Jamie Bradley

Películas

Honeydew
Gunni
Extraños antojos y alucinaciones se apoderan de una joven pareja después de buscar refugio en la casa de un anciano granjero y su peculiar hijo.
Halloween Party
Professor Smith
Una estudiante universitaria libera sin saberlo entidades aterradoras del pasado de su escuela a través de un meme informático con temática de Halloween.
Un pequeño caos
Marquis Du Vasse
Drama de época sobre dos jardineros paisajistas rivales a los que Luis XIV encarga la creación de una fuente en Versalles.
Terminator the Second
John Connor
Terminator the Second is the premiere production of the Nashville performance collective, Husky Jackal Theater. A product of nearly a year of research and revision, the script tells the story of a boy and his cyborg protector entirely in lines and phrases taken from the plays of William Shakespeare. Each line and phrase is taken from original folios, with only proper nouns, pronouns and corresponding verb tenses subject to change. In doing so, the authors were able to accurately recreate the story of Terminator 2: Judgement Day, while remaining true to the words of Shakespeare in form, if less so in intent.
There Are Monsters
Beth's Dad
Monsters are taking over the world, slowly, quietly and efficiently, but you won’t see them coming until it’s far too late! Four film students embark on a road trip to obtain promotional interviews for their college. However en route they witness a series of odd events, strange behaviour, shocking actions and what seems to be surplus of twins. Their well-ordered universe literally changes before their camera lenses uncovering a terrifying secret lurking just under the seemingly calm urban landscape.
Mrs Caldicot's Cabbage War
Delivery Driver
After her husband's death, A woman starts looking for independence.
Gentlemen's Relish
Stanley Gaunt
The career of the once successful classical portraitist, Kingdom Swann, has hit bad times. When a leading gallery rejects his work, he seems at the point of giving up. It is only the support of his housekeeper, Violet Askey, that keeps him going and it is she who encourages him to switch to photography. Soon Swann has developed a healthy (and respectable) business with portraits of naked women in classical and exotic settings. However, the nature of Swann's new work is open to misinterpretation and he finds himself at the centre of a scandal involving the misuse of his pictures by a SOHO pornographer, and the focus of a campaign by suffragettes against the expoitation of women. At the same time, he loses the support of the loyal Violet, who leaps to the wrong conclusion about Swann's relationship with one of his models. When Violet then becomes involved in the suffragette and amti-pornography movements, it seems all may be lost for Swann - both professionally...and personally.