Carlos Conceição
출생 : 1979-08-05, Angola
약력
Carlos Conceição was born on August 5, 1979 in Angola as Carlos Miguel V. Conceição. He is a director and writer, known for Goodnight, Cinderella (2014), Serpentarius (2019) and Hell, or Pool Keeping (2011).
Editor
In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
Screenplay
In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
Associate Producer
In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
Director
In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
Editor
Candide is a cold and seductive serial killer who, after kissing a girl who just jumped off a balcony, becomes a superstar under the world's microscope.
Writer
Candide is a cold and seductive serial killer who, after kissing a girl who just jumped off a balcony, becomes a superstar under the world's microscope.
Producer
Candide is a cold and seductive serial killer who, after kissing a girl who just jumped off a balcony, becomes a superstar under the world's microscope.
Director
Candide is a cold and seductive serial killer who, after kissing a girl who just jumped off a balcony, becomes a superstar under the world's microscope.
Thanks
죽음은 숙명, 피할 수 없다면 맞설 수밖에. 감독 커스턴 존슨이 노년의 아버지와 함께 다양한 방식으로 죽음을 연출한다. 그 비통한 순간에, 유머가 힘이 될 수 있을까.
Editor
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Cinematography
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Producer
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Writer
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
The Traveller (voice)
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Director
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Writer
Wayward boy punishes his mother’s lover. Beauty and horror fondle each other. Young gods callously abjure conventional morality. Death goes whoring in child’s guise. Living in a world of role play, Miguel spends all his time playing with his sister Clara. They have a close bond that is made even more intense by Clara's illness. Yet despite all his efforts, Miguel senses that there's something missing in Clara's life that he cannot give her. Time is running out, and her health is deteriorating. One evening, he decides to approach a young man.
Director
Wayward boy punishes his mother’s lover. Beauty and horror fondle each other. Young gods callously abjure conventional morality. Death goes whoring in child’s guise. Living in a world of role play, Miguel spends all his time playing with his sister Clara. They have a close bond that is made even more intense by Clara's illness. Yet despite all his efforts, Miguel senses that there's something missing in Clara's life that he cannot give her. Time is running out, and her health is deteriorating. One evening, he decides to approach a young man.
Producer
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Editor
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Cinematography
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Screenplay
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Director
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.
영화제 때문에 방문한 리스본에서 평범한 듯 예외적인 시간을 보내는 배우, 두 명의 리스본 관광 가이드들 사이에 벌어진 일, 타인의 꿈에 들어갈 수 있는 이상한 기계, 인어와 가면을 쓴 남자들이 벌이는 비현실적 모험 이야기가 차례로 펼쳐진다.
Sound Recordist
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
Director
D. Luis and Afonso search for the lady who lost her shoe during the ball.
Director
An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.
Writer
An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.
Producer
An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.
Editor
An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.
Sound Director
How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
Sound Recordist
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
Rapaz da Rua de Santa Joana Princesa
Tradition says that on 13 June, Saint Anthony’s Day (the national holiday of Lisbon’s patron), lovers must offer small vases of basil with paper carnations and flags with popular poems as a token of their love.
Sound
This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.
Sound Recordist
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
Editor
In one afternoon Rafael’s paradise becomes a spiral of guilt and paranoia.
Writer
In one afternoon Rafael’s paradise becomes a spiral of guilt and paranoia.
Director
In one afternoon Rafael’s paradise becomes a spiral of guilt and paranoia.
Director
Violante, a young and beautiful catholic nun, is facing a few marital issues with her husband Jesus Christ - who stalks her through the dark corners of a decaying convent and seeks to punish her for her (alleged) sins. In a dark stormy night they struggle to win each other to their personal points of view. She quotes the bible in terms of unconditional love - He does the same in terms of capital punishment. But are His manly insecurities based on solid grounds? After escaping His jealous rage, the nun lurks through the dark alleys and the bars like a vampire. Doomed to loneliness, all she wants is a Man. And who can this Man be?
Sound Assistant
After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of her neighbour Pedro, who died in a car crash and is mourned by his boyfriend Rui.
한 집안의 4대에 걸친 서사극으로 칠레의 정치적 격동기를 배경으로 했다. 쿠테타로 희생된 대통령의 가정, 한 사람의 남편, 가장으로서의 그의 몰락과 붕괴를 보여준다. 정치가의 딸 클라라(메릴 스트립)는 심령의 능력을 타고 났다. 그녀는 언니 로사가 독살당하자 로사의 약혼자였던 에스테반(제레미 아이언스)과 결혼한다. 그러나 에스테반은 결혼 후에도 바람을 피워 가르시아(빈센트 갈로)라는 아들을 낳아오고 성격은 점점 포악해진다. 그는 딸 블랑카(위노나 라이더)가 인디언 혈통의 사회주의자 페드로와 사귄다는 사실을 알고는 딸의 애인을 죽이려고까지 한다. 더 이상 견디지 못한 클라라는 딸 브랑카를 데리고 에스테반 곁을 떠난다. 그 사이 블랑카는 페드로(안토니오 반데라스)와 결혼해 예쁜 딸을 낳고 살지만 사회주의자라는 이유로 군부에 수감되는데...