Producer
Producer
Confronted with the apparent darkness of the world, three people search for meaning, love and kindness in the capital of Europe.
Producer
Un fin de semana de chicas en una cabaña remota en las Ardenas. Las relaciones se enfocan: ¿las cuatro niñas saben todo sobre la otra? El rodaje del 'mejor libro juvenil' de 2012 escrito por Mel Wallis de Vries.
Co-Producer
Tres amigos jóvenes crecen como estudiantes en Amsterdam. Cuando sucede la muerte del padre de uno de ellos, todo se pondrá en una nueva perspectiva.
Producer
La película está ambientada en 1521 en Amberes, en una Europa devastada por guerras religiosas y durante los primeros años de la Reforma. Cuenta la historia de Falko Voeten, de doce años. Cuando el padre de Falko, Klaas Voeten, un impresor de literatura prohibida, es capturado por la Inquisición para imprimir una carta escrita por Maarten Luther; Falko es impulsado involuntariamente a ayudar a su padre y a buscar la carta. Amenazado por la Inquisición pero ayudada por Marieke, una niña huérfana católica de las alcantarillas subterráneas, Falko se enfrenta a una carrera contra el tiempo si quiere salvar a su padre de la ejecución por herejía.
Producer
The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.
Producer
Sylvia siempre ha hecho la vista gorda en lo que se refiere al próspero negocio de tráfico de drogas de su esposo Eddie. Sin embargo, cuando las cosas empeoran (fatalmente), la necesidad de proteger las vidas y el futuro de sus hijos pequeños la obliga a huir. Pero Eddie no se detendrá ante nada en el afán de mantener a su esposa dentro de la "familia".
Producer
A piece of news, delivered by two officers in a police car, changes the lives of a family forever. As the journey to track down the next of kin progresses, the vehicle becomes more and more crowded with family members, picked up from home, work, the hairdressers. As they sit in the backseat, alone with their thoughts, what they thought they knew about life, about relationships, has been violently altered.
Producer
Alize ran away from home after a fight with her parents. She's answering her phone, and now the evening is slowly turning into night, her parents are increasingly worried. What they don't know is that Alize isn't far away: she has hidden herself across from the house and is observing her worried parents from a distance.
Co-Producer
A maverick military diver gets demoted to a dangerous search-and-rescue squadron and must gain the trust of his new team.
Producer
Short film based on the personal experiences of the director, who used to be an asylum seeker himself. A young man seeks asylum in the Netherlands. He is received, gets a toilet roll, a plate of Brussels sprouts and a sleeping place in a caravan. Tired, but with a smile on his face, he falls asleep. Nine years later, he sings a Dutch song in the early morning, when he is deported from the country in a police van.
Producer
Inspired by true events, a chilling psychological drama. A couple's secret pact takes an unexpected, sinister turn.
Producer
(Vergeef me) - Forgive me is the film adaptation of Cyrus Frisch his controversional play "Jesus/Lover", which was performed by hard-drug addicts and alcoholics. This film with Frisch as Jesus disguised as Jerry Springer is not light on the stomach. But those who can take it will get to know some extraordinary people... Frisch first plays with the actors by openly exceeding the borders of the acceptable the idealistic filmmaker hopes the stream of violence and misery on television will finally come to an end. The praise he gained after the first screening of these brutal scenes with the social outcasts he filmed made him outrageous. The director sells himself to the devil and goes even further in the abuse of his protagonists. How long can the viewer stay a passive accomplice?
Co-Producer
