three other friends to Bariloche for her bachelorette party. The girls expect a fun and peaceful trip, but when they arrive in the Argentine city, things start to go wrong and the group has to make do: Karen forgets to book a place and, from there, the situation only gets worse. Together, they will need to find practical solutions to their problems and experience completely unexpected adventures.

VIEIRARPAD begun with the correspondence between the couple Maria Helena Vieira da Silva and Arpad Szènes, between 1932-1961. The letters and the intimacy of their words are pretext for the exploration of an equally intimate visual journey

El atletismo femenino está a punto de ganar una medalla de oro en el relevo 4x100 en los Juegos Olímpicos 2016, la victoria brasileña es casi segura y los velocistas están a un paso de lo que sería un hito histórico. Sería. Un error fatal, sin embargo, pospone los sueños de las atletas: el descuido de la joven María Lúcia causa la descalificación del grupo. Lo que para siempre cambia su vida y la de Adriana, una colega que no la perdona después de la final. Cuatro años se pasaron. María Lúcia sigue como la gran promesa del atletismo, mientras que Adriana vive de pequeñas luchas de MMA. Unos meses antes de los Juegos Olímpicos de Tokio, son llamadas al nuevo equipo 4x100. Ahora, María Lúcia y Adriana necesitan superar los errores del pasado. Para ello, cuentan con la ayuda de las veteranas Rita y Jaciara y la recién llegada Bia, atletas que redescubren su verdadero poder como equipo, demostrando que el atletismo femenino brasileño sigue siendo más fuerte que nunca.

En poderosas imágenes, alternando entre observación documental y secuencias escenificadas, y densos paisajes sonoros, Luiz Bolognesi documenta la comunidad indígena de los Yanomami y describe su entorno natural amenazado en la selva amazónica.

La parte judío-israelita de su familia le llama Avram. La parte palestino-musulmana, Ibrahim. Sus padres, unos abogados agnósticos criados en norteamérica, Abraham. Pero el joven de 12 años que vive en Brooklyn y que adora la comida y cocinar, prefiere que le llamen simple y llanamente Abe. Sólo Abe.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

Palermo, Sicilia, 1980. Tommaso Buscetta, miembro de la mafia siciliana, decide mudarse a Brasil con su familia huyendo de la guerra constante entre los diferentes clanes de la organización criminal. Pero cuando, después de vivir varias desgracias, se ve obligado a regresar a Italia, toma una decisión audaz que cambiará para siempre su vida y el destino de la Cosa Nostra.

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

Ever since their first contact with the Western world in 1969 the Paiter Suruí, an indigenous people living in the Amazon basin, have been exposed to sweeping social changes. Smartphones, gas, electricity, medicines, weapons and social media have now replaced their traditional way of life. Illness is a risk for a community increasingly unable to isolate itself from the modernization brought by white people or the power of the church. Ethnocide threatens to destroy their soul. With dogged persistence, Perpera, a former shaman, is searching for a way to restore the old vitality to his village.

Helen, 30 years-old, decides she is going to change the rest of her life. Her biggest mistake, she asks God for some precious help.

Augusto es un artista que busca su lugar y encuentra la oportunidad de conquistar a la gente cuando se convierte en "Bingo", un payaso de televisión en uno de los programas de televisón líder de audiencia para los niños en los años 80. Con maquillaje, Augusto se convierte en un éxito absoluto.

Augusto es un artista que busca su lugar y encuentra la oportunidad de conquistar a la gente cuando se convierte en "Bingo", un payaso de televisión en uno de los programas de televisón líder de audiencia para los niños en los años 80. Con maquillaje, Augusto se convierte en un éxito absoluto.

Rosa es una mujer que sólo anhela ser perfecta, en su trabajo y como madre, hija, esposa y amante. Cuanto más se esfuerza, más siente que lo está haciendo mal. Rosa se ve atrapada por las exigencias de dos generaciones, hasta que un día su madre deja caer una bomba, y Rosa comienza a redescubrir su verdadero yo.

Eduardo discovers he has a split personality: a buttoned-up São Paulo executive and beach-loving weekend playboy in Rio de Janeiro called Duca. Unconsciously, he becomes entangled with a woman although he's already engaged to another.

After waking from a coma, Tino learns his future in-laws have given him a high-powered financial job, for which he is woefully unqualified.

Val es una interna que se toma su trabajo muy en serio. Sirve a un adinerado matrimonio de São Paulo día y noche, y cuida a su hijo adolescente, al que ha criado desde su infancia. El orden de este hogar parece inquebrantable, hasta que un día llega desde su ciudad de origen la inteligente y ambiciosa hija de Val, Jessica, a la que había dejado al cuidado de unos familiares en el norte de Brasil 13 años atrás. La presencia de la joven pone en peligro el balance de poder en la casa. Esta nueva situación pondrá en tela de juicio las lealtades de Val y la obligará a valorar lo que está dispuesta a perder.

Val es una interna que se toma su trabajo muy en serio. Sirve a un adinerado matrimonio de São Paulo día y noche, y cuida a su hijo adolescente, al que ha criado desde su infancia. El orden de este hogar parece inquebrantable, hasta que un día llega desde su ciudad de origen la inteligente y ambiciosa hija de Val, Jessica, a la que había dejado al cuidado de unos familiares en el norte de Brasil 13 años atrás. La presencia de la joven pone en peligro el balance de poder en la casa. Esta nueva situación pondrá en tela de juicio las lealtades de Val y la obligará a valorar lo que está dispuesta a perder.

A lyrical look at Antonio Nóbrega’s universe. A lifetime’s work that is characterized by the consistent reading of popular culture. A show in which all elements of our culture are mixed together. A musical and visual journey, guided by the characters Joáo Sidurino and Rosalina from the plays Brincante and Segundas Histórias.

A lyrical look at Antonio Nóbrega’s universe. A lifetime’s work that is characterized by the consistent reading of popular culture. A show in which all elements of our culture are mixed together. A musical and visual journey, guided by the characters Joáo Sidurino and Rosalina from the plays Brincante and Segundas Histórias.

Después de la confusión de la primera película, las divertidas aventuras de Tino y Jane continúan. Todavía sintiendo el sabor amargo del fracaso, ven una luz al final del túnel con la inesperada herencia del tío Olavinho. Sin embargo, el testamento trae un pedido inusual: su tío rico quiere que sus cenizas sean arrojadas al Gran Cañón. Aprovechando el viaje a cumplir este deseo, la pareja decide pasear en Las Vegas y viven situaciones cómicas. El gastón Tino caerá en las tentaciones más grandes en la ciudad de los casinos.

Tras un accidente de avión, Saï, un mono capuchino nacido y criado en cautividad, se encuentra solo y perdido en medio de la selva más grande del mundo, la Amazonia. De pronto, Saï se ve obligado a aprender a adaptarse a la espesa vegetación y a los peligros de la selva, huyendo de depredadores como la boa, el tapir, la nutria gigante, el jaguar o el cocodrilo. Cuando encuentra a un grupo de monos capuchinos, se da cuenta de que adaptarse y vivir con ellos es su única forma de sobrevivir.

Un niño pequeño ha sido secuestrado. Nadie sabe dónde está ni quien ha podido llevárselo, y desde una comisaría, la policía está haciendo todo lo posible por encontrarle. Allí, se juntan tres personajes: Sylvia (Fabiula Nascimento, Dores de Amores, Brichos: A Floresta é Nossa) y Bernardo (Milhem Cortaz, Amanhã Nunca Mais, Assalto ao Banco Central), que son los padres del niño desaparecido, y Rosa (Leandra Leal, Bonitinha, Mas Ordinária, O Rio nos Pertence!), amante de Bernardo y principal sospechosa del secuestro.

Película estructurada en cuatro episodios cruciales de la historia de Brasil, desde la llegada de los europeos hasta el año 2080. El relato está a cargo de un personaje que vive desde hace más de 600 años, durante los cuales ha sido pareja de la misma mujer. (FILMAFFINITY)

Lisboa, Portugal, 2010. Pilar, una piadosa mujer dedicada a causas sociales, mantiene una peculiar relación con su vecina Aurora, una temperamental anciana obsesionada con el juego que vive atormentada por un misterioso pasado.

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

Two years after her arrival in São Paulo, Alice continues her relationship with Nicholas and has begun to look for a place where they can live together. She has also launched a business that produces children's shows, and a stable life seems to be taking shape. But as she goes about the apartment search and shares in the loves and uncertainties of old and new friends, what she observes leaves her far less certain of her decisions and her future.

Manuel tiene 15 años, le gusta tocar guitarra, besar a su chica en la boca, reir con los amigos, andar en bicicleta y bailar una balada. Un suceso en su familia hace que perciba que la vida de un adulto no siempre es tarea facil, entre tantos desafios, la popularidad de la escuela, su primera relacion sexual, las relaciones en su casa, sus propias inseguridades, los preconceptos y el descubrimiento del amor. Manu descubre o inventa las mejores cosas del mundo.

José Renato, a 35-year-old geologist, is sent out on a solitary expedition to the hinterlands of northeastern Brazil. The purpose of the trip is to assess possible routes for a canal that will connect the area with the only major river in the region. As the field trip progresses, it becomes clear that Renato shares with those places the same emptiness, sense of abandonment and isolation.

After 40 years in a cell for the mentally ill, Coffin Joe is finally freed. Back on the streets, the sadistic gravedigger is set on fulfilling that for which he was imprisoned: find the woman who can give him the perfect child. During his wanderings through the city of São Paulo he leaves behind a trail of horror as he faces unnatural laws and popular beliefs.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

An upper-middle class punk singer Andre, Magnata spends his time with his low-class friends, singing in clubs and wasting money. When he accepts a challenge to steal a Ferrari, he gets involved in a thriller that can lead him to a tragic consequence.

An upper-middle class punk singer Andre, Magnata spends his time with his low-class friends, singing in clubs and wasting money. When he accepts a challenge to steal a Ferrari, he gets involved in a thriller that can lead him to a tragic consequence.

Querô is an orphan teenager, living alone near the docks in Santos, Brazil. Her mother, a prostitute, died when he was a baby, and he was raised in the bordello where she worked. Believing he rules his own destiny, he refuses to compromise with anyone else, the corrupt policemen always chasing him, the oppressive discipline in the juvenile institution Febem, or the drug dealers who try to lure him. But this independence has a price.

Short film based on letters sent from The Brazilian Film Director Glauber Rocha to his former Assistant and friend, Jirges Ristum, father of the director André Ristum. The film is about a friendship and a work relation, and was directed by the son of Jirges and edited by the son of Glauber, Eryk Rocha.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

Un thriller psicológico repleto de animaciones tipo manga sobre la ilustradora joven y pobre de historietas Nina, que vive con su casera. Ella se hunde cada vez más en un violento mundo de fantasía.

A small poor community called Javé is under threat of being flooded by a new dam that is being built, and the only way to prevent this is to prove the town's historical value. As most of the inhabitants are illiterate, they have no choice but to ask for the help of Antônio Biá, a man who has been ostracized ever since it was discovered that he had sent out letters with lies about their reputations as a way to keep his job in Javé's seldom-used post office. He now has the task of documenting people's memories of how the city was founded, yet each inhabitant has his or her own version of what happened.

La película está basada en las experiencias del doctor Drauzio Varella en la prisión estatal Carandiru, en São Paulo, Brasil, durante sus trabajos de prevención del SIDA. En la prisión se encontró con cientos de convictos bajo condiciones infrahumanas hasta el punto culminante de 1992 cuando una revuelta provocó el asesinato de 111 hombres.

A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs on his pocket. The maconha cigarrete is just the final drop that exposes the family tragedy. Send to a mental institution, Neto gets to know a completely absurd, inhumane reality in which the people are devoured by a corrupt and cruel institution system. The documentary type language used by the director give this movie a sensation of realty that increases even more the impact of the emotions Neto goes through. In the mental institution, Neto is forced to mature. The transformations that he goes through change this relations with his father.

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.

Young executive woman returns to small town of Dois Córregos and remembers the time, in the late 1960s, when she met her uncle there, a man who was running away from the military dictatorship ruling Brazil at the time.

Five friends meet for lunch. Nothing could be more mundane, but for some reason, no one stayed for dessert.

Rap, drugs and violence. One day in the suburbs of São Paulo.