Sofia Kokkali

Aris and Anna meet one evening in a half-abandoned town surrounded by antennas. In this strange, dreamlike world, the two solitary souls gradually start to develop feelings for one another.

An hi8 film for The Callas by Jacqueline Lentzou.

I.O is a girl from a future society who works for the air force. As she waits to be teleported to a distant planet, through her visual diary she converses with our present time in an attempt to safeguard her senses.

Festival de Berlim. Após anos de distância, uma jovem precisa voltar a Atenas devido ao frágil estado de saúde de seu pai. Ao começar a desvendar esse homem pela primeria vez, ela descobrirá um amor que nunca havia se permitido sentir.

Depois de 20 anos de ausência, Jonny vai visitar o pai na sua cabana na floresta, apenas para ser ignorado pelo eremita. Porém, para evitar que o solo lamacento seja tirado de seus pés por questões de rentabilidade, pai e filho precisam cavá-lo juntos.

Uma faísca em uma sexta-feira pode levar a uma aventura frenética no fim de semana, mas o que acontece quando você chega à inevitável segunda-feira?

Sofia entrou em pânico novamente. O universo decide contatá-la. Um diálogo de outro mundo. Uma sinfornia para Marte, onde o povo sonha acordado e luta por amor.

Babak, an Iranian student in Greece, doesn't show up to welcome his visiting parents at the Athens airport. Pari and her older husband, both devout Muslims abroad for the first time, are ill-prepared to search for their son in an intimidating and alien environment. All their attempts to find a clue that might lead them to him prove to be in vain and they soon reach a dead end. But Pari can't give up looking for him, even when returning to Iran seems like her only choice. Following the steps of her rebellious son in the darkest corners of the city, she will exhaust her inner strength to achieve more than a mother's search for her missing son.

Parece um passeio comum a uma praia remota. Quatro jovens mulheres e seu cão pastor Froso aproveitam o calor do sol e a brisa do mar. Elas brincam, dançam e cantam. O dia dá lugar a brincadeiras inocentes e de menina. A casa nacolina paira sobre elas, e elas fogem para lá e se perguntam quem seriam seus ocupantes. O riso delas é pontuado por lágrimas. As lágrimas são lavadas pela imaginação. Até que o dia chega ao fim e elas começam a arrumar suas coisas para irem embora. Despretensiosamente misteriosa e profundamente nostálgica, Winona guarda o seu doce segredo amargo até o fim.

A sexist violence incident fires tension in Danai's friendship with Ilona and Toufa. Torn between theory and practice, the three friends realize that patriarchy won't die with bottles (only), and they now have marks to prove it.

A man has second thoughts about a deal he has made with consequences he isn't prepared for. A cutting horror-satire from Greek director Daniel Bolda that fans of Bolda’s countryman Yorgos Lanthimos will love.

It's the '60s and Sporos has a date with Molly his "6 to 8 girl" from the wild teenage years. Their meeting will bring about lost dreams and unfulfilled desires. A bittersweet farewell to a relationship and an era.

A véspera de Ano Novo nasce em um carro de lua cheia, e Sofia tem um sonho que não diz a ninguém: enquanto caminha pelo deserto, ela fica sabendo que está doente. Ela finge que não se importa. Ela perdeu o coração?

Niki is a resistance fighter living in a nightmarish dictatorship in Athens, 1972, and Lefteris is her son, who will be forced sooner or later to cut the thread that binds them together.

Most adults dream of staying in childhood forever; go through life like a game, free of society's rules and restrictions. Five employees in a metal company put this dream into effect. What they find is: you may escape the rules but you can't escape the consequences or your personal responsibility.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

The story is a contemporary version of the ancient Greek myth of Electra. Electra is a young girl foreigner in her own land, as well as in other lands. The only place she could seek her identity is her own private world that she tries to create. From Africa to Europe, the film is a puzzle composed by pieces of her broken identity. Electra's very journey is finally her own land.

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

Duas irmãs da ilha de Andros, apelidada de Little England por causa de sua riqueza, estão apaixonadas pelo mesmo homem. Situado no período da Guerra Civil Grega e terminando na década de 1950, o filme é baseado no romance homônimo de Ioanna Karystiani.