Caio Gullane

When he meets Anaíra, a beautiful woman who breathes life into his whole being, Captain Dalberto leaves his job as a police officer and buys a boat. The newly married couple moves in with Dalberto’s brothers, but the captain leaves for a trip to Iquitos, Peru. At home, Dalmo, the older brother, tries to control the passion he feels for his brother’s wife. Anaíra, feeling abandoned, approaches Armando, the younger brother, and they have an affair. Dalberto’s return puts all three men, now completely in love with the same woman, under the same roof.

Two friends go their separate ways at age 17, affected by the troubling teenage conflicts in the small and conservative city of Coti das Fuças, in the countryside of Brazil. Levi, a poet, tired of being mistreated, sticks to the friends’ plan of moving to a big city. Elias, opressed by a violent father, gives up on the idea of leaving. At age 50, Levi comes back to reunite with his friend during a funeral, when their memories are relived before the last goodbye. Inspired by the theater play Aldeotas, by Gero Camilo.

Офицер полиции пытается выяснить, кто виноват в преступлении, совершенном против кандидата в мэры небольшого городка. Он выслушивает версии наемного убийцы, невесты жертвы и самого кандидата.

Dani is about to get married and travels with three other friends to Bariloche for her bachelorette party. The girls expect a fun and peaceful trip, but when they arrive in the Argentine city, things start to go wrong and the group has to make do: Karen forgets to book a place and, from there, the situation only gets worse. Together, they will need to find practical solutions to their problems and experience completely unexpected adventures.

Dani is about to get married and travels with three other friends to Bariloche for her bachelorette party. The girls expect a fun and peaceful trip, but when they arrive in the Argentine city, things start to go wrong and the group has to make do: Karen forgets to book a place and, from there, the situation only gets worse. Together, they will need to find practical solutions to their problems and experience completely unexpected adventures.

VIEIRARPAD begun with the correspondence between the couple Maria Helena Vieira da Silva and Arpad Szènes, between 1932-1961. The letters and the intimacy of their words are pretext for the exploration of an equally intimate visual journey

The women's athletics (4x100m relay) is about to win a gold medal at the 2016 Olympic Games, the Brazilian victory is almost certain and the athletes are one step closer to what would be a milestone. If only one fatal error hadn't put off their dreams: the carelessness of the young Maria Lúcia causes the group to be disqualified. This changes Maria Lúcia and Adriana's lives forever, Adriana does not forgive her teammate after the final. Four years go by. Maria Lúcia is still the great promise in athletics while Adriana makes a living out of MMA fighting. A few months away from the Tokyo Olympics, they are called in to join the new 4x100 team. This time, Maria Lúcia and Adriana need to overcome the mistakes of the past. They count on the help of veterans Rita and Jaciara as well as newcomer Bia, athletes who rediscover their true power as a team, showing that the Brazilian women's athletics is stronger than ever.

In powerful images, alternating between documentary observation and staged sequences, and dense soundscapes, Luiz Bolognesi documents the Indigenous community of the Yanomami and depicts their threatened natural environment in the Amazon rainforest.

В центре сюжета 12-летний мальчик из Бруклина, который обожает готовить. Израильская часть семьи зовет его Авраам, мусульманская — Ибрагим. Мама и папа зовут его Абрахам, а он предпочитает просто — Эйб.

«Я уже прожил свою жизнь, осталось лишь снять о ней фильм», - так сказал Эктор Бабенко Барбаре Пас, когда понял, что времени ему осталось немного. Она согласилась исполнить последнюю волю своего партнёра и снять фильм о его смерти, где он выступит в главной роли. Бабенко сознательно обнажает перед зрителем душу, не стесняясь интимных и неприятных ситуаций. Он высказывает свои страхи и опасения, делится воспоминаниями, мыслями, фантазиями. Противостояние интеллектуальной мощи и физической хрупкости всю жизнь оставалась отличительной чертой его карьеры.

В начале 1980-х между боссами сицилийской мафии разгорается война за героиновый рынок. Один из мафиози, Томмазо Бушетта, пытается скрыться в Бразилии. В то время, как на его родине начинается бойня, Бушетта вынужден издалека наблюдать за тем, как его сыновей и братьев убивают в Палермо.

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

Ever since their first contact with the Western world in 1969 the Paiter Suruí, an indigenous people living in the Amazon basin, have been exposed to sweeping social changes. Smartphones, gas, electricity, medicines, weapons and social media have now replaced their traditional way of life. Illness is a risk for a community increasingly unable to isolate itself from the modernization brought by white people or the power of the church. Ethnocide threatens to destroy their soul. With dogged persistence, Perpera, a former shaman, is searching for a way to restore the old vitality to his village.

Helen, 30 years-old, decides she is going to change the rest of her life. Her biggest mistake, she asks God for some precious help.

Аугусто грезит о славе великого актера. Когда ему предлагают вести, казалось бы, заурядную детскую передачу на телевидении, он понимает, что это его шанс. Нарушая все каноны телеэфира 80-х годов и шокируя публику, его утреннее шоу прогремит на всю Бразилию. Однако долгожданная популярность остается недостижимой мечтой — загримированному под клоуна Бинго Аугусто запрещено раскрывать свою личность.

Аугусто грезит о славе великого актера. Когда ему предлагают вести, казалось бы, заурядную детскую передачу на телевидении, он понимает, что это его шанс. Нарушая все каноны телеэфира 80-х годов и шокируя публику, его утреннее шоу прогремит на всю Бразилию. Однако долгожданная популярность остается недостижимой мечтой — загримированному под клоуна Бинго Аугусто запрещено раскрывать свою личность.

Rosa is in her late 30s, a child of the 1970s with divorced parents. She lives with her own family in São Paulo. Overwhelmed by an eruption of individual passions, lies and the expectations of three generations, she tries to discover who she really is.

Eduardo discovers he has a split personality: a buttoned-up São Paulo executive and beach-loving weekend playboy in Rio de Janeiro called Duca. Unconsciously, he becomes entangled with a woman although he's already engaged to another.

After waking from a coma, Tino learns his future in-laws have given him a high-powered financial job, for which he is woefully unqualified.

Фильм повествует о домработнице Вал, которая, проработав многие годы в Сан-Паулу вдали от своей дочери Жессики, оставленной в штате Пернамбуку, наконец, имеет стабильную работу, но ее мучает совесть из-за расставания с семьей. В то же время она фактически стала второй матерью сыну своих работодателей, которого помогала растить как няня.

Фильм повествует о домработнице Вал, которая, проработав многие годы в Сан-Паулу вдали от своей дочери Жессики, оставленной в штате Пернамбуку, наконец, имеет стабильную работу, но ее мучает совесть из-за расставания с семьей. В то же время она фактически стала второй матерью сыну своих работодателей, которого помогала растить как няня.

A lyrical look at Antonio Nóbrega’s universe. A lifetime’s work that is characterized by the consistent reading of popular culture. A show in which all elements of our culture are mixed together. A musical and visual journey, guided by the characters Joáo Sidurino and Rosalina from the plays Brincante and Segundas Histórias.

A lyrical look at Antonio Nóbrega’s universe. A lifetime’s work that is characterized by the consistent reading of popular culture. A show in which all elements of our culture are mixed together. A musical and visual journey, guided by the characters Joáo Sidurino and Rosalina from the plays Brincante and Segundas Histórias.

After all the trouble in the first film, Tino and Jane have more fun adventures. Still tasting bitter failure, they see a light at the end of the tunnel with uncle Olavinho’s unexpected inheritance. However, the will carries an unusual request: the rich uncle wants his ashes to be scattered throughout the Grand Canyon. The couple takes the opportunity of the trip to fulfill this wish and decides to go to Las Vegas and end up getting into comical situations. Big time spender Tino will fall into the greatest temptations and indulge in the casinos of the gambling city.

Картина про домашнего капуцина, который после авиакатастрофы попадает в свои естественные, природные, но чуждые ему условия.

Похищена шестилетняя девочка Кларинья. Родители девочки, Сильвия и Бернарду, и главная подозреваемая, дают противоречивые показания. Эта девушка — любовница Бернарду, с которой тот познакомился в поезде. Но по ходу действия выясняется, что и Сильвия отлично знает эту девушку, не имея при этом ни малейшего представления о ее связи с Бернарду. Для Сильвии, дружба с такой девушкой, настоящая отдушина. Способ выбраться из каждодневной рутины. А запылавший в ее душе огонь помог вновь разжечь страсть к мужу...

“Rio 2096 – A Story of Love and Fury” is an animated film that portrays the love between an immortal hero and Janaína, the woman he has been in love with for 600 years. As a backdrop to the romance, the feature highlights four phases of Brazilian history: colonization, slavery, the Military Regime and the future, in 2096, when there will be a war for water.

Умирая, эксцентричная старушка просит двух соседок разыскать некоего мужчину. Женщины находят незнакомца, который рассказывает им трогательную историю их любви в колониальной Африке и их преступления, после которого они больше никогда не виделись.

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

Two years after her arrival in São Paulo, Alice continues her relationship with Nicholas and has begun to look for a place where they can live together. She has also launched a business that produces children's shows, and a stable life seems to be taking shape. But as she goes about the apartment search and shares in the loves and uncertainties of old and new friends, what she observes leaves her far less certain of her decisions and her future.

В Сан Паоло 15-летний Эрмано «Мано» и его 17-летний ранимый брат Педро серьёзно подавлены разрушением их среднестатистической семьи, когда родной отец Орасио уходит от их матери, Камилы, признаваясь в своей нестандартной сексуальной ориентации. Мано всё еще девственник и он влюблен в Валерию, доступную девчонку из его класса, тем временем Педро влюблен в Биу, которой он обещает вечную любовь. Когда Мано и Педро узнают, что их отец гей, и что он куратор в университете своего любовника Густаво, они чувствуют, что их мир рушится. Лучшая подруга Мано - Кароль, влюбляется в учителя физики Артура, однако их секрет становится известен всей школе..

José Renato, a 35-year-old geologist, is sent out on a solitary expedition to the hinterlands of northeastern Brazil. The purpose of the trip is to assess possible routes for a canal that will connect the area with the only major river in the region. As the field trip progresses, it becomes clear that Renato shares with those places the same emptiness, sense of abandonment and isolation.

Зе-из-Гроба — человек, возомнивший себя (а может быть и действительно являющийся) сверхчеловеком. Он отрицает и бога, и дьявола, и человеческую мораль. Он идет через мир людей, как нож сквозь масло, и единственная его цель — обеспечить собственное бессмертие через зачатие совершенного сына.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

An upper-middle class punk singer Andre, Magnata spends his time with his low-class friends, singing in clubs and wasting money. When he accepts a challenge to steal a Ferrari, he gets involved in a thriller that can lead him to a tragic consequence.

An upper-middle class punk singer Andre, Magnata spends his time with his low-class friends, singing in clubs and wasting money. When he accepts a challenge to steal a Ferrari, he gets involved in a thriller that can lead him to a tragic consequence.

Querô is an orphan teenager, living alone near the docks in Santos, Brazil. Her mother, a prostitute, died when he was a baby, and he was raised in the bordello where she worked. Believing he rules his own destiny, he refuses to compromise with anyone else, the corrupt policemen always chasing him, the oppressive discipline in the juvenile institution Febem, or the drug dealers who try to lure him. But this independence has a price.

Short film based on letters sent from The Brazilian Film Director Glauber Rocha to his former Assistant and friend, Jirges Ristum, father of the director André Ristum. The film is about a friendship and a work relation, and was directed by the son of Jirges and edited by the son of Glauber, Eryk Rocha.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

Юную художницу комиксов Нину бомонд Рио принимает с распростертыми объятьями. Неон сверкает в кубиках льда бесчисленных кайпириний на бесчисленных вечеринках и отражается в ее зачарованных глазах. Но увы! гонорары Нины не соответствуют ее новому образу жизни, а квартирная хозяйка требует денег. Нина становится нервной, впадает в депрессию, переживает бредовые видения, которые представлены в виде анимированных комиксов, а тут уже рукой подать до идеи пришить старушку.

A small poor community called Javé is under threat of being flooded by a new dam that is being built, and the only way to prevent this is to prove the town's historical value. As most of the inhabitants are illiterate, they have no choice but to ask for the help of Antônio Biá, a man who has been ostracized ever since it was discovered that he had sent out letters with lies about their reputations as a way to keep his job in Javé's seldom-used post office. He now has the task of documenting people's memories of how the city was founded, yet each inhabitant has his or her own version of what happened.

Если бы Сатана искал местечко для филиала ада на Земле, ему не пришлось бы долго возиться. Наверняка им стала бы тюрьма Карандиру, самое жуткое исправительное заведение в Бразилии. Фантастическая антисанитария, отвратительная еда, охранники-садисты и нарушения всех мыслимых прав человека сделали ее печально знаменитой задолго до того, как однажды в 1992 году доведенные до отчаяния заключенные Карандиру подняли мятеж. Полиция с огромным трудом потопила восстание в крови, убив 111 человек. В итоге, из-за разразившегося международного скандала властям пришлось разрушить тюрьму до основания как символ национального позора.

A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs on his pocket. The maconha cigarrete is just the final drop that exposes the family tragedy. Send to a mental institution, Neto gets to know a completely absurd, inhumane reality in which the people are devoured by a corrupt and cruel institution system. The documentary type language used by the director give this movie a sensation of realty that increases even more the impact of the emotions Neto goes through. In the mental institution, Neto is forced to mature. The transformations that he goes through change this relations with his father.

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.

Young executive woman returns to small town of Dois Córregos and remembers the time, in the late 1960s, when she met her uncle there, a man who was running away from the military dictatorship ruling Brazil at the time.

Five friends meet for lunch. Nothing could be more mundane, but for some reason, no one stayed for dessert.

Rap, drugs and violence. One day in the suburbs of São Paulo.