Heiward Mak
Historia
Heiward Mak majored in design studies at Hong Kong Polytechnic University, but became interested in filmmaking after she graduated in 2003. She entered the creative media program at the City University of Hong Kong and began making short films. Her graduation short won an award at the IFVA Hong Kong Independent Short Film & Video Awards, attracting the attention of actor-producer Eric Tsang. She was promptly hired to work alongside veteran Aubrey Lam on the script to Men Suddenly in Black 2 (2006), the sequel to Pang Ho-cheung’s popular comedy.
At the time, Tsang was involved in the production of a trilogy of films about high school students, set in Hong Kong, Taiwan, and mainland China, respectively. The trilogy was entitled Winds of September, after the Taiwanese installment, and Tsang hired Mak to write and direct the Hong Kong episode. Mak was only in her early twenties at the time, and her film High Noon (2008) received critical accolades as an energetic and unhackneyed look at Hong Kong’s disaffected youth. It also won her a nomination as Best New Director at the 2009 Hong Kong Film Awards.
Woman (Voice)
La película retrata el miedo del autor de cómo ha cambiado Hong Kong y cómo enfrenta sus emociones. Se siente como si el alma se partiera en muchos pedazos, pero si sobrevivimos, las profundidades de la noche finalmente pasarán.
Producer
A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.
Editor
Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.
Writer
After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.
Director
After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.
Screenplay
Un grupo de mercenarios se reúnen para planear un último gran robo: un cargamento de medicamentos que ayudará a un grupo de niños refugiados en África. Pero una traición hace fracasar la operación
Producer
An absentee father and his bipolar son are forced to live together as they struggle with a recent family tragedy. The tension and anxiety boil as they live and try to cope in a tiny apartment. As time passes, they realize their shared pain is not their only source of grief, as they find the outside world is a cruel and unjust place.
Director
An omnibus of 4 short stories, each of them occurring in different corners of our society, but all of which encompass the same themes: courage, determination, pursuance and hope.
Writer
“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.
Director
“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.
Screenplay
When an accident temporarily robs her of her voice, Diva J flees to a small deserted village to heal both her mental and physical wounds. Her life changes when she meets and falls in love with the blind Hu Ming, who inspires her to make a comeback. But, in her absence, a new diva has risen. R has become an overnight sensation that everyone sees as the main contender for J's crown. Yet, their successes have come at a high price. J is secretly pining for a forbidden love that seems destined to wither, and R has found that the road to stardom is littered with estranged friends and painful break-ups. But in the midst of this, both divas rise to find their own voice.
Director
When an accident temporarily robs her of her voice, Diva J flees to a small deserted village to heal both her mental and physical wounds. Her life changes when she meets and falls in love with the blind Hu Ming, who inspires her to make a comeback. But, in her absence, a new diva has risen. R has become an overnight sensation that everyone sees as the main contender for J's crown. Yet, their successes have come at a high price. J is secretly pining for a forbidden love that seems destined to wither, and R has found that the road to stardom is littered with estranged friends and painful break-ups. But in the midst of this, both divas rise to find their own voice.
Director
Four Hong Kong directors portray Hong Kong through their own experiences.
Writer
After his business goes bust, Ng Shun and his family move back to his old apartment to stay with his father. He has not returned for 10 years because the apartment is too small for his family. Furthermore, the environment is unfamiliar to Shun's family. Coincidentally Shun's old childhood friend, Lung returns too. Due to an old misunderstanding, Shun is distrustful of Lung. Will Lung regain Shun's trust again?
Screenplay
Chow Yi (Gillian Chung) is about to leave on holiday with her boyfriend, Yang Pai Shu (Lawrence Chou) until an argument makes Chow Yi to dump him at the airport. Their breakup is being witnessed by her ex-boyfriend, Chan Kwan Ping (William Chan), who has just returned from overseas trip. Waiting for his arrival is his current girlfriend, Dai Pui Si (Michelle Wai). Kwan Ping then offers his lift to bring Chow Yi back to the city. Upon knowing Chow Yi is homeless, jobless and friendless, he let her to stay in his place for two days, making Pui Si jealous. Can the ex-lovers reunite once again?
Director
Chow Yi (Gillian Chung) is about to leave on holiday with her boyfriend, Yang Pai Shu (Lawrence Chou) until an argument makes Chow Yi to dump him at the airport. Their breakup is being witnessed by her ex-boyfriend, Chan Kwan Ping (William Chan), who has just returned from overseas trip. Waiting for his arrival is his current girlfriend, Dai Pui Si (Michelle Wai). Kwan Ping then offers his lift to bring Chow Yi back to the city. Upon knowing Chow Yi is homeless, jobless and friendless, he let her to stay in his place for two days, making Pui Si jealous. Can the ex-lovers reunite once again?
Writer
When the Hong Kong government enacts a ban on smoking cigarettes indoors, hard-core smokers are driven outside and a budding romance develops between two co-workers.
Editor
El banquero abiertamente gay, Daniel, debate si regresar a Australia o quedarse en Hong Kong cuando se encuentre con Kafka, un instructor de natación directo. Los jóvenes se enamoran, creyendo que su amor puede salvar cualquier cosa, a pesar de su diferencia en la sexualidad y el uso creciente de drogas de Kafka. Daniel no se arrepiente de haber amado a Kafka, quien intenta amarlo contra su naturaleza. Pero una memoria flashback del pasado de Kafka dificulta que su relación funcione.
Director
Four short films by four Hong Kong directors.
Writer
The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity
Director
The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity
Writer
Writer
Heiward Mak’s Graduation Short Film, which won the 12th IFVA Gold Prize.
Director
Heiward Mak’s Graduation Short Film, which won the 12th IFVA Gold Prize.
Executive Producer
A devoted couple settled themselves in Hong Kong decades ago through turmoil across the border, navigated through ebb and flow together in life. Since the stroke of the wife, Yeung Ha (Brenda Chan), they were both physically and mentally weighed down. Husband Lau Choi (Ying To Li), with his unswerving affection, continues their journey to the other side of life as it vanish away.
