Jamie Bradley

Strange cravings and hallucinations befall a young couple after seeking shelter in the home of an aging farmer and her peculiar son.

A college student unwittingly releases terrifying entities from her school's past via a Halloween-themed computer meme.

루이 14세, 베르사유, 천국을 만들라는 왕의 명령에 정원사들이 모인다. 대대로 정원관리를 맡아오던 ‘르 노트르(마티아스 쇼에나에츠)’는 최고의 정원사들을 선발하는 과정에서 ‘드 바라(케이트 윈슬렛)’와 만나게 된다. 아무에게도 말하지 못한 상처를 갖고 있던 ‘드 바라’와 계약결혼 생활을 하던 ‘르 노트르’는 서로에게 호감을 느끼지만 서로에게 빠져들수록 베르사유의 정원은 점점 천국의 모습과 멀어지는데…

Terminator the Second is the premiere production of the Nashville performance collective, Husky Jackal Theater. A product of nearly a year of research and revision, the script tells the story of a boy and his cyborg protector entirely in lines and phrases taken from the plays of William Shakespeare. Each line and phrase is taken from original folios, with only proper nouns, pronouns and corresponding verb tenses subject to change. In doing so, the authors were able to accurately recreate the story of Terminator 2: Judgement Day, while remaining true to the words of Shakespeare in form, if less so in intent.

Monsters are taking over the world, slowly, quietly and efficiently, but you won’t see them coming until it’s far too late! Four film students embark on a road trip to obtain promotional interviews for their college. However en route they witness a series of odd events, strange behaviour, shocking actions and what seems to be surplus of twins. Their well-ordered universe literally changes before their camera lenses uncovering a terrifying secret lurking just under the seemingly calm urban landscape.

After her husband's death, A woman starts looking for independence.

The career of the once successful classical portraitist, Kingdom Swann, has hit bad times. When a leading gallery rejects his work, he seems at the point of giving up. It is only the support of his housekeeper, Violet Askey, that keeps him going and it is she who encourages him to switch to photography. Soon Swann has developed a healthy (and respectable) business with portraits of naked women in classical and exotic settings. However, the nature of Swann's new work is open to misinterpretation and he finds himself at the centre of a scandal involving the misuse of his pictures by a SOHO pornographer, and the focus of a campaign by suffragettes against the expoitation of women. At the same time, he loses the support of the loyal Violet, who leaps to the wrong conclusion about Swann's relationship with one of his models. When Violet then becomes involved in the suffragette and amti-pornography movements, it seems all may be lost for Swann - both professionally...and personally.