Petra Goedings

Confronted with the apparent darkness of the world, three people search for meaning, love and kindness in the capital of Europe.

As amigas Kim, Abby, Feline e a novata Pippa decidem passar seus últimos dias de folga antes dos exames finais em uma casa de férias isolada nas Ardenas. O que deveria ter sido um fim de semana divertido para meninas logo se transforma em drama. Depois de uma festa com três meninos de uma casa vizinha, Feline desaparece de repente. As meninas não podem ir embora devido a uma espessa camada de neve e não têm sinal de celular. Parece que alguém os está perseguindo e a atmosfera está ficando cada vez mais aterrorizante. As meninas realmente sabem tudo uma sobre a outra e quanta falsidade uma amizade pode suportar?

A coming of age story of three young friends during their student years in Amsterdam.

Storm Voeten (Davy Gomez) é um jovem corajoso, capaz de começar uma rebelião a fim de defender o que ele pensa e as pessoas que ama. É por causa disso que ele acaba se tornando alvo de uma caçada durante o período da Inquisição. Agora, Storm só conta com a ajuda de uma misteriosa garota (Juna de Leeuw) para sobreviver.

The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

Sylvia has turned a blind eye for too long to husband Eddie's flourishing drug business. When his dealing takes a (deadly) turn for the worse, however, her need to protect the lives and futures of her young children compel her to flee. But Eddie will stop at nothing to keep his wife inside the ‘family'.

A piece of news, delivered by two officers in a police car, changes the lives of a family forever. As the journey to track down the next of kin progresses, the vehicle becomes more and more crowded with family members, picked up from home, work, the hairdressers. As they sit in the backseat, alone with their thoughts, what they thought they knew about life, about relationships, has been violently altered.

Alize ran away from home after a fight with her parents. She's answering her phone, and now the evening is slowly turning into night, her parents are increasingly worried. What they don't know is that Alize isn't far away: she has hidden herself across from the house and is observing her worried parents from a distance.

A maverick military diver gets demoted to a dangerous search-and-rescue squadron and must gain the trust of his new team.

Short film based on the personal experiences of the director, who used to be an asylum seeker himself. A young man seeks asylum in the Netherlands. He is received, gets a toilet roll, a plate of Brussels sprouts and a sleeping place in a caravan. Tired, but with a smile on his face, he falls asleep. Nine years later, he sings a Dutch song in the early morning, when he is deported from the country in a police van.

Inspired by true events, a chilling psychological drama. A couple's secret pact takes an unexpected, sinister turn.

(Vergeef me) - Forgive me is the film adaptation of Cyrus Frisch his controversional play "Jesus/Lover", which was performed by hard-drug addicts and alcoholics. This film with Frisch as Jesus disguised as Jerry Springer is not light on the stomach. But those who can take it will get to know some extraordinary people... Frisch first plays with the actors by openly exceeding the borders of the acceptable the idealistic filmmaker hopes the stream of violence and misery on television will finally come to an end. The praise he gained after the first screening of these brutal scenes with the social outcasts he filmed made him outrageous. The director sells himself to the devil and goes even further in the abuse of his protagonists. How long can the viewer stay a passive accomplice?