Sofia Kokkali

Aris and Anna meet one evening in a half-abandoned town surrounded by antennas. In this strange, dreamlike world, the two solitary souls gradually start to develop feelings for one another.

An hi8 film for The Callas by Jacqueline Lentzou.

I.O is a girl from a future society who works for the air force. As she waits to be teleported to a distant planet, through her visual diary she converses with our present time in an attempt to safeguard her senses.

Tras años distanciada de su familia, Artemis se ve obligada a regresar a Atenas ante el delicado estado de salud de su padre. Descubrir el secreto que tan celosamente guardó su padre durante años permitirá a Artemis entenderle de un modo que no había logrado en toda su vida.

Cuando Jonny visita a su padre Nikitas en su cabaña en el bosque después de 20 años, el ermitaño lo ignora. Pero para evitar que el suelo fangoso sea arrancado de debajo de sus pies por razones de lucro, padre e hijo deben cavar profundamente en él ...

Una chispa un viernes puede conducir a una aventura candente de fin de semana, pero ¿qué sucede cuando llegas al inevitable lunes?

Sofia is panicky, again. The Universe decides to contact her. An other-wordly dialogue. A planet symphony for Mars, where people dream awake and fight for love.

Cuando la joven iraní Pari y su religioso esposo, mucho mayor que ella, llegan a Atenas para visitar a su hijo, este no aparece para recogerles en el aeropuerto como prometió. Tampoco vive en la dirección que les había dado. Ambos salen en busca de su hijo, pero pronto se encuentran en medio de una ciudad atravesada por las peleas callejeras y las barricadas en llamas. Como su esposo no habla inglés, Pari debe salir de su tradicional rol de esposa musulmana sumisa y silenciosa para poder comunicarse con los habitantes de este país extranjero y localizar a su hijo. A medida que avanza la búsqueda de su hijo, Pari va logrando una independencia cada vez mayor y reuniendo un coraje que nunca supo que tenía.

Seems like an ordinary trip to a remote beach. Four young women enjoy the warmth of the sun, the coolness of the sea and one another's company. None of them is "Winona"

A sexist violence incident fires tension in Danai's friendship with Ilona and Toufa. Torn between theory and practice, the three friends realize that patriarchy won't die with bottles (only), and they now have marks to prove it.

A man has second thoughts about a deal he has made with consequences he isn't prepared for. A cutting horror-satire from Greek director Daniel Bolda that fans of Bolda’s countryman Yorgos Lanthimos will love.

It's the '60s and Sporos has a date with Molly his "6 to 8 girl" from the wild teenage years. Their meeting will bring about lost dreams and unfulfilled desires. A bittersweet farewell to a relationship and an era.

New Year’s Eve dawns in a moon-kissed car, and Sofia has a dream that she tells no-one: while walking on a desert, she gets to know that she is sick. She pretends she does not care. Has she lost heart?

Niki is a resistance fighter living in a nightmarish dictatorship in Athens, 1972, and Lefteris is her son, who will be forced sooner or later to cut the thread that binds them together.

Most adults dream of staying in childhood forever; go through life like a game, free of society's rules and restrictions. Five employees in a metal company put this dream into effect. What they find is: you may escape the rules but you can't escape the consequences or your personal responsibility.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

The story is a contemporary version of the ancient Greek myth of Electra. Electra is a young girl foreigner in her own land, as well as in other lands. The only place she could seek her identity is her own private world that she tries to create. From Africa to Europe, the film is a puzzle composed by pieces of her broken identity. Electra's very journey is finally her own land.

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

Años 30, en la pequeña isla de Andros, Grecia, viven dos hermanas, hijas de un capitán: Orsa y Moscha . En esta isla, la mayoría de las mujeres son casadas con marineros. Orsa sueña con casarse con el futuro capitán Spyros Matabes , con quien tiene citas secretas. Pero Moscha desea salir de la isla, porque no quiere ser esposa de un marinero. Independientemente de los deseos de las jóvenes, quien decidirán sus futuros será la codiciosa madre de las jóvenes.