Caio Gullane

When he meets Anaíra, a beautiful woman who breathes life into his whole being, Captain Dalberto leaves his job as a police officer and buys a boat. The newly married couple moves in with Dalberto’s brothers, but the captain leaves for a trip to Iquitos, Peru. At home, Dalmo, the older brother, tries to control the passion he feels for his brother’s wife. Anaíra, feeling abandoned, approaches Armando, the younger brother, and they have an affair. Dalberto’s return puts all three men, now completely in love with the same woman, under the same roof.

Two friends go their separate ways at age 17, affected by the troubling teenage conflicts in the small and conservative city of Coti das Fuças, in the countryside of Brazil. Levi, a poet, tired of being mistreated, sticks to the friends’ plan of moving to a big city. Elias, opressed by a violent father, gives up on the idea of leaving. At age 50, Levi comes back to reunite with his friend during a funeral, when their memories are relived before the last goodbye. Inspired by the theater play Aldeotas, by Gero Camilo.

A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.

Dani is about to get married and travels with three other friends to Bariloche for her bachelorette party. The girls expect a fun and peaceful trip, but when they arrive in the Argentine city, things start to go wrong and the group has to make do: Karen forgets to book a place and, from there, the situation only gets worse. Together, they will need to find practical solutions to their problems and experience completely unexpected adventures.

Dani is about to get married and travels with three other friends to Bariloche for her bachelorette party. The girls expect a fun and peaceful trip, but when they arrive in the Argentine city, things start to go wrong and the group has to make do: Karen forgets to book a place and, from there, the situation only gets worse. Together, they will need to find practical solutions to their problems and experience completely unexpected adventures.

VIEIRARPAD begun with the correspondence between the couple Maria Helena Vieira da Silva and Arpad Szènes, between 1932-1961. The letters and the intimacy of their words are pretext for the exploration of an equally intimate visual journey

The women's athletics (4x100m relay) is about to win a gold medal at the 2016 Olympic Games, the Brazilian victory is almost certain and the athletes are one step closer to what would be a milestone. If only one fatal error hadn't put off their dreams: the carelessness of the young Maria Lúcia causes the group to be disqualified. This changes Maria Lúcia and Adriana's lives forever, Adriana does not forgive her teammate after the final. Four years go by. Maria Lúcia is still the great promise in athletics while Adriana makes a living out of MMA fighting. A few months away from the Tokyo Olympics, they are called in to join the new 4x100 team. This time, Maria Lúcia and Adriana need to overcome the mistakes of the past. They count on the help of veterans Rita and Jaciara as well as newcomer Bia, athletes who rediscover their true power as a team, showing that the Brazilian women's athletics is stronger than ever.

In powerful images, alternating between documentary observation and staged sequences, and dense soundscapes, Luiz Bolognesi documents the Indigenous community of the Yanomami and depicts their threatened natural environment in the Amazon rainforest.

The Israeli-Jewish side of his family calls him Avram. The Palestinian-Muslim side Ibrahim. His first-generation American agnostic lawyer parents call him Abraham. But the 12-year-old kid from Brooklyn who loves food and cooking, prefers, well, Abe. Just Abe.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

1980年代初頭、シチリアではマフィアの全面戦争が激化していた。パレルモ派の大物ブシェッタは抗争の仲裁に失敗しブラジルに逃れるが、残された家族や仲間達はコルレオーネ派の報復によって次々と抹殺されていった。ブラジルで逮捕されイタリアに引き渡されたブシェッタは、マフィア撲滅に執念を燃やすファルコーネ判事から捜査への協力を求められる。麻薬と殺人に明け暮れ堕落した犯罪組織コーザ・ノストラに失望していたブシェッタは、固い信頼関係で結ばれたファルコーネに組織の罪を告白する決意をするが、それはコーザ・ノストラの ”血の掟” に背く行為だった……。仁義なき抗争の果てに、名誉ある男の美学を貫こうとブシェッタが下した決断とは−−。

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

Ever since their first contact with the Western world in 1969 the Paiter Suruí, an indigenous people living in the Amazon basin, have been exposed to sweeping social changes. Smartphones, gas, electricity, medicines, weapons and social media have now replaced their traditional way of life. Illness is a risk for a community increasingly unable to isolate itself from the modernization brought by white people or the power of the church. Ethnocide threatens to destroy their soul. With dogged persistence, Perpera, a former shaman, is searching for a way to restore the old vitality to his village.

Helen, 30 years-old, decides she is going to change the rest of her life. Her biggest mistake, she asks God for some precious help.

1980s. Brazilian television exploding in color and auditorium programs not so politically correct. In the middle of this fervor, Augusto Mendes, a young rising actor, seeks his place in the sun. From porn studios to soap operas, he finally finds success and fame when he becomes "Bingo", a TV host clown from one of the audience leader TV shows for children. It turns out that behind the rice powder and red nose, nobody knows who he is.

1980s. Brazilian television exploding in color and auditorium programs not so politically correct. In the middle of this fervor, Augusto Mendes, a young rising actor, seeks his place in the sun. From porn studios to soap operas, he finally finds success and fame when he becomes "Bingo", a TV host clown from one of the audience leader TV shows for children. It turns out that behind the rice powder and red nose, nobody knows who he is.

Rosa is in her late 30s, a child of the 1970s with divorced parents. She lives with her own family in São Paulo. Overwhelmed by an eruption of individual passions, lies and the expectations of three generations, she tries to discover who she really is.

Eduardo discovers he has a split personality: a buttoned-up São Paulo executive and beach-loving weekend playboy in Rio de Janeiro called Duca. Unconsciously, he becomes entangled with a woman although he's already engaged to another.

After waking from a coma, Tino learns his future in-laws have given him a high-powered financial job, for which he is woefully unqualified.

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

A lyrical look at Antonio Nóbrega’s universe. A lifetime’s work that is characterized by the consistent reading of popular culture. A show in which all elements of our culture are mixed together. A musical and visual journey, guided by the characters Joáo Sidurino and Rosalina from the plays Brincante and Segundas Histórias.

A lyrical look at Antonio Nóbrega’s universe. A lifetime’s work that is characterized by the consistent reading of popular culture. A show in which all elements of our culture are mixed together. A musical and visual journey, guided by the characters Joáo Sidurino and Rosalina from the plays Brincante and Segundas Histórias.

After all the trouble in the first film, Tino and Jane have more fun adventures. Still tasting bitter failure, they see a light at the end of the tunnel with uncle Olavinho’s unexpected inheritance. However, the will carries an unusual request: the rich uncle wants his ashes to be scattered throughout the Grand Canyon. The couple takes the opportunity of the trip to fulfill this wish and decides to go to Las Vegas and end up getting into comical situations. Big time spender Tino will fall into the greatest temptations and indulge in the casinos of the gambling city.

南米に広がるアマゾンの熱帯雨林と、そこに生きる野生動物たちをとらえたネイチャードキュメンタリー。一匹の小さなフサオマキザルを主人公に、人に飼われていたサルが大自然の中でさまざまな発見をしていくというアドベンチャーストーリー仕立てで描いた。ブラジルに住む少女に飼われていたフサオマキザルのサイは、ある日、飛行機事故でアマゾンの密林に放り出されてしまう。都会育ちのサイは、これまでと全く異なる環境の中、さまざまな動物や昆虫、植物に触れ、厳しい大自然を生き抜くための知恵を身につけていく。やがてサイは、自分と同じ野生のフサオマキザルの群れと出会う。「ホワイト・プラネット」のティエリー・ラコベール監督とスタッフたちが、2年の歳月をかけてアマゾンでの撮影を敢行し、作り上げた。日本版にはココリコ・田中直樹によるオリジナルのナレーションがつく。

Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.

“Rio 2096 – A Story of Love and Fury” is an animated film that portrays the love between an immortal hero and Janaína, the woman he has been in love with for 600 years. As a backdrop to the romance, the feature highlights four phases of Brazilian history: colonization, slavery, the Military Regime and the future, in 2096, when there will be a war for water.

Lisbon, Portugal, 2010. Pilar, a pious woman devoted to social causes, maintains a peculiar relationship with her neighbor Aurora, a temperamental old woman obsessed with gambling who lives tormented by a mysterious past.

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

Two years after her arrival in São Paulo, Alice continues her relationship with Nicholas and has begun to look for a place where they can live together. She has also launched a business that produces children's shows, and a stable life seems to be taking shape. But as she goes about the apartment search and shares in the loves and uncertainties of old and new friends, what she observes leaves her far less certain of her decisions and her future.

Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty. Mano tries to make his way through life, with its first sexual experiences, his depressed brother and his self-centered parents. It’s a humorous homage to the pitfalls of daily life and the diversity of life.

José Renato, a 35-year-old geologist, is sent out on a solitary expedition to the hinterlands of northeastern Brazil. The purpose of the trip is to assess possible routes for a canal that will connect the area with the only major river in the region. As the field trip progresses, it becomes clear that Renato shares with those places the same emptiness, sense of abandonment and isolation.

After 40 years in a cell for the mentally ill, Coffin Joe is finally freed. Back on the streets, the sadistic gravedigger is set on fulfilling that for which he was imprisoned: find the woman who can give him the perfect child. During his wanderings through the city of São Paulo he leaves behind a trail of horror as he faces unnatural laws and popular beliefs.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

An upper-middle class punk singer Andre, Magnata spends his time with his low-class friends, singing in clubs and wasting money. When he accepts a challenge to steal a Ferrari, he gets involved in a thriller that can lead him to a tragic consequence.

An upper-middle class punk singer Andre, Magnata spends his time with his low-class friends, singing in clubs and wasting money. When he accepts a challenge to steal a Ferrari, he gets involved in a thriller that can lead him to a tragic consequence.

Querô is an orphan teenager, living alone near the docks in Santos, Brazil. Her mother, a prostitute, died when he was a baby, and he was raised in the bordello where she worked. Believing he rules his own destiny, he refuses to compromise with anyone else, the corrupt policemen always chasing him, the oppressive discipline in the juvenile institution Febem, or the drug dealers who try to lure him. But this independence has a price.

Short film based on letters sent from The Brazilian Film Director Glauber Rocha to his former Assistant and friend, Jirges Ristum, father of the director André Ristum. The film is about a friendship and a work relation, and was directed by the son of Jirges and edited by the son of Glauber, Eryk Rocha.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

Psychological thriller larded with manga-like animations about the young, poor comic strip illustrator Nina, living with her mean landlady. She sinks further and further into a violent fantasy world.

A small poor community called Javé is under threat of being flooded by a new dam that is being built, and the only way to prevent this is to prove the town's historical value. As most of the inhabitants are illiterate, they have no choice but to ask for the help of Antônio Biá, a man who has been ostracized ever since it was discovered that he had sent out letters with lies about their reputations as a way to keep his job in Javé's seldom-used post office. He now has the task of documenting people's memories of how the city was founded, yet each inhabitant has his or her own version of what happened.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he discovers the victim of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.

A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs on his pocket. The maconha cigarrete is just the final drop that exposes the family tragedy. Send to a mental institution, Neto gets to know a completely absurd, inhumane reality in which the people are devoured by a corrupt and cruel institution system. The documentary type language used by the director give this movie a sensation of realty that increases even more the impact of the emotions Neto goes through. In the mental institution, Neto is forced to mature. The transformations that he goes through change this relations with his father.

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.

Young executive woman returns to small town of Dois Córregos and remembers the time, in the late 1960s, when she met her uncle there, a man who was running away from the military dictatorship ruling Brazil at the time.

Five friends meet for lunch. Nothing could be more mundane, but for some reason, no one stayed for dessert.

Rap, drugs and violence. One day in the suburbs of São Paulo.