Heiward Mak

Heiward Mak

História

Heiward Mak majored in design studies at Hong Kong Polytechnic University, but became interested in filmmaking after she graduated in 2003. She entered the creative media program at the City University of Hong Kong and began making short films. Her graduation short won an award at the IFVA Hong Kong Independent Short Film & Video Awards, attracting the attention of actor-producer Eric Tsang. She was promptly hired to work alongside veteran Aubrey Lam on the script to Men Suddenly in Black 2 (2006), the sequel to Pang Ho-cheung’s popular comedy. At the time, Tsang was involved in the production of a trilogy of films about high school students, set in Hong Kong, Taiwan, and mainland China, respectively. The trilogy was entitled Winds of September, after the Taiwanese installment, and Tsang hired Mak to write and direct the Hong Kong episode. Mak was only in her early twenties at the time, and her film High Noon (2008) received critical accolades as an energetic and unhackneyed look at Hong Kong’s disaffected youth. It also won her a nomination as Best New Director at the 2009 Hong Kong Film Awards.

Perfil

Heiward Mak

Filmes

Depths of Night
Woman (Voice)
The film portrays the author's fear of how Hong Kong has changed and how she faces her emotions. It feels like the soul is broken into many pieces, but if we survive, depths of night will eventually pass.
Fire Room
Producer
A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.
Drifting
Editor
Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.
Fagara
Writer
After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.
Fagara
Director
After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.
O Golpe De Ouro
Screenplay
Ex-mercenários de Hong Kong se juntam para um golpe: roubar um carregamento de medicamentos a ser doado para um campo de refugiados africanos. Quando finalmente conseguem, descobrem que se trata de ouro: foram enganados por alguém e a missão agora acarreta outros riscos.
Mad World
Producer
O filme narra a história de um ex-analista financeiro que sofre de um transtorno bipolar grave. Logo após ter alta de um hospital psiquiátrico, é enviado para a custódia de seu pai, um motorista de caminhão que não tem nem um pouco de empatia pela situação do filho. Seus dias vão se tornar uma luta diária contra o fracasso e, principalmente, contra a ignorância dos que o rodeiam.
Good Take, Too!
Director
An omnibus of 4 short stories, each of them occurring in different corners of our society, but all of which encompass the same themes: courage, determination, pursuance and hope.
Uncertain Relationships Society
Writer
“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.
Uncertain Relationships Society
Director
“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.
Diva
Screenplay
When an accident temporarily robs her of her voice, Diva J flees to a small deserted village to heal both her mental and physical wounds. Her life changes when she meets and falls in love with the blind Hu Ming, who inspires her to make a comeback. But, in her absence, a new diva has risen. R has become an overnight sensation that everyone sees as the main contender for J's crown. Yet, their successes have come at a high price. J is secretly pining for a forbidden love that seems destined to wither, and R has found that the road to stardom is littered with estranged friends and painful break-ups. But in the midst of this, both divas rise to find their own voice.
Diva
Director
When an accident temporarily robs her of her voice, Diva J flees to a small deserted village to heal both her mental and physical wounds. Her life changes when she meets and falls in love with the blind Hu Ming, who inspires her to make a comeback. But, in her absence, a new diva has risen. R has become an overnight sensation that everyone sees as the main contender for J's crown. Yet, their successes have come at a high price. J is secretly pining for a forbidden love that seems destined to wither, and R has found that the road to stardom is littered with estranged friends and painful break-ups. But in the midst of this, both divas rise to find their own voice.
We Might As Well Be Strangers
Director
Four Hong Kong directors portray Hong Kong through their own experiences.
I Love Hong Kong 2011
Writer
After his business goes bust, Ng Shun and his family move back to his old apartment to stay with his father. He has not returned for 10 years because the apartment is too small for his family. Furthermore, the environment is unfamiliar to Shun's family. Coincidentally Shun's old childhood friend, Lung returns too. Due to an old misunderstanding, Shun is distrustful of Lung. Will Lung regain Shun's trust again?
Ex
Screenplay
Zhou Yi está prestes a sair de férias com seu namorado, Woddy, até que uma discussão faz Zhou Yi largá-lo no aeroporto e nessa mesma ocasião a separação deles está sendo testemunhada pelo ex-namorado dela.
Ex
Director
Zhou Yi está prestes a sair de férias com seu namorado, Woddy, até que uma discussão faz Zhou Yi largá-lo no aeroporto e nessa mesma ocasião a separação deles está sendo testemunhada pelo ex-namorado dela.
Love in a Puff
Writer
When the Hong Kong government enacts a ban on smoking cigarettes indoors, hard-core smokers are driven outside and a budding romance develops between two co-workers.
Anfetamina
Editor
A história gira em torno do romance apaixonado entre o banqueiro abertamente gay, Daniel (Thomas Price) e o instrutor de natação Kafka (Byron Pang). Depois de espionar o olhar desesperado em um bar, Daniel oferece a Kafka um passeio em sua Ferrari tentando conquistá-lo com o seu estilo de vida.
Quattro Hong Kong
Director
Four short films by four Hong Kong directors.
High Noon
Writer
The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity
High Noon
Director
The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity
Men Suddenly in Black 2
Writer
Lovers’ Lover
Writer
Heiward Mak’s Graduation Short Film, which won the 12th IFVA Gold Prize.
Lovers’ Lover
Director
Heiward Mak’s Graduation Short Film, which won the 12th IFVA Gold Prize.
Take us to the island
Executive Producer
A devoted couple settled themselves in Hong Kong decades ago through turmoil across the border, navigated through ebb and flow together in life. Since the stroke of the wife, Yeung Ha (Brenda Chan), they were both physically and mentally weighed down. Husband Lau Choi (Ying To Li), with his unswerving affection, continues their journey to the other side of life as it vanish away.