Carlos Conceição

In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.

In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.

In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.

In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.

Un giallo postmoderno que secuestra nuestras mentes y sentidos para introducirnos en el mundo de Candide, un imperturbable y seductor asesino en serie que una noche se topa con una mujer que acaba de saltar de un edificio y que le pide un último beso antes de morir. Instante que capta una cámara y que le convierte en un fenómeno en las redes, empezando así una huida hacia adelante de incierto fin. Un film de imaginario subversivo, fetichista y surrealista de Carlos Conceição ("Serpentário") una de las voces más excitantes del cine portugués contemporáneo, con cameo de Leonor Silveira, actriz icónica del cine de Oliveira.

Un giallo postmoderno que secuestra nuestras mentes y sentidos para introducirnos en el mundo de Candide, un imperturbable y seductor asesino en serie que una noche se topa con una mujer que acaba de saltar de un edificio y que le pide un último beso antes de morir. Instante que capta una cámara y que le convierte en un fenómeno en las redes, empezando así una huida hacia adelante de incierto fin. Un film de imaginario subversivo, fetichista y surrealista de Carlos Conceição ("Serpentário") una de las voces más excitantes del cine portugués contemporáneo, con cameo de Leonor Silveira, actriz icónica del cine de Oliveira.

Un giallo postmoderno que secuestra nuestras mentes y sentidos para introducirnos en el mundo de Candide, un imperturbable y seductor asesino en serie que una noche se topa con una mujer que acaba de saltar de un edificio y que le pide un último beso antes de morir. Instante que capta una cámara y que le convierte en un fenómeno en las redes, empezando así una huida hacia adelante de incierto fin. Un film de imaginario subversivo, fetichista y surrealista de Carlos Conceição ("Serpentário") una de las voces más excitantes del cine portugués contemporáneo, con cameo de Leonor Silveira, actriz icónica del cine de Oliveira.

Un giallo postmoderno que secuestra nuestras mentes y sentidos para introducirnos en el mundo de Candide, un imperturbable y seductor asesino en serie que una noche se topa con una mujer que acaba de saltar de un edificio y que le pide un último beso antes de morir. Instante que capta una cámara y que le convierte en un fenómeno en las redes, empezando así una huida hacia adelante de incierto fin. Un film de imaginario subversivo, fetichista y surrealista de Carlos Conceição ("Serpentário") una de las voces más excitantes del cine portugués contemporáneo, con cameo de Leonor Silveira, actriz icónica del cine de Oliveira.

Con este retrato ingenioso, la directora Kirsten Johnson busca una manera de mantener vivo para siempre a su padre de 86 años. Utilizando la magia del cine y el humor negro de su familia, celebra los últimos años del Dr. Dick Johnson al escenificar fantasías de muerte y más. Juntos, papá e hija enfrentan la gran inevitabilidad que nos espera a todos.

A young man drifts through a post-disaster African landscape looking for his mother's ghost.

A young man drifts through a post-disaster African landscape looking for his mother's ghost.

A young man drifts through a post-disaster African landscape looking for his mother's ghost.

A young man drifts through a post-disaster African landscape looking for his mother's ghost.

A young man drifts through a post-disaster African landscape looking for his mother's ghost.

A young man drifts through a post-disaster African landscape looking for his mother's ghost.

Wayward boy punishes his mother’s lover. Beauty and horror fondle each other. Young gods callously abjure conventional morality. Death goes whoring in child’s guise. Living in a world of role play, Miguel spends all his time playing with his sister Clara. They have a close bond that is made even more intense by Clara's illness. Yet despite all his efforts, Miguel senses that there's something missing in Clara's life that he cannot give her. Time is running out, and her health is deteriorating. One evening, he decides to approach a young man.

Wayward boy punishes his mother’s lover. Beauty and horror fondle each other. Young gods callously abjure conventional morality. Death goes whoring in child’s guise. Living in a world of role play, Miguel spends all his time playing with his sister Clara. They have a close bond that is made even more intense by Clara's illness. Yet despite all his efforts, Miguel senses that there's something missing in Clara's life that he cannot give her. Time is running out, and her health is deteriorating. One evening, he decides to approach a young man.

T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."

T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."

T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."

T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."

T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."

Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.

Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.

The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?

D. Luis and Afonso search for the lady who lost her shoe during the ball.

An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.

An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.

An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.

An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.

How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?

Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.

Tradition says that on 13 June, Saint Anthony’s Day (the national holiday of Lisbon’s patron), lovers must offer small vases of basil with paper carnations and flags with popular poems as a token of their love.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.

In one afternoon Rafael’s paradise becomes a spiral of guilt and paranoia.

In one afternoon Rafael’s paradise becomes a spiral of guilt and paranoia.

In one afternoon Rafael’s paradise becomes a spiral of guilt and paranoia.

Violante, a young and beautiful catholic nun, is facing a few marital issues with her husband Jesus Christ - who stalks her through the dark corners of a decaying convent and seeks to punish her for her (alleged) sins. In a dark stormy night they struggle to win each other to their personal points of view. She quotes the bible in terms of unconditional love - He does the same in terms of capital punishment. But are His manly insecurities based on solid grounds? After escaping His jealous rage, the nun lurks through the dark alleys and the bars like a vampire. Doomed to loneliness, all she wants is a Man. And who can this Man be?

En la entrada de una discoteca en Lisboa, dos chicos, Pedro y Rui, se besan apasionadamente. Pedro coge el coche de vuelta a casa y Rui entra en la discoteca donde trabaja. Minutos más tarde, Pedro tiene un accidente mortal. En otra parte de la ciudad, Odete sueña con tener un hijo, pero su novio no quiere compromisos y la abandona...

Historia de los Trueba, una turbulenta famila chilena de clase alta que, durante tres generaciones, vive los cambiantes acontecimientos de su país. Con su violento patriarca y sus mujeres clarividentes, la historia familiar se extiende desde finales del siglo XIX hasta el golpe de estado que derrocó al gobierno de Salvador Allende en 1973.