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Vera is a singer in her thirties; she is back in Lisbon for the final performance of her concert tour. The heat and beauty of Lisbon makes one want to be happy. Pablo, the companion she selected from among the many who answered her questionnaire, helps her through the sleepless nights. He has no family, but wishes he had. Vera concerns herself with the mysteries surrounding Pablo's life. Vera is not afraid of the night; she is not afraid of anything.
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For three years, Mehran Tamadon immersed himself into the very heart of the most extremist supporters of the Islamic republic of Iran (the Bassidjis) to understand their ideas.
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Algerian filmmaker Tariq Teguia wrote and directed this impressionistic look at a man whose life takes an unexpected turn far away from home. Malek (Abdelkader Affak) is a surveyor from Algeria who is semi-retired, but at the urging of a friend he takes an assignment in Oran. The region in question was the site of frequent battles during Oran's civil war, and an earlier survey that would make it possible to bring electrical utilities to the area was cut short by the fighting. While the zone is still unstable, Malek sets out to complete charting the area, and finds the locals regard him with suspicion and hostility. However, not everyone is disrespectful, and he discovers a young woman (Ines Rose Djakou) who is attracted to him, which leads him to consider abandoning his old life to run away with her. Inland was an official selection at the 2008 Venice Film Festival.
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Sonia, a girl from St Petersburg, decides to seek a better life in western Europe. She first gets a job at a car dealer in Germany. But she is suddenly kidnapped and sold into sexual slavery. She will be dragged from country to country and resistance will only bring her misery and humiliation.
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Just like so many North Africans, a young Moroccan woman wants to reach Spain by the sea. But she'll face a lot of difficulties along the way.
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La Nuit de la Vérité is situated in an imaginary West African country. After ten years of civil war between the government army of the Nayak, led by 'Le président', and the Bonande rebels led by Colonel Theo, there is some sign of peace negotiations. But not everyone is in favor of peace and one can feel the tension. The night of truth starts with a festive dinner, but the village idiot Tomoto always seems capable of ruining the attempts for peace with violence and provocation.
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When an elderly man reveals that his son Hammala is the illegitimate son of a purported witch, the ugly side of social customs rears its head. Shunned by the community, an ashamed Hammala leaves the village, only to return four years later, despite his outcast status.
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Tahar is a retired blacksmith living with his son from his first marriage. After seeing his late second wife in a dream, he decides to visit her grave, in Azemmour. In the trip, he meets Driss who is going to Essaouira, looking for his mother whom he has never known after receiving a letter about her. The two men go to Marrakech together where Driss gets a combination motorbike that Tahar calls "wind horse". And they begin their journey together, first to Azemmour, then to Essaouira, looking for their past.
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Ana lives in a little village by the sea, with her husband and daughter. He decides to leave for a few days. That seems to be the ideal solution, because Ana needs to finish a work she has been doing for a long time. But her concentration seems threatened when she starts doing her daily walks by the village and the beach: she saves a stranger from death in the sea, meets young Alexandre and Emilia, and her friend Vera turns up in her house. And then, everything changes…
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A poor nurse falls in love with the son of one of her wealthy patients. Abandoned by her husband while pregnant, she must fight her husband's wealthy and powerful family in court.
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Three homeless teenage rejects struggle to survive together. Of them, Andreia is pregnant, while Pedro and Ricardo hustle, steal and are exploited by a pornographer.
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1967. En la Goulette, una pequeña ciudad portuaria tunecina, conviven en perfecta armonía distintos grupos étnicos. Yousseí, el musulmán, Jojo, el judío tunecino, y Giuseppe, el siciliano católico, eran tan inseparables como sus tres hijas de 16 años. En una especie de conspiración adolescente, las tres chicas deciden perder su virginidad el 15 de Agosto, el día de la Virgen. Lo malo es que se fijan en chicos de distinta religión, lo que supone violar un tabú. Todo ello ocurre en vísperas de la guerra de los Seis Días, contienda que enfrentará para siempre a judíos y musulmanes.
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Mossane, una joven adolescente de 14 años, es deseada por todos los hombres de su poblado, pero ella ama a Fara, un joven estudiante que no puede pagar su dote. Los padres de Mossane quieren que se case con el pudiente Diogaye, quien puede pagar las deudas y mantener a la familia.
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Primer largometraje de ficción dirigido por Rithy Panh, el más importante cineasta camboyano, que se centra en las dificultades de una familia cuya vida gira en torno al cultivo del arroz, y que a su vez, sirve como metáfora del sufrimiento y la ausencia de futuro de su propio pueblo durante y tras el genoc
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A man encounters colorful characters while driving a taxi in Papua New Guinea.
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The life of the Tibetan people, forty years after the Chinese invasion. Filmed in Amdo and Kham, regions forgotten by the world and absolutely forbidden to filmmakers and journalists until now, this is an exceptional document on the most mysterious civilization of humanity, now threatened with death.
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Una hija de doce años, Louise sueña con imitar a su madre venerada, Nora. De repente, se enfrenta a una situación ambigua: cómo seguir amándola a pesar de Helmut, su adolescente amante, cuya presencia se le impone. Pero también por qué no tratar de seducirlo. Los sentimientos de la niña se confunden, recurrirá a un intento de suicidio para hacerse notar, para demostrar que existe, para tener éxito y moverse.
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In the Mossi culture, one of the rites attending the birth of a child and its induction as a new member of the community involves the burial of the placenta. The space in which the placenta is buried is called 'Zan Boko' - a phrase which connotes the religious, cultural and affective relations that bind the child to the land and that embraces the notions of 'rootedness' and 'belonging'. Kaboré tells the story of Tinga, who resists the encroaching urbanization of his native territory. The specific rhythms and vision of the rural community, including its values, social relationship, and individual & collective destinies, are altered when a city is planted on the edge of an ancient native village.
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Un viejo hechicero africano, representante de una tradición secreta imperante en su etnia, persigue a su hijo para destruirlo -según dice- por no respetar sus mismos preceptos religiosos. En su huida, las diversas peripecias por las que atraviesa el joven se convierten en las pruebas de un penoso proceso de maduración... (FILMAFFINITY)
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Camera de Afrique Is a 1983 documentary. Acclaimed Tunisian filmmaker Férid Boughedir wrote, produced and directed this documentary that recounts 20 years in the history of African cinema through interviews and excerpts from 18 films.
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Bila, a young peasant, decides to go to Ivory Coast to work and is asked by his parents to accompany Pogbi who is going to meet her fiancé, through an arranged marriage, for the first time. However, Pogbi is in love with Rasmane, a pariah from the smiths' caste, and runs away.
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In pre-colonial times a peddler crossing the savanna discovers a child lying unconscious in the bush. When the boy comes to, he is mute and cannot explain who he is. The peddler leaves him with a family in the nearest village. After a search for his parents, the family adopts him, giving him the name Wend Kuuni (God's Gift) and a loving sister with whom he bonds. Wend Kuuni regains his speech only after witnessing a tragic event that prompts him to reveal his own painful history.
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Two Malian teenagers, Bah and Batrou, from different backgrounds, meet at secondary school. Bah is the descendent of a great tribal chieftain. Batrous father, a provincial military governor, represents the new ruling power. The two teenagers are part of a generation that rejects the established order and challenges the society in which they live.
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Based on a traditional African tale. A king has the habit whilst walking in disguise on the streets of his kingdom to listen to the wishes of his own people. One day he overhears two brothers daydreaming out loud about marrying the king's daughters, even if that meant being beheaded one year later. The weddings take place and one of the brother is decapitated one year later. The other one escapes execution at his wife's insistence. On a long journey full of surprising incidents, our hero himself becomes king of a village with wives and subjects. However, his earlier promise haunts him, and in order to save his family he accepts to be sacrificed.
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The story of a Serer village in the groundnut basin of Senegal. Using the words of their ancestors passed on by oral folklore, the villagers trace the history of their village and their difficulties in working their land and living off their produce. Fad'jal is an extraordinary boundary defying film that interweaves ethnographic footage, intimate observation of everyday village life and fictionalised historical scenes. With it, Faye carefully encourages the viewers to reflect both on African history and storytelling, and on the intersection of fiction and documentary.
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A young manager of a factory encounters a man walking along a road who says his family traditionally are servants to the manager's family. The manager offers him a job, and as he watches out for the other man's welfare, begins to see how the company mistreats its workers. The manager is challenged between his ethics and the pressure from others to protect his own interests as dire problems surface at the factory
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It takes place in a chic milieu, where both the father and the son are in love with the au pair girl (but she sleeps with the dad). The young student is far from the post May 68 clichés and the movie walks a fine line off the beaten path. Philippe Lemaire and Emmanuelle Riva are ideally cast as the bourgeois parents who urge their offspring to attend the grandma's Christmas meal.
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Ngor is a young man living in a Senegalese village who wishes to marry Coumba. Ongoing drought in the village has affected its crop of groundnuts and as a result, Ngor cannot afford the bride price for Coumba. He goes to Senegal's capital city, Dakar, to try to earn more money and is exploited there. He returns to the villagers and shares his experiences of the city with the other men. The story, which shows the daily lives of the villagers, is told in the form of a letter to a friend from a villager, voiced by Faye.
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Ngando and Ndomé share an extremely perfect love. Yet, tradition demands a dowry for Ndomé’s hand that Ngando, an orphan, cannot afford. Forced to ask his uncle for assistance, Ngando finds himself at the mercy of his uncle’s lust and greed. How can Ngando and Ndomé find peace together? Their journey will be challenging and everyone will learn that not everything special can be saved.
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A young mute woman is raped and becomes pregnant, with disastrous consequences within her family. The film also sketches the social/economic situation in urban Mali in the 1970s, particularly in relation to the treatment of women.
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Un hombre que duerme narra la peripecia de un estudiante que decide no levantarse de la cama el día de sus exámenes de Sociología, abandonar sus estudios, romper toda relación con amigos y parientes, y recluirse en sí mismo. Más tarde se dedicará a deambular incansable por París, a ir al cine, a leer los titulares de los periódicos, pero como lo haría un sonámbulo. Para el estudiante todo forma parte de una vaga estrategia encaminada a alejarse de los deseos materiales, de la ambición y de su dependencia de los objetos, los ambientes, los sonidos y aromas de París, la ciudad que lo ha acogido y que lo acabará fagocitando.
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A young man having omitted to make the ritual offerings of voodoo, suffers the wrath of the spirits.
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