Jamie Bradley

Anseios estranhos e alucinações acontecem a um jovem casal depois de buscar abrigo na casa de um fazendeiro idoso e seu filho peculiar.

A college student unwittingly releases terrifying entities from her school's past via a Halloween-themed computer meme.

O Rei Luís XIV incumbe o famoso arquiteto André Le Notre de projetar os jardins do Palácio de Versalhes. Ele contrata a bela e arrojada paisagista Sabine de Barra para auxiliá-lo, dona de um estilo oposto ao seu. Aos poucos as desavenças entre os dois desaparecem, a relação profissional logo torna-se mais íntima e fofocas chegam aos ouvidos da mulher de Le Notre.

Terminator the Second is the premiere production of the Nashville performance collective, Husky Jackal Theater. A product of nearly a year of research and revision, the script tells the story of a boy and his cyborg protector entirely in lines and phrases taken from the plays of William Shakespeare. Each line and phrase is taken from original folios, with only proper nouns, pronouns and corresponding verb tenses subject to change. In doing so, the authors were able to accurately recreate the story of Terminator 2: Judgement Day, while remaining true to the words of Shakespeare in form, if less so in intent.

Monsters are taking over the world, slowly, quietly and efficiently, but you won’t see them coming until it’s far too late! Four film students embark on a road trip to obtain promotional interviews for their college. However en route they witness a series of odd events, strange behaviour, shocking actions and what seems to be surplus of twins. Their well-ordered universe literally changes before their camera lenses uncovering a terrifying secret lurking just under the seemingly calm urban landscape.

After her husband's death, A woman starts looking for independence.

The career of the once successful classical portraitist, Kingdom Swann, has hit bad times. When a leading gallery rejects his work, he seems at the point of giving up. It is only the support of his housekeeper, Violet Askey, that keeps him going and it is she who encourages him to switch to photography. Soon Swann has developed a healthy (and respectable) business with portraits of naked women in classical and exotic settings. However, the nature of Swann's new work is open to misinterpretation and he finds himself at the centre of a scandal involving the misuse of his pictures by a SOHO pornographer, and the focus of a campaign by suffragettes against the expoitation of women. At the same time, he loses the support of the loyal Violet, who leaps to the wrong conclusion about Swann's relationship with one of his models. When Violet then becomes involved in the suffragette and amti-pornography movements, it seems all may be lost for Swann - both professionally...and personally.