Carlos Conceição
Nascimento : 1979-08-05, Angola
História
Carlos Conceição was born on August 5, 1979 in Angola as Carlos Miguel V. Conceição. He is a director and writer, known for Goodnight, Cinderella (2014), Serpentarius (2019) and Hell, or Pool Keeping (2011).
Editor
In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
Screenplay
In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
Associate Producer
In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
Director
In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
Editor
Candide is a cold and seductive serial killer who, after kissing a girl who just jumped off a balcony, becomes a superstar under the world's microscope.
Writer
Candide is a cold and seductive serial killer who, after kissing a girl who just jumped off a balcony, becomes a superstar under the world's microscope.
Producer
Candide is a cold and seductive serial killer who, after kissing a girl who just jumped off a balcony, becomes a superstar under the world's microscope.
Director
Candide is a cold and seductive serial killer who, after kissing a girl who just jumped off a balcony, becomes a superstar under the world's microscope.
Thanks
Em Dick Johnson Is Dead, a diretora Kirsten Johnson busca uma maneira de manter vivo seu pai de 86 anos para sempre. Utilizando a magia do cinema e o humor sombrio de sua família, ela comemora os últimos anos do Dr. Dick Johnson encenando fantasias da morte e além. Juntos, pai e filha enfrentam a grande inevitabilidade que nos espera.
Editor
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Cinematography
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Producer
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Writer
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
The Traveller (voice)
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Director
A young man drifts through a post-disaster African landscape looking for his mother's ghost.
Writer
Rapaz tímido domina o amante da mãe. A beleza e o horror trocam carícias. Deuses adolescentes desafiam morais convencionais. A morte prostitui-se vestida de criança.
Director
Rapaz tímido domina o amante da mãe. A beleza e o horror trocam carícias. Deuses adolescentes desafiam morais convencionais. A morte prostitui-se vestida de criança.
Producer
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Editor
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Cinematography
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Screenplay
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Director
T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."
Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.
Em 2013, para celebrar o seu décimo aniversário, o IndieLisboa tinha convidado quatro realizadores a filmarem em Lisboa: Dominga Sotomayor e Marie Losier (vencedoras da Competição Internacional com “De Jueves a Domingo”, em 2012, e “The Ballad of Genesis and Lady Jaye”, em 2011, respectivamente), e Denis Côté e Gabriel Abrantes, duas presenças recorrentes do festival. “Aqui, em Lisboa” é o surpreendente resultado – quatro autores com quatro visões diferentes da cidade de Lisboa, passando pelos registos da ficção, do documentário, da comédia ou do fantástico. Mas com o traço comum que espelha o festival que os acolhe: a independência.
Sound Recordist
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
Director
D. Luis and Afonso search for the lady who lost her shoe during the ball.
Director
An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.
Writer
An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.
Producer
An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.
Editor
An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.
Sound Director
How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
Sound Recordist
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
Rapaz da Rua de Santa Joana Princesa
Seguindo as tradições portuguesas de 13 de junho — quando os enamorados ofertam a Santo Antônio um vaso de manjericão como prova de seu amor — um grupo de jovens ocupam as ruas tomados por uma estranha letargia.
Sound
Este filme é uma tentativa para descobrir se Raul Brandão deixou algum rasto, em Nespereira (Guimarães), a terra que adoptou como sua. Resistiu Raul Brandão ao modo português da não-inscrição? Deixou ele algum rasto no branco histórico e psíquico construído pelos portugueses, em que usualmente nada deixa rasto?
Sound Recordist
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
Editor
In one afternoon Rafael’s paradise becomes a spiral of guilt and paranoia.
Writer
In one afternoon Rafael’s paradise becomes a spiral of guilt and paranoia.
Director
In one afternoon Rafael’s paradise becomes a spiral of guilt and paranoia.
Director
Violante, a young and beautiful catholic nun, is facing a few marital issues with her husband Jesus Christ - who stalks her through the dark corners of a decaying convent and seeks to punish her for her (alleged) sins. In a dark stormy night they struggle to win each other to their personal points of view. She quotes the bible in terms of unconditional love - He does the same in terms of capital punishment. But are His manly insecurities based on solid grounds? After escaping His jealous rage, the nun lurks through the dark alleys and the bars like a vampire. Doomed to loneliness, all she wants is a Man. And who can this Man be?
Sound Assistant
Odete, ajudante de supermercado em Lisboa, sonha em ser mãe. No entanto, quando ela revela seu desejo ao namorado, ele termina o relacionamento. Isto não impede Odete de ficar cada vez mais obcecada com a ideia da maternidade. Em outro ponto da cidade, o amor entre Rui e Pedro é interrompido quando este morre em um acidente de carro. Sozinho, Rui começa a perder a vontade de viver. Mas, estranhamente, o fantasma de Pedro parece querer unir Odete e Rui para realizar o sonho de uma e terminar com a desesperança do outro.
A história do Chile da década de 20 aos anos 70 é contada através da saga da família Trueba, que começa com a união de um homem simples (Jeremy Irons), que fica rico, com uma jovem (Meryl Streep) de poderes paranormais. A saga se desenvolve até esta família ser atingida pela revolução, que no início da década de 70 derrubou o presidente Salvador Allende.